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Der Krumme Teufel
''Der krumme Teufel'' (''The Lame Devil'' or "The Limping Devil", 1751 or 1752), Hob. 29/1a, was Joseph Haydn's first opera. This German-language comic opera in the genre of Singspiel was commissioned by its librettist, leading comic actor , from the French novel '' Le Diable boiteux'' by Alain-René Lesage. It was forbidden after two acclaimed performances in Vienna due to "offensive remarks in the text", but later revived and probably revised as ''Der neue krumme Teufel'' ("The New Lame Devil", 1757 or 1758), Hob. 29/1b. The music is lost, though a libretto survives for each version. Description The title ''Der krumme Teufel'' is often translated as "The Lame Devil",Butterworth 1978 977 p23 "In 1752 Haydn composed the music for a burlesque opera called ''Der rumme Teufel'' (''The Lame Devil'')."Jurkowski, Henryk, with Francis, Penny, collab. ed. (1996). ''A History of European Puppetry: From Its Origins to the End of the 19th Century'' (Vol. 1 of ''A History of European Puppet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister position was a senior one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Operas
Lost or LOST may refer to getting lost, or to: Arts, entertainment, and media Television * ''Lost'' (TV series), a 2004 American drama series about people who become stranded on a mysterious island * ''Lost'' (2001 TV series), a short-lived American and UK reality series * ''Lost'' (South Korean TV series), a 2021 South Korean series * "Lost" (''The Bill''), a 1985 episode * "Lost" (''Stargate Universe''), an episode of science fiction series ''Stargate Universe'' *"Lost", an episode of ''Unleashed!'' *"Lost", an episode of the Canadian documentary TV series ''Mayday'' *"Lost", an episode of Disney's ''So Weird'' * "The Lost" (''Class''), an episode of the first series of the ''Doctor Who'' spin-off series ''Class'' Films * ''Lost'' (1950 film), a Mexican film directed by Fernando A. Rivero * ''Lost'' (1956 film), a British thriller starring David Farrar * ''Lost'' (1983 film), an American film directed by Al Adamson * ''Lost!'' (film), a 1986 Canadian film directed by Peter R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devil In Opera
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German (, ) is a West Germanic language in the Indo-European language family, mainly spoken in Western and Central Europe. It is the majority and official (or co-official) language in Germany, Austria, Switzerland, and Liechtenstein. It is also an official language of Luxembourg, Belgium and the Italian autonomous province of South Tyrol, as well as a recognized national language in Namibia. There are also notable German-speaking communities in other parts of Europe, including: Poland (Upper Silesia), the Czech Republic ( North Bohemia), Denmark (North Schleswig), Slovakia (Krahule), Romania, Hungary (Sopron), and France (Alsace). Overseas, sizeable communities of German-speakers are found in the Americas. German is one of the major languages of the world, with nearly 80 million native speakers and over 130 million total speakers as of 2024. It is the most spoken native language within the European Union. German is the second-most widely spoken Germanic language, after English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with Musical ensemble, ensembles, songs, ballads, and arias which were often Strophic form, strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic (paranormal), magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were Mystery play, miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1751 Operas
In Britain and its colonies (except Scotland), 1751 only had 282 days due to the Calendar (New Style) Act 1750, which ended the year on 31 December (rather than nearly three months later according to its previous rule). Events January–March * January 1 – As the Province of Georgia undergoes the transition from a trustee-operated territory to a Crown colony, the prohibition against slavery is lifted by the Trustees for the Establishment of the Colony of Georgia in America. At the time, the Black population of Georgia is approximately 400 people, who had been kept in slavery in violation of the law. By 1790, the enslaved population of Georgia increases to over 29,000 and to 462,000 by 1860. * January 7 – The University of Pennsylvania, conceived 12 years earlier by Benjamin Franklin and its other trustees to provide non-denominational higher education "to train young people for leadership in business, government and public service". rather than for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Joseph Haydn
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Journal Of Modern History
''The Journal of Modern History'' is a quarterly peer-reviewed academic journal covering European intellectual, political, and cultural history, published by the University of Chicago Press. Established in 1929, the journal covers events from approximately 1500 to the present, with a geographical scope extending from the United Kingdom through the European continent, including Russia and the Balkans. Editors and editorial board The ''Journal of Modern History'' is coedited by John W. Boyer, Jan E. Goldstein, and Fredrik Albritton Jonsson (University of Chicago). Previous editors include Sheila Fitzpatrick, Hanna Gray, William Hardy McNeill, and Bernadotte Schmitt. Format and contents The journal publishes articles and book reviews. On occasion, it has published special issues focusing on specific topics. The Chester Penn Higby Prize Chester Penn Higby (1886–1966) served on the history faculty at the University of Wisconsin–Madison from 1927 to 1956, and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the dictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by Novello and Co. (also owned by Alfred Novello at the time). It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue – initially just eight pages – contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously published periodical devoted to western classical music. In 1947 a two volume compila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
