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Dance In China
Dance in China is a highly varied art form, consisting of many modern and traditional dance genres. The dances cover a wide range, from folk dances to performances in opera and ballet, and may be used in public celebrations, rituals, and ceremonies. There are also 56 officially recognized ethnic groups in China, and each ethnic minority group in China also has its own folk dances. Outside of China, the best-known Chinese dances today are the dragon dance and the lion dance. History There is a long recorded history of various forms of dance in China. The earliest Chinese character for "dance" (舞), , written in the oracle bones, is itself a representation of a dancer holding oxtails in each hand. Some Chinese dances today, such as dancing with long sleeves, have been recorded since the very early periods, dating from at least as early as the Zhou dynasty. The most important dances of the early period were the ritual and ceremonial music and dances called ''yayue'', and these danc ...
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Chinese Women In Pink, Dancing (2007-07-05)
Chinese may refer to: * Something related to China * Chinese people, people identified with China, through nationality, citizenship, and/or ethnicity **Han Chinese, East Asian ethnic group native to China. **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Chinese nationality law, Nationals of the People's Republic of China ** Taiwanese nationality law, Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese characters in tra ...
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Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279 AD). Early forms of Chinese theater are simple; however, over time, various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed by the performers. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century, the Peking opera emerged in popularity and has come to be known as the "national theatre" of China ...
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Errenzhuan
''Errenzhuan'' ( zh, t= 二人轉, s= 二人转, p=Èrrénzhuàn, lit. "two-people rotation") is a genre of musical theater and folk dance from Northeast China, usually involving two performers (one male and one female). The dance uses folding fans or square-shaped red handkerchiefs, which are twirled as the songs are performed. It is popular due to its comedic dialogue and sketches, which have obfuscated the old dances and songs. ''Errenzhuan'' was previously called a "double play". It may consist of half-class opera, small ''yangko'', ''fengliu'', Spring Song, double side songs, bouncing, or Northeastern local opera written by the people of Northeast China. This form of performance emerged at the beginning of the 21st century as a folk art of Northeast China. Errenzhuan means ‘two people’ (''erren'') ‘telling stories through performing different roles’ (''zhuan''). ''Errenzhuan'' is one of the particular forms of Chinese walking-singing, which was famous in many northe ...
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Yangge
''Yangge'' ( zh, s=秧歌, p=yānggē, l=Rice Sprout Song) is a form of Chinese folk dance developed from a dance known in the Song dynasty as Village Music (). It is very popular in northern China and is one of the most representative form of folk arts. It is popular in both the countryside and cities in northern China. It is especially popular among older people. Crowds of people will go out into the street in the evening and dance together in a line or a circle formation. Some dancers dress up in red, green, or other colorful costumes, and typically use a red silk ribbon around the waist. They will swing their bodies to music played by drum, trumpet, and gong. More people will join in as they see Yang Ge going on and dance along. Some dancers use props like the waistdrum, dancing fan, fake donkey, or litter. In different areas Yangge is performed in different styles, but all types express happiness. In the 1940s, the Chinese Communist Party launched the new ''yangge'' movement ...
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Shennong
Shennong ( zh, c=神農, p=Shénnóng), variously translated as "Divine Farmer" or "Divine Husbandman", born , was a mythological Chinese ruler known as the first Yan Emperor who has become a deity in Chinese and Vietnamese folk religion. He is venerated as a culture hero in China and Vietnam. In Vietnamese, he is referred to as . Shennong has at times been counted amongst the Three Sovereigns (also known as "Three Kings" or "Three Patrons"), a group of ancient deities or deified kings of prehistoric China. Shennong has been thought to have taught the ancient Chinese not only their practices of agriculture, but also the use of herbal medicine. Shennong was credited with various inventions: these include the hoe, plow (both style and the plowshare), axe, digging wells, agricultural irrigation, preserving stored seeds by using boiled horse urine (to ward off the borers), trade, commerce, money, the weekly farmers market, the Chinese calendar (especially the division into th ...
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Fuxi
Fuxi or Fu Hsi ( zh, c=伏羲) is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, hunting, fishing, domestication, and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC or 2000BC. He is also said to be the originator of bagua (the eight trigrams) after observing that there were eight fundamental building blocks in nature: heaven, earth, water, fire, thunder, wind, mountain, and lake. These eight are all made of different combinations of yin and yang, which are what came to be called bagua. Fuxi was counted as the first mythical emperor of China, "a divine being with a serpent's body" who was miraculously born, a Taoist deity, and/or a member of the Three Sovereigns at the beginning of the Chinese dynastic period. Some representations show him as a human with snake-like characteristics, "a leaf-wreathed head growing out of a mountain", "or as a man clothed ...
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Snow Lion
The Snow Lion (sometimes spelled snowlion; ; ) is a celestial animal of Tibet. It is the emblem of Tibet, representing the snowy mountain ranges and glaciers of Tibet, and may also symbolize power and strength, and fearlessness and joy, east and the earth element. It is one of the Four Dignities. It ranges over the mountains, and is commonly pictured as being white with a turquoise mane. In Journey to the West published in 1592, Snow Lion is depicted as one of monster-spirits. As national emblem of Tibet From 1909 until 1959, a single snow lion or a pair of them was used as the national emblem of Tibet on coins, postage stamps, banknotes and the national flag of Tibet. The version shown on right with two Snow Lions was introduced by the 13th Dalai Lama in 1912 based on old military banners, and is still used by the Government of Tibet in Exile. The flag is popularly known as the Snow Lion Flag (''gangs seng dar cha''). In Tibetan culture Snow lion is frequently mention ...
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Tibet
Tibet (; ''Böd''; ), or Greater Tibet, is a region in the western part of East Asia, covering much of the Tibetan Plateau and spanning about . It is the homeland of the Tibetan people. Also resident on the plateau are other ethnic groups such as Mongols, Monpa people, Monpa, Tamang people, Tamang, Qiang people, Qiang, Sherpa people, Sherpa, Lhoba people, Lhoba, and since the 20th century Han Chinese and Hui people, Hui. Tibet is the highest region on Earth, with an average elevation of . Located in the Himalayas, the highest elevation in Tibet is Mount Everest, Earth's highest mountain, rising above sea level. The Tibetan Empire emerged in the 7th century. At its height in the 9th century, the Tibetan Empire extended far beyond the Tibetan Plateau, from the Tarim Basin and Pamirs in the west, to Yunnan and Bengal in the southeast. It then divided into a variety of territories. The bulk of western and central Tibet (Ü-Tsang) was often at least nominally unified under a ser ...
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Northern And Southern Dynasties
The Northern and Southern dynasties () was a period of political division in the history of China that lasted from 420 to 589, following the tumultuous era of the Sixteen Kingdoms and the Eastern Jin dynasty. It is sometimes considered as the latter part of a longer period known as the Six Dynasties (220–589). The period featured civil war and political chaos, but was also a time of flourishing arts and culture, advancement in technology, and the spread of Mahayana Buddhism and Taoism. The period saw large-scale migration of Han people to lands south of the Yangtze. The period came to an end with the unification of China proper by Emperor Wen of the Sui dynasty. During this period, the process of sinicization accelerated among the non-Han ethnicities in the north and among the indigenous peoples in the south. This process was also accompanied by the increasing popularity of Buddhism in both northern and southern China and Daoism gaining influence as well, with t ...
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8280 MGM Macau International Lion Dance Championship 2010
8 (eight) is the natural number following 7 and preceding 9. Etymology English ''eight'', from Old English '', æhta'', Proto-Germanic ''*ahto'' is a direct continuation of Proto-Indo-European '' *oḱtṓ(w)-'', and as such cognate with Greek and Latin , both of which stems are reflected by the English prefix oct(o)-, as in the ordinal adjective ''octaval'' or ''octavary'', the distributive adjective is ''octonary''. The adjective ''octuple'' (Latin ) may also be used as a noun, meaning "a set of eight items"; the diminutive ''octuplet'' is mostly used to refer to eight siblings delivered in one birth. The Semitic numeral is based on a root ''*θmn-'', whence Akkadian ''smn-'', Arabic ''ṯmn-'', Hebrew ''šmn-'' etc. The Chinese numeral, written (Mandarin: ''bā''; Cantonese: ''baat''), is from Old Chinese ''*priāt-'', ultimately from Sino-Tibetan ''b-r-gyat'' or ''b-g-ryat'' which also yielded Tibetan '' brgyat''. It has been argued that, as the cardinal num ...
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Chinese Dragon
The Chinese dragon or loong is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture generally. Chinese dragons have many animal-like forms, such as Bixi (mythology), turtles and Chiwen, fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: Snakes in Chinese mythology, snakes, Chinese alligators, thunder worship and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water and weather. Symbolism Historically, the Chinese dragon was associated with the emperor of China and used as a symbol to represent imperial power. Liu Bang, the founder of the Han dynasty, claimed that he was conceived after his mother dreamt of a dragon. During the Tang dynasty, emperors wore robes with dragon motif as an imperial symbol, and high officials might also be presented with dragon robes. In the Yuan dynasty, the ...
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Dragon Dance At China 1
A dragon is a magical legendary creature that appears in the folklore of multiple cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in Western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of reptilian, mammalian, and avian features. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French , which, in turn, comes from Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... , which, in turn, comes from Latin (genitive ), meaning "huge serpent, dragon", from , (genitive , ) "serpent".
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