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Zouk is a musical movement and dance pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm, and a loud horn section. Musicians from Martinique and Guadeloupe eventually added MIDI instrumentation to their compas style, which developed into a genre called zouk-love. Zouk-love is effectively the French Lesser Antilles' compas,Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 and it gradually became indistinguishable from compas. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré", or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century, including kadans, konpa, and biguine. See also * Brazilian Zouk * Music of Latin America * Music of Martinique * Music of Guadeloupe * Music ...
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Cadence Rampa
Cadence rampa (, ), or simply kadans, is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. Genres: Caribbean and Latin America. Cadence and compas are two names for the same Haitian modern méringue. Ethnology Cadence rampa literally means ''rampart rhythm''. History Webert Sicot left Nemours Jean-Baptiste's compas band and called his music cadence to differentiate it from compas especially when he took it abroad, and so the rivalry between Sicot and Nemours created these names. Sicot created a new rhythm, ''cadence rampa'', to counter compas, but it was only in a spirit of competition. The rhythm of cadence rampa was identical to compas except for the addition of the second drum that sounded on every fourth beat. In the 1930s several biguine artists from Martinique and Guadeloupe moved to France, where they achieved great popularity in Paris, ...
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