Widescreen Comics
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Widescreen Comics
Widescreen comics is a movement within the field of comic books named both for its very cinematic decompression style and its tendency to use panels of greater width relative to their height, mimicking the aspect ratio The aspect ratio of a geometry, geometric shape is the ratio of its sizes in different dimensions. For example, the aspect ratio of a rectangle is the ratio of its longer side to its shorter side—the ratio of width to height, when the rectangl ... of widescreen cinematic presentation. References {{comics-stub ...
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Art Movement
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and also the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. Th ...
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Comic Books
A comic book, comic-magazine, or simply comic is a publication that consists of comics art in the form of sequential juxtaposed panel (comics), panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually dialogue contained in word balloons emblematic of the comics art form. ''Comic Cuts'' was a British comic published from 1890 to 1953. It was preceded by ''Ally Sloper's Half Holiday'' (1884), which is notable for its use of sequential Cartoon, cartoons to unfold narrative. These British comics existed alongside the popular lurid "penny dreadfuls" (such as ''Spring-heeled Jack''), boys' "story papers" and the humorous ''Punch (magazine), Punch'' magazine, which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The first modern American comic book, American-style comic book, ''Famous Funnies: A Carnival of Comics'', was released in the US in 1933 and was a reprinting of earlier newsp ...
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Decompression (comics)
In comics, decompression is a stylistic storytelling choice characterized by a strong emphasis on visuals or character interaction, which, in turn, usually leads to slower-moving plots. The style is often used with widescreen comics. History Decompression developed a strong presence in mainstream American comic books in the 1990s and 2000s. Traditionally, American comics first appeared as anthologies featuring multiple short stories per issue, usually with different characters, which continued for decades in the backup story pages. The done-in-one format prevailed for a long time eventually becoming seconded by open-ended multiple-subplots that characterized the 1970s and '80s in American comics. Decompression is often claimed to be a result of the growing influence of manga on the international comics scene. Manga, traditionally less expensive per page than American comics due to higher circulation and black-and-white printing, extensively uses decompression as a storytellin ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ...
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