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Weird Fiction
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European Gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft. Weird fiction often attempts to inspire awe as well as fear in response to its fictional creations, causing commentators like Miéville to paraphrase Goethe in saying that weird fiction evokes a sense of the numinous. Although "weird fiction" has been chiefly used as a historical description for works through the 1930s, it experienced a resur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speculative Fiction
Speculative fiction is an umbrella term, umbrella genre of fiction that encompasses all the subgenres that depart from Realism (arts), realism, or strictly imitating everyday reality, instead presenting fantastical, supernatural, futuristic, or other imaginative realms. This catch-all genre includes, but is not limited to: fantasy, science fiction, science fantasy, superhero fiction, superhero, paranormal fiction, paranormal, supernatural fiction, supernatural, horror fiction, horror, alternate history, magical realism, slipstream genre, slipstream, weird fiction, utopian and dystopian fiction, utopia and dystopia, apocalyptic and post-apocalyptic fiction. In other words, the genre speculates on individuals, events, or places beyond the ordinary real world. The term ''speculative fiction'' has been used for works of literature, film, Television show, television, drama, video games, Radio drama, radio, and hybrid media. Speculative versus realistic fiction The umbrella genre of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror And Terror
The distinction between horror and terror is a standard literary and psychological concept applied especially to Gothic and horror fiction. ''Horror'' is the feeling of revulsion that usually follows a frightening sight, sound, or otherwise experience. By contrast, ''terror'' is usually described as the feeling of dread and anticipation that ''precedes'' the horrifying experience. Noël Carroll also defined terror as a combination of horror and revulsion. Literary Gothic The distinction between terror and horror was first characterized by the Gothic writer Ann Radcliffe (1764–1823), horror being more related to being shocked or scared (being horrified) at an awful realization or a deeply unpleasant occurrence, while terror is more related to being anxious or fearful. Radcliffe considered that terror is characterized by "obscurity" or indeterminacy in its treatment of potentially horrible events, something which leads to the sublime. She says in an essay published post ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
