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War Art
Military art is art with a military subject matter, regardless of its style or medium. The battle scene is one of the oldest types of art in developed civilizations, as rulers have always been keen to celebrate their victories and intimidate potential opponents. The depiction of other aspects of warfare, especially the suffering of casualties and civilians, has taken much longer to develop. As well as portraits of military figures, depictions of anonymous soldiers on the battlefield have been very common; since the introduction of military uniforms such works often concentrate on showing the variety of these. Naval scenes are very common, and battle scenes and "ship portraits" are mostly considered as a branch of marine art; the development of other large types of military equipment such as warplanes and tanks has led to new types of work portraying these, either in action or at rest. In 20th century wars official war artists were retained to depict the military in action; d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nome (Egypt)
A nome (, from , ''nomós'', "district") was a territorial division in ancient Egypt. Each nome was ruled by a nomarch (, "Great Chief"). The number of nomes changed through the various periods of the history of ancient Egypt. Etymology The term ''nome'' comes from Ancient Greek νομός ''nomós'' meaning "pasture" extended to "dwelling" and "district"; the Ancient Egyptian term was ( /sɛpɑt/). Today's use of the Ancient Greek rather than the Ancient Egyptian term came about during the Ptolemaic period, when the use of Greek was widespread in Egypt. The availability of Greek records on Egypt influenced the adoption of Greek terms by later historians. History Dynastic Egypt The division of ancient Egypt into nomes can be traced back to prehistoric Egypt (before 3100 BC). These nomes originally existed as autonomous city-states, but later began to unify. According to ancient tradition, the ruler Menes completed the final unification. Not only did the division into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Art
The art of Ancient Rome, and the territories of its Roman Republic, Republic and later Roman Empire, Empire, includes Roman architecture, architecture, painting, Roman sculpture, sculpture and Roman mosaic, mosaic work. Luxury objects in metal-work, engraved gem, gem engraving, ivory carvings, and Roman glass, glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campaign Against Dong Zhuo
The Campaign against Dong Zhuo was a punitive expedition initiated by a coalition of regional officials and warlords against the warlord Dong Zhuo in 190 in the late Eastern Han dynasty. The members of the coalition claimed that Dong had the intention of usurping the throne by holding Emperor Xian of Han, Emperor Xian hostage and by establishing a strong influence in the imperial court. They justified their campaign as to remove Dong from power. The campaign led to the evacuation of the capital Luoyang and the shifting of the imperial court to Chang'an. It was a prelude to the end of the Han dynasty and, subsequently, the Three Kingdoms period. In the 14th-century historical novel ''Romance of the Three Kingdoms'', the campaign is memorable for at least two famous incidents: one is Guan Yu's slaying of Hua Xiong; the other is the three-on-one duel between the three sworn brothers (Liu Bei, Guan Yu, Zhang Fei) and Lü Bu. The two scenes are often reenacted in Chinese opera along ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Family Shrines
The Wu Family Shrines (), of which the Wu Liang Shrine (武梁祠) is the best known, was the family shrine of the Wu clan of the Eastern Han dynasty. The shrines contain a vast amount of relief carvings. Three walls of Wu Liang's shrine were still standing as late as the 11th century, which is the reason that the site of all the family shrines are often called after him. The shrine to Wu Liang (78-151 AD) was built in 151 AD in what is now Jiaxiang County of southwestern Shandong Shandong is a coastal Provinces of China, province in East China. Shandong has played a major role in Chinese history since the beginning of Chinese civilization along the lower reaches of the Yellow River. It has served as a pivotal cultural ... province. In the 1930s, Wilma Fairbank visited the site and advanced the study of the tombs by treating the relief carvings as architectural wholes rather than pictorial art. References Further reading * Berger, Patricia. “The ‘Battle at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty was an Dynasties of China, imperial dynasty of China (202 BC9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han Contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the #Western Han (202 BC – 9 AD), Western Han (202 BC9 AD) and the #Eastern Han (25–220 AD), Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a Golden ages of China, golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek Society#Politics and society, Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout History of the Mediterranean, the Mediterranean, such as the Etruscan civilization, Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', 2nd Edition, 641–644. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalry
Historically, cavalry (from the French word ''cavalerie'', itself derived from ''cheval'' meaning "horse") are groups of soldiers or warriors who Horses in warfare, fight mounted on horseback. Until the 20th century, cavalry were the most mobile of the combat arms, operating as light cavalry in the roles of reconnaissance, Screening (tactical), screening, and skirmisher, skirmishing, or as heavy cavalry for decisive economy of force and shock attacks. An individual soldier in the cavalry is known by a number of designations depending on era and tactics, such as a cavalryman, Equestrianism, horseman, trooper (rank), trooper, cataphract, knight, Drabant Corps of Charles XII, drabant, hussar, uhlan, mamluk, cuirassier, lancer, dragoon, samurai or horse archer. The designation of ''cavalry'' was not usually given to any Military animal, military forces that used other animals or platforms for mounts, such as chariots, Camel cavalry, camels or War elephant, elephants. Infantry who m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon Marbles
The Parthenon (; ; ) is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena. Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization. The Parthenon was built in the 5th century BC in thanksgiving for the Greek victory over the Persian invaders during the Greco-Persian Wars. Like most Greek temples, the Parthenon also served as the city treasury. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC; work on the artwork and decorations continued until 432 BC. For a time, it served as the treasury of the Delian League, which later became the Athenian Empire. In the final decade of the 6th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest in the mid-15th century, it beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lachish Reliefs
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, and was included aitem 21in the BBC Radio 4 series A History of the World in 100 Objects by the museum's former director Neil MacGregor. The palace room, where the relief was discovered in 1845–1847, was fully covered with the " Lachish relief" and was wide and long. The '' Lion Hunt of Ashurbanipal'' sequence was found in the same palace. Identification The reliefs were discovered by the then 28-year-old Austen Henry Layard during excavations in 1845–1847. Commenting on the inscription above the seated figure of Sennacherib, Layard wrote: Layard noted in his work that Henry Rawlinson, the "Father of Assyriology", disagreed with the ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Art
Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture. Much the best-known works are the huge ''lamassu'' guarding entrance ways, and Assyrian palace reliefs on thin slabs of alabaster, which were originally painted, at least in part, and fixed on the wall all round the main rooms of palaces. Most of these are in museums in Europe or America, following a hectic period of excavations from 1842 to 1855, which took Assyrian art from being almost completely unknown to being the subject of several best-selling books, and imitated in political cartoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
