Tritonic Scales
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Tritonic Scales
A tritonic scale is a musical scale (music), scale or musical mode, mode with three Musical note, notes per octave. This is in contrast to a heptatonic scale, heptatonic (seven-note) scale such as the major scale and minor scale, or a chromatic scale, dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music, and are generally associated with Indigenous music, indigenous and prehistoric music.Onkar Prasad,Tribal Music: Its Proper Context, in ''Tribal Thought and Culture: Essays in Honour of Surajit Chandra Sinha'', edited by Baidyanath Saraswati, 131–49 (New Delhi: Concept Publishing Company, 1991): 131 (accessed 18 January 2020) Distribution India Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita. Maori In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Māori people, Maori tribes he surveyed, comprising 47 ...
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Rig Vedic
The ''Rigveda'' or ''Rig Veda'' (, , from ऋच्, "praise" and वेद, "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the ''Rigveda'' have been orally transmitted with precision since the 2nd millennium BCE, through methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious till concrete evidence surfaces. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the ...
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Tritone
In music theory, the tritone is defined as a interval (music), musical interval spanning three adjacent Major second, whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B. Narrowly defined, each of these whole tones must be a step in the scale (music), scale, so by this definition, within a diatonic scale there is only one tritone for each octave. For instance, the above-mentioned interval F–B is the only tritone formed from the notes of the C major scale. More broadly, a tritone is also commonly defined as any interval with a width of three whole tones (spanning six semitones in the chromatic scale), regardless of scale degrees. According to this definition, a diatonic scale contains two tritones for each octave. For instance, the above-mentioned C major scale contains the tritones F–B (from F to the B above it, also called augment ...
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One-third Octave
A one-third octave is a logarithmic unit of frequency ratio equal to either one third of an octave (1200/3 = 400 cents: major third) or one tenth of a decade (3986.31/10 = 398.631 cents: M3 ). An alternative (unambiguous) term for one tenth of a decade is a decidecade. Definitions Base 2 ISO 18405:2017 defines a "one-third octave" (or "one-third octave (base 2)") as one third of an octave, corresponding to a frequency ratio of 2^. A one-third octave (base 2) is precisely 400 cents. Base 10 IEC 61260-1:2014 and ANSI S1.6-2016 define a "one-third octave" as one tenth of a decade, corresponding to a frequency ratio of 10^. This unit is referred to by ISO 18405 as a "decidecade" or "one-third octave (base 10)".(This makes sense as, if we want one third of an octave, the ratio will be f2/f1=2^, and if we log10 both members of equation we have, log=log-> log(f2/f1)=log(2)*1/3, which is approximately 0,1. One decidecade is equal to 100 savarts (approximately 398.631 cents). See a ...
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Carnival
Carnival (known as Shrovetide in certain localities) is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras. Carnival typically involves public party, celebrations, including events such as parades, public street party, street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", r ...
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Tinya
The tinya (Quechua)Diccionario Quechua - Español - Quechua, Academía Mayor de la Lengua Quechua, Gobierno Regional Cusco, Cusco 2005 (Quechua-Spanish dictionary) or kirki (Quechua) is a percussion instrument, a small handmade drum of leather which is used in the traditional music of the Andean region, particularly Peru. The drum dates to the pre-Columbian era,Dale Olsen, ''Music of El Dorado'', pp. 17–22. and is used in traditional Peruvian dances, notably in Los Danzantes de Levanto where it is played by one person simultaneously with the antara, a type of panflute; that instrument combination is similar to the worldwide tradition of the pipe and tabor Pipe and tabor is a pair of instruments played by a single player, consisting of a three-hole pipe played with one hand, and a small drum played with the other. The tabor hangs on the performer's left arm or around the neck, leaving the hands .... File:Pinkullo flute.jpg, Musician plays Pinkullo flute with one hand ...
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Waqra Phuku
The (Quechua 'horn', 'blow', also spelled '','' ) is a type of trumpet used by indigenous peoples in Peru and the Andes. It is usually made from cattle horn or metal and is used in annual fertility Fertility in colloquial terms refers the ability to have offspring. In demographic contexts, fertility refers to the actual production of offspring, rather than the physical capability to reproduce, which is termed fecundity. The fertility rate ... rituals. Unlike the pututu (Titanostrombus galeatus), which was used in pre-Columbian times, the was adapted from cattle introduced by the Spaniards in the sixteenth century. References * {{Natural horns Natural horns and trumpets Peruvian musical instruments Pre-Columbian South American musical instruments ...
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Major Triad
In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation . A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third. By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. They both contain fifths, because a major third (four semitones) plus a minor third (three semitones) equals a perfect fifth (seven semitones). Chords that are constructed of consecutive (or "stacked") thirds are called ''tertian.'' In Western classical music from 1600 to 1820 and in ...
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Māori People
Māori () are the Indigenous peoples of Oceania, indigenous Polynesians, Polynesian people of mainland New Zealand. Māori originated with settlers from East Polynesia, who arrived in New Zealand in several waves of Māori migration canoes, canoe voyages between roughly 1320 and 1350. Over several centuries in isolation, these settlers developed Māori culture, a distinct culture, whose language, mythology, crafts, and performing arts evolved independently from those of other eastern Polynesian cultures. Some early Māori moved to the Chatham Islands, where their descendants became New Zealand's other indigenous Polynesian ethnic group, the Moriori. Early contact between Māori and Europeans, starting in the 18th century, ranged from beneficial trade to lethal violence; Māori actively adopted many technologies from the newcomers. With the signing of the Treaty of Waitangi, Treaty of Waitangi/Te Tiriti o Waitangi in 1840, the two cultures coexisted for a generation. Rising ten ...
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Mervyn McLean
Mervyn is a masculine given name and occasionally a surname which is of Old Welsh origin, with elements ''mer'', probably meaning "marrow", and ''myn'', meaning "eminent". Despite the misconception of the letter 'V' being an English spelling, through Roman occupation of Britain, the Welsh language (at least for spelling) was Latinised and through centuries of evolution of the Welsh language, the modern Welsh spelling for Mervyn is Merfyn. People with the given name * Mervyn or Merfyn Frych, king of Gwynedd () * Mervyn Archdall (other), various persons * Mervyn S. Bennion (1887–1941), US Navy captain killed in the attack on Pearl Harbor, posthumously awarded the Medal of Honor * Mervyn Bishop (born 1945), professional photographer, the first Aboriginal Australian to work on a metropolitan daily newspaper * Mervyn Carrick (born 1946), Northern Ireland politician * Mervyn Davies, Baron Davies of Abersoch (born 1952), former banker and UK government minister * Mervyn Dav ...
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Baidyanath Saraswati
Baidyanath Saraswati (20 January 1932 – 13 December 2013) was an anthropologist and an author of many books on Indian culture, religion, and tribal studies. He held the UNESCO Chair in the field of Cultural Development at the Indira Gandhi National Center for the Arts (IGNCA, New Delhi) from 1995 – 2002. Saraswati represented the Indian government at the UNESCO meeting in Paris in 1989 on safeguarding folklore, where he served as Vice-Chairman in preparation of a draft recommendation to member states. In 1994, he participated in UNESCO's Barcelona Declaration on the Role of Religion in the Promotion of a Culture of Peace. Early life He earned Master’s degree in Anthropology from Ranchi University in 1956, and Ph.D. in Cultural Anthropology from Ranchi University in 1967. Career Saraswati was anthropologist at the Anthropological Survey of India (ASI) from 1959 to 1967. It brought him closer to the Gandhian anthropologist Nirmal Kumar Bose. He left the ASI after a ...
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