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The Magic Flute
''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy-tale
A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the Folklore, folklore genre. Such stories typically feature Magic (supernatural), magic, Incantation, enchantments, and Myth, mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, Dwarf (Germanic mythology), dwarfs, Elf, elves, Fairy, fairies, Giant (mythology), giants, Gnome, gnomes, Goblin, goblins, griffins, merfolk, Monster, monsters, monarchy, Pixie, pixies, talking animals, Troll, trolls, Unicorn, unicorns, Witchcraft, witches, Magician (fantasy), wizards, magic, and enchantments. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Opera Journal
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima La Musica E Poi Le Parole
(First the music and then the words) is an opera in one act by Antonio Salieri to a libretto by Giovanni Battista Casti. The work was first performed on 7 February 1786 in Vienna, following a commission by the Emperor Joseph II. The opera (more specifically, a ') was first performed at one end of the orangery of the Schönbrunn Palace in Vienna by an Italian troupe; on the same occasion, Mozart's ''Der Schauspieldirektor'' was staged at the other end. The title of the opera is the theme of Richard Strauss's opera '' Capriccio'' which debates the relative importance of music and drama in opera. The autograph manuscript of the opera is preserved in the Austrian National Library. |
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian composer and teacher of the classical period (music), classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freemasonry
Freemasonry (sometimes spelled Free-Masonry) consists of fraternal groups that trace their origins to the medieval guilds of stonemasons. Freemasonry is the oldest secular fraternity in the world and among the oldest still-existing organizations in history. Modern Freemasonry broadly consists of three main traditions: *Anglo-American Freemasonry, Anglo-American style Freemasonry, which insists that a "volume of sacred law", such as the Bible, Quran, or other religious text be open in a working Masonic lodge, lodge, that every member professes belief in a God, supreme being, that only men be admitted, and discussion of religion or politics does not take place within the lodge. *Continental Freemasonry or Liberal Freemasonry which has continued to evolve beyond these restrictions, particularly regarding religious belief and political discussion. *Co-Freemasonry, Women Freemasonry or Co-Freemasonry, which includes organizations that either admit women exclusively (such as the Ord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanswurst
Hanswurst or Hans Wurst ( German for "Johnny Sausage") was a popular coarse-comic stock character of German-speaking impromptu comedy. He is "a half doltish, half cunning, partly stupid, partly knowing, enterprising and cowardly, self indulgent and merry fellow, who, in accordance with circumstances, accentuated one or other of these characteristics." Through the 16th and 17th centuries, he was a buffoon character in rural carnival theaters and touring companies. History The name first appeared in a Middle Low German version of Sebastian Brant's '' Ship of Fools'' (1494) (using the name Hans myst). "Hanswurst" was also a mockery and insult. Martin Luther used it in his 1541 pamphlet (''Against Hanswurst''), when he railed against the Catholic Duke Henry of Brunswick. In 1712, Joseph Anton Stranitzky developed and popularized the role of Hanswurst. The theater historian Otto Rommel saw this as the beginning of the so-called Viennese popular theater. Stranitzky's Hanswu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon (Seyler)
''Oberon, or The Elf King'' (), or simply ''Oberon'', originally known as ''Huon and Amanda'' (), is a romantic Singspiel in five acts by Friederike Sophie Seyler, inspired by the poem ''Oberon (poem), Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon of Bordeaux'', a French medieval tale. It has been named for two of its central characters, the knight Huon of Bordeaux, Huon and the fairy king Oberon, respectively. Musicologist Thomas Bauman describes the work as "an important impulse for the creation of a generation of popular spectacles trading in magic and the exotic. ''The Magic Flute, Die Zauberflöte'' [The Magic Flute] in particular shares many features with ''Oberon'', musical as well as textual." The opera was published in "Flensburg, Schleswig and Leipzig" in 1789, the year Seyler died. Seyler was married to the prominent theatre director Abel Seyler, the founder of the Seyler Theatre Company and a noted promoter of both German oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Seyler
Friederike Sophie Seyler (1738, Dresden – 22 November 1789, Schleswig; née Sparmann, formerly married Hensel) was a German actress, playwright and librettist. Alongside Friederike Caroline Neuber, she was widely considered Germany's greatest actress of the 18th century; Gotthold Ephraim Lessing described her in his '' Hamburg Dramaturgy'' as "incontestably one of the best actresses that German theatre has ever seen."''Hamburgische Dramaturgie'', Viertes Stück. In: Lessings Werke', published by Georg Witkowski, Vol. 4, p. 355, 1766 The granddaughter of the architect Matthäus Daniel Pöppelmann, she ran away from an abusive uncle under the threat of a forced marriage to join the theatre at the age of sixteen in 1754. She established herself as one of Germany's leading actresses in the 1760s and was acclaimed for her portrayal of passionate, majestic, tragic heroines. From 1767 she was professionally and personally associated with the theatre director Abel Seyler, whom she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Von Born
Ignaz Edler von Born, also known as Ignatius von Born (, , ) (26 December 1742 in Alba Iulia, Grand Principality of Transylvania, Habsburg monarchy – 24 July 1791 in Vienna), was a mineralogist and metallurgist. He was a prominent freemason, being head of Vienna's lodge and an influential anti-clerical writer. He was the leading scientist in the Holy Roman Empire during the 1770s in the Age of Enlightenment. His interests include mining, mineralogy, palaeontology, chemistry, metallurgy and malacology. Biography Born belonged to a noble family of Transylvanian Saxon origin. He started school in his hometown, then was educated in a Jesuit college in Vienna, but left the Jesuits after sixteen months to study law at Prague University. He then travelled extensively to present-day Germany, the Netherlands, and France, studying mineralogy, and on his return to Prague in 1770 entered the department of mines and the mint. In 1776 he was appointed by Maria Theresa to arrange the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Terrasson
Jean Terrasson (31 January 1670 – 15 September 1750), often referred to as the Abbé Terrasson, was a French Catholic priest, author and member of the Académie française. The erudite Antoine Terrasson was his nephew. Life Jean Terrasson, born in Lyon, was elected a member of the Académie française in 1707. His 1715 ''Dissertation on Homer's Iliad'' took the side of the 'moderns' in the quarrel of the Ancients and the Moderns. In 1721 he became Professor of Greek at the College de France. His best-known work is probably the fantasy novel '' Life of Sethos, Taken from Private Memoirs of the Ancient Egyptians'' (1731). This fiction elided Masonic and ancient Egyptian ritual, and served as an inspiration for Mozart and Schikaneder's ''Magic Flute''. Works *1715: ''Dissertation critique sur l'Iliade de Homère''. **1716: Translated into English by Francis Brerewood as ''A critical dissertation upon Homer's Iliad''. **1716: Preface translated into English by Francis Brerewoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Sethos
Life, also known as biota, refers to matter that has biological processes, such as signaling and self-sustaining processes. It is defined descriptively by the capacity for homeostasis, organisation, metabolism, growth, adaptation, response to stimuli, and reproduction. All life over time eventually reaches a state of death, and none is immortal. Many philosophical definitions of living systems have been proposed, such as self-organizing systems. Viruses in particular make definition difficult as they replicate only in host cells. Life exists all over the Earth in air, water, and soil, with many ecosystems forming the biosphere. Some of these are harsh environments occupied only by extremophiles. Life has been studied since ancient times, with theories such as Empedocles's materialism asserting that it was composed of four eternal elements, and Aristotle's hylomorphism asserting that living things have souls and embody both form and matter. Life originated at l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
