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Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1001 India (5852272434)
1 (one, unit, unity) is a number, Numeral (linguistics), numeral, and glyph. It is the first and smallest Positive number, positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit (measurement), unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In Digital electronics, digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In math ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of New Music Research
''Journal of New Music Research'' is a peer-reviewed academic journal covering research on musicology (including music theory), philosophy, psychology, acoustics, computer science, engineering, and other disciplines. Articles deal with theory, analysis, composition, performance, uses of music, instruments, and other music technologies. The journal was established in 1972 under the title ''Interface'' and is published by Routledge. The editors-in-chief are Johanna Devaney (Brooklyn College and the Graduate Center, CUNY) and David Meredith (Aalborg University). Abstracting and indexing The journal is abstracted and indexed in: According to the ''Journal Citation Reports'', the journal has a 2011 impact factor The impact factor (IF) or journal impact factor (JIF) of an academic journal is a type of journal ranking. Journals with higher impact factor values are considered more prestigious or important within their field. The Impact Factor of a journa ... of 0.481. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Celestial Musicians LACMA AC1992
5 (five) is a number, numeral and digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. Humans, and many other animals, have 5 digits on their limbs. Mathematics 5 is a Fermat prime, a Mersenne prime exponent, as well as a Fibonacci number. 5 is the first congruent number, as well as the length of the hypotenuse of the smallest integer-sided right triangle, making part of the smallest Pythagorean triple ( 3, 4, 5). 5 is the first safe prime and the first good prime. 11 forms the first pair of sexy primes with 5. 5 is the second Fermat prime, of a total of five known Fermat primes. 5 is also the first of three known Wilson primes (5, 13, 563). Geometry A shape with five sides is called a pentagon. The pentagon is the first regular polygon that does not tile the plane with copies of itself. It is the largest face any of the five regular three-dimensional regular Platonic solid can have. A conic is determined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheironomy
Cheironomy or chironomy is a form of Conducting, music conducting, typically with choral music and choral groups (choirs), where the use of hand gestures directs musical performance. In the modern artform, conductors tend to hoist baton (conducting), batons for indicating melodic curves and ornament (music), ornaments. History History of music, Early music (vocal church music), as far back as the 5th century, required some central direction from a leader in the coordination of singers in their delivery of melody, melodic lines of mostly free rhythm. Traced back to early Egyptian performances through Egyptian hieroglyphs, hieroglyphic documentation (etchings in stone depicting a leader employing hand signals to indicate pitch (music), pitch and rhythm details for wind instrument players), this form of conducting seems to predate Guido of Arezzo's designation of joints of the fingers for indicating pitches, and seems to have offered more than limited pitch instruction. These early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Witzel
Michael Witzel (born July 18, 1943) is a German-American philologist, comparative mythologist and Indologist. Witzel is the Wales Professor of Sanskrit at Harvard University and the editor of the Harvard Oriental Series (volumes 50–100). He has researched a number of Indian sacred texts, particularly the Vedas. Biography Michael Witzel was born July 18, 1943, in Schwiebus, Germany (modern Świebodzin, Poland). He studied indology in West Germany from 1965 to 1971 under Paul Thieme, H.-P. Schmidt, K. Hoffmann, and J. Narten, as well as in Nepal (1972 to 1973) under Mīmāmsaka Jununath Pandit.Michael Witzel's curriculum vitae accessed September 13, 2007. From 1972 to 1978, he led the Nepal-German Manuscript Preservation Project and the Nepal Research Centre in |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Pre-history", 1990, ''UNESCO International Scientific Committee for the Drafting of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayatri Mantra
The Gāyatrī Mantra (), also known as the Sāvitrī Mantra (), is a sacred mantra from the ''Ṛig Veda'' ( Mandala 3.62.10), dedicated to the Vedic deity Savitr. The mantra is attributed to the rajarshi Vishvamitra. The term Gāyatrī may also refer to a ''type'' of mantra which follows the same Vedic metre as the original Gāyatrī Mantra (without the first line). There are many such Gāyatrīs for various gods and goddesses.Swami Vishnu Devananda, Vishnu Devananda (1999). ''Meditation and Mantras'', p. 76. Motilal Banarsidass Publ. Furthermore, is the name of the Goddess of the mantra and the meter. The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the ''Bhagavad Gita'', '' Harivamsa'', and '' Manusmṛti''. The mantra and its associated metric form was known by the Buddha. The mantra is an important part of the initiation ceremony. Modern Hindu reform movements spread the prac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frits Staal
Johan Frederik "Frits" Staal (3 November 1930 – 19 February 2012) was the department founder and Emeritus Professor of Philosophy and South/Southeast Asian Studies at the University of California, Berkeley. Staal specialized in the study of Vedic ritual and mantras, and the scientific exploration of ritual and mysticism. He was also a scholar of Greek and Indian logic and philosophy and Sanskrit grammar. Biography Staal was born in Amsterdam, the son of the architect Jan Frederik Staal. In 1954, Staal earned his undergraduate degree from the University of Amsterdam focused in mathematics, physics, and philosophy. In 1957, he earned his doctorate from the University of Madras focused on Indian philosophy and Sanskrit. After earning his doctorate, he served as a lecturer in Sanskrit at the School of Oriental and African Studies, University of London from 1958 to 1962. From 1961 to 1962, he searched as an Assistant and Associate Professor of Indian Philosophy at the University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' (, , from wikt:ऋच्, ऋच्, "praise" and wikt:वेद, वेद, "knowledge") is an ancient Indian Miscellany, collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Shakala Shakha, Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the ''Rigveda'' have been orally transmitted with precision since the 2nd millennium BCE, through Indian mathematics#Styles of memorisation, methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious till concrete evidence surfaces. Philolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Forde Thompson
William Forde "Bill" Thompson is an academic who has worked in Canada, Sweden and Australia. He is an Emeritus Professor at Macquarie University in Sydney, Australia, where he was Distinguished Professor of Psychology (2017- ) and Chair of the Department between 2009 and 2013. He currently works at Bond University, Queensland, Australia, and previously held positions at University of Toronto and York University in Toronto. His research focuses on music, emotion, expertise, and performance. From 2007 to 2009, he was president of the Society for Music Perception and Cognition. In 2024 he was presented with a Lifetime achievement award from the Society for Music Perception and Cognition, during the society meeting in Banff, Canada. He was an associate editor at '' Music Perception'', former editor of '' Empirical Musicology Review'' (2008–2010), and chief investigator of the ARC Centre of Excellence in Cognition and its Disorders. He is a fellow of the Association for Psychological ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanga
The Vedanga ( ', "limb of the Veda-s"; plural form: वेदाङ्गानि ') are six auxiliary disciplines of Vedic studies that developed in Vedic and post-Vedic times.James Lochtefeld (2002), "Vedanga" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , pages 744-745 List of the Vedanga #Shiksha (Sanskrit: शिक्षा ', "instruction, teaching"): phonetics, phonology, pronunciation. This auxiliary discipline has focused on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation. # Chanda (Sanskrit: छन्द ', "metre"): prosody.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 This auxiliary discipline has focused on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse. # Vyakarana (Sanskrit: व् ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
