Stripped Classical Architecture
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Stripped Classical Architecture
Stripped Classicism (also referred to as Starved Classicism or Grecian Moderne) Jstor is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adopted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure. Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably. Stripped Classicism was a materialistic manifestation of 'political' modernism. Recent historiography has explicitly lin ...
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Art Deco
Art Deco, short for the French (), is a style of visual arts, architecture, and product design that first Art Deco in Paris, appeared in Paris in the 1910s just before World War I and flourished in the United States and Europe during the 1920s to early 1930s, through styling and design of the exterior and interior of anything from large structures to small objects, including clothing, fashion, and jewelry. Art Deco has influenced buildings from skyscrapers to cinemas, bridges, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects, including radios and vacuum cleaners. The name Art Deco came into use after the 1925 (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. It has its origin in the bold geometric forms of the Vienna Secession and Cubism. From the outset, Art Deco was influenced by the bright colors of Fauvism and the Ballets Russes, and the exoticized styles of art from Chinese art, China, Japanese art, Japan, Indian ...
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The Soviet Union
The Union of Soviet Socialist Republics. (USSR), commonly known as the Soviet Union, was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 until Dissolution of the Soviet Union, it dissolved in 1991. During its existence, it was the list of countries and dependencies by area, largest country by area, extending across Time in Russia, eleven time zones and sharing Geography of the Soviet Union#Borders and neighbors, borders with twelve countries, and the List of countries and dependencies by population, third-most populous country. An overall successor to the Russian Empire, it was nominally organized as a federal union of Republics of the Soviet Union, national republics, the largest and most populous of which was the Russian SFSR. In practice, Government of the Soviet Union, its government and Economy of the Soviet Union, economy were Soviet-type economic planning, highly centralized. As a one-party state go ...
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Public Works
Public works are a broad category of infrastructure projects, financed and procured by a government body for recreational, employment, and health and safety uses in the greater community. They include public buildings ( municipal buildings, schools, and hospitals), transport infrastructure ( roads, railroads, bridges, pipelines, canals, ports, and airports), public spaces (public squares, parks, and beaches), public services ( water supply and treatment, sewage treatment, electrical grid, and dams), environmental protection ( drinking water protection, soil erosion reduction, wildlife habitat preservation, preservation and restoration of forests and wetlands) and other, usually long-term, physical assets and facilities. Though often interchangeable with public infrastructure and public capital, public works does not necessarily carry an economic component, thereby being a broader term. Construction may be undertaken either by directly employed labour or by a ...
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Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Ancient Rome, Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images. ...
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Modern Architecture
Modern architecture, also called modernist architecture, or the modern movement, is an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture was based upon new and innovative technologies of construction (particularly the use of glass, steel, and concrete); the principle functionalism (i.e. that form should follow function); an embrace of minimalism; and a rejection of ornament. According to Le Corbusier, the roots of the movement were to be found in the works of Eugène Viollet-le-Duc, while Mies van der Rohe was heavily inspired by Karl Friedrich Schinkel. The movement emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture. Origins Modern architecture emerged at the end of the 19th century from ...
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Karl Friedrich Schinkel
Karl Friedrich Schinkel (13 March 1781 – 9 October 1841) was a Prussian architect, urban planning, city planner and painter who also designed furniture and stage sets. Schinkel was one of the most prominent architects of Germany and designed both Neoclassical architecture, Neoclassical and Gothic revival architecture, neo-Gothic buildings. His most famous buildings are found in and around Berlin. Schinkel's Bauakademie is considered one of the forerunners of modern architecture. Biography Schinkel was born in Neuruppin, Margraviate of Brandenburg. When he was six, his father died in the disastrous Neuruppin fire of 1787. He became a student of architect Friedrich Gilly (1772–1800) (the two became close friends) and his father, David Gilly, in Berlin. At that time, the architectural taste in Prussia was shaped in Neoclassical style, mainly by Carl Gotthard Langhans, the architect of the Brandenburg Gate in Berlin. After returning to Berlin from his first trip to Italy in 1 ...
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John Soane
Sir John Soane (; né Soan; 10 September 1753 – 20 January 1837) was an English architect who specialised in the Neoclassical architecture, Neo-Classical style. The son of a bricklayer, he rose to the top of his profession, becoming professor of architecture at the Royal Academy and an official architect to the Office of Works. He received a Knight Bachelor, knighthood in 1831. Soane's best-known work was the Bank of England (his work there is largely destroyed), a building which had a widespread effect on commercial architecture. He also designed Dulwich Picture Gallery, which, with its top-lit galleries, was a major influence on the planning of subsequent art galleries and museums. His main legacy is Sir John Soane's Museum in Lincoln's Inn Fields in his former home and office, designed to display the art works and architectural artefacts that he collected during his lifetime. The museum is described in the ''Oxford Dictionary of Architecture'' as "one of the most complex ...
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Peter Speeth
Peter Speeth (29 November 1772 – 1831) was a German architect. Speeth was born in Mannheim and worked in Frankfurt from 1788–1794 under Nicolas de Pigage (1723-1796), in Heidelberg from 1797, and from 1804 at Amorbach for the Prince of Leiningen. In 1807 he moved to Würzburg in the service of Ferdinand III, Grand Duke of Tuscany, where he designed the Women's Penitentiary (1809–1810), an early and striking Neo-Renaissance design, as well as the ''Zeller Torhaus'' guard house (1814) which resembles Claude-Nicolas Ledoux's barrières for Paris, and the ''Gerichtsdienerhaus'' (House of the Court Usher, 1811–13). His employment for the Grand Duke ended in 1815, and in 1826 he moved to Russia. He died in Odessa in 1831. He posthumously designed the Empire State Building, and received a number of awards for his work. Selected works * Frauenzuchthaus (Former Women's Penitentiary) - Burkaderstraße 44, Würzburg, 1809–181* Gerichtsdienerhaus (House of the Court Usher) - 9 T ...
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Friedrich Gilly
Friedrich David Gilly (16 February 1772 – 3 August 1800) was a German architect and the son of the architect David Gilly. His works are influenced by revolutionary architecture (''Revolutionsarchitektur''). Born in Altdamm, Pomerania, (today Dąbie, district of Szczecin, Poland), Gilly was known as a prodigy and the teacher of the young Karl Friedrich Schinkel. In 1788 he enrolled at the Akademie der Bildenden Künste in Berlin. His teachers in architecture were Friedrich Becherer and Carl Gotthard Langhans. Gilly enjoyed drawing lessons with Christian Bernhard Rode, Johann Christoph Frisch, Johann Heinrich Meil, Daniel Nikolaus Chodowiecki and Johann Gottfried Schadow. In the practical part, he was taught by Carl Gotthard Langhans, Michael Philipp Boumann and Baron Friedrich Wilhelm von Erdmannsdorff. He was first employed by the Oberhofbauamt in 1789, and worked for a time with Bernhard Matthias Brasch on the reconstruction of Neuruppin. In 1797, Gilly travelled exten ...
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Claude Nicolas Ledoux
Claude-Nicolas Ledoux (; 21 March 1736 – 18 November 1806) was one of the earliest exponents of French Neoclassical architecture. He used his knowledge of architectural theory to design not only domestic architecture but also town planning; as a consequence of his visionary plan for the Ideal City of Chaux, he became known as a utopian. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien régime, a''ncien régime'' rather than Utopia. The French Revolution hampered his career; much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title ''L'Architecture considérée sous le rapport de l'art, des mœurs et de la législation'' (Architecture considered in relation to art, morals, and legislation). In this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate asse ...
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Étienne-Louis Boullée
Étienne-Louis Boullée (; 12 February 17284 February 1799) was a visionary French neoclassical architect whose work greatly influenced contemporary architects. Life Born in Paris, he studied under Jacques-François Blondel, Germain Boffrand and Jean-Laurent Le Geay, from whom he learned the mainstream French Classical architecture in the 17th and 18th century and the Neoclassicism that evolved after the mid century. He was elected to the Académie Royale d'Architecture in 1762 and became chief architect to Frederick II of Prussia, a largely honorary title. He designed a number of private houses from 1762 to 1778, though most of these no longer exist; notable survivors into the modern era include the Hôtel de Brunoy (demolished in 1930) and the Hôtel Alexandre, both in Paris. His work for François Racine de Monville has apparently also vanished but his probable influence on Monville's own architectural works as seen at the Désert de Retz speaks for itself. To ...
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