Solomon R. Guggenheim Foundation
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Solomon R. Guggenheim Foundation
The Solomon R. Guggenheim Foundation is a nonprofit organization founded in 1937 by philanthropist Solomon R. Guggenheim and his long-time art advisor, artist Hilla von Rebay. The foundation is a leading institution for the collection, preservation, and research of modern and contemporary art and operates several museums around the world. The first museum established by the foundation was The Museum of Non-Objective Painting, in New York City. This became The Solomon R. Guggenheim Museum in 1952, and the foundation moved the collection into its first permanent museum building, in New York City, in 1959. The foundation next opened the Peggy Guggenheim Collection in Venice, Italy, in 1980. Its international network of museums expanded in 1997 to include the Guggenheim Museum Bilbao in Bilbao, Spain, and it expects to open a new museum, Guggenheim Abu Dhabi, in the United Arab Emirates after its construction is completed. The mission of the foundation is "to promote the und ...
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Nonprofit Organization
A nonprofit organization (NPO), also known as a nonbusiness entity, nonprofit institution, not-for-profit organization, or simply a nonprofit, is a non-governmental (private) legal entity organized and operated for a collective, public, or social benefit, as opposed to an entity that operates as a business aiming to generate a Profit (accounting), profit for its owners. A nonprofit organization is subject to the non-distribution constraint: any revenues that exceed expenses must be committed to the organization's purpose, not taken by private parties. Depending on the local laws, charities are regularly organized as non-profits. A host of organizations may be non-profit, including some political organizations, schools, hospitals, business associations, churches, foundations, social clubs, and consumer cooperatives. Nonprofit entities may seek approval from governments to be Tax exemption, tax-exempt, and some may also qualify to receive tax-deductible contributions, but an enti ...
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Karl Nierendorf
Karl Nierendorf (18 April 1889 – 25 October 1947) was a German banker and later, art dealer. He was particularly known for championing the work of contemporary Expressionists in Cologne and Berlin before the War, especially Paul Klee, Otto Dix, and Vasily Kandinsky. Karl Nierendorf was born on 18 April 1889. He founded the publishing house Kairos Verlag, which produced the magazine '' Der Strom'', and represented the work of Hans Hansen, and the drawings of Max Ernst and others. Together with his younger brother, Josef Nierendorf (1898–1949), in 1920 they founded ''Nierendorf Köln Neue Kunst'' in Cologne. In 1921, he met Otto Dix in Dusseldorf, and in 1923, the brothers established the ''Galerie Nierendorf'' there. In 1923, Nierendorf took over J.B. Neumann's Berlin gallery, following Neumann's departure for New York, renaming it the ''Galeire Neumann-Nierendorf''. In 1937, Nierendorf moved to New York City, and established the Nierendorf Gallery there; and a subsidiary ...
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Robert Mapplethorpe
Robert Michael Mapplethorpe ( ; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female Nude (art), nudes, self-portraits, and still-life images. His most controversial works documented and examined the gay male BDSM subculture of New York City in the late 1960s and early 1970s. Mapplethorpe's 1989 exhibition, ''Robert Mapplethorpe: The Perfect Moment'', sparked a debate in the United States concerning both use of public funds for "obscene" artwork and the Constitution of the United States, Constitutional limits of First Amendment to the United States Constitution, free speech in the United States. Early life and education Mapplethorpe was born in the Floral Park neighborhood of Queens, New York City, the son of Joan Dorothy (Maxey) and Harry Irving Mapplethorpe, an electrical engineer. He was of English, Irish, and German descent, an ...
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Postminimalism
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 569. . and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, postminimalism refers to music following minimal music. Visual art Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice. Like Fluxus, Postminimalism is more of an artistic tendency than a particular style, but in general, postminimalist artworks often use everyday objects, simple materials, and sometimes take on a pure formalist aesthetics or post-conceptual approaches. Ho ...
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Minimalist Art
Minimalism describes movements in various forms of art and design, especially visual art and Minimalist music, music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to Postminimalism, postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith (sculptor), Tony Smith, Donald Judd, John McCracken (artist), John McCracken, Agnes Martin, Dan Flavin, Robert Morris (artist), Robert Morris, Larry Bell (artist), Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work ...
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Giuseppe Panza
Giuseppe Panza di Biumo (23 March 1923 – 24 April 2010) was a collector of modern art. He lived in Milan and Varese, Italy. Life and work Giuseppe Panza was born on March 23, 1923, in Milan. His father, Ernesto, was a wine distributor who invested in real estate and in 1940 was given the title of count by King Vittorio Emanuele III. He earned a law degree at the University of Milan in 1948 but never practiced. Instead, he built his career in the family businesses of wine distribution and property. Panza died on 24 April 2010 in Milan. Art collection Along with his wife Rosa Giovanna, Panza began building an art collection in 1956, when he bought a work by Antoni Tàpies. Initially, they focused on European and American painting and sculpture of the mid-1940s through early 1960s, purchasing works by European postwar artists such as Jean Fautrier and Tàpies, and American Abstract Expressionists such as Franz Kline and Mark Rothko. They were also among the first patrons of ...
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Post-Impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ...
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Impressionist
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ...
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Surrealism
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ...
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Abstraction (art)
Typically, ''abstraction'' is used in the arts as a synonym for abstract art in general. In the visual arts Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world—it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art. Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from, but does not imitate a recognizable subject is called nonobjective abstraction. In the 20th century the trend toward abstraction coincided with advances in science, technology, and changes in urban life, eventually reflecting an interest in psychoanalytic theory. Later still, abstraction was manifest in more purely formal terms, such as color, freedom from objective context, and a reduction of form to basic geometric designs and shapes. In music In music, the term ''abstraction'' can be used to describe improvisatory approaches to interp ...
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