Sikh Music
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Sikh Music
Sikh music, also known as Gurbani Sangeet (; meaning ''music of'' ''the speech of wisdom'')'','' and as Gurmat Sangeet (; meaning ''music of the counsel or tenets of the Guru'')'','' or even as Shabad Kirtan (), is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts. Terminology Whilst the term ''Gurmat Sangeet'' has come to be used as a name for all Sikh ''kirtan'' performed as per the prescribed ragas found within the Sikh scripture, Inderjit Kaur believes a more fitting term for the raga genre is "rāg-ādhārit shabad kīrtan". She further believes that the Sikh musicology as a whole should be referred to as "''gurmat sangīt shāstar/vigyān''", of which, raga kirtan is a genre found within. History Period of the Sikh ...
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Watercolour Painting Of The Interior Of The Golden Temple In Amritsar, By William Carpenter, Circa 1854
Watercolor (American English) or watercolour (Commonwealth English; see American and British English spelling differences#-our, -or, spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin 'water'), is a painting method"Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the List of art media, medium and the resulting work of art, artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common Support (art), support—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone ...
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Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music (for example in the Haveli Sangeet of Pushtimarg Sampradaya), and is also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text '' Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual ...
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Guru Arjan
Guru Arjan (Gurmukhi: ਗੁਰੂ ਅਰਜਨ, pronunciation: ; 15 April 1563 – 30 May 1606) was the fifth of the ten total Sikh Gurus. He compiled the first official edition of the Sikh scripture called the Adi Granth, which later expanded into the Guru Granth Sahib. He is regarded as the first of the two Gurus martyred in the Sikh faith. Guru Arjan was born in Goindval, in the Punjab, the youngest son of Bhai Jetha, who later became Guru Ram Das, and Mata Bhani, the daughter of Guru Amar Das. He completed the construction of the Darbar Sahib at Amritsar, after the fourth Sikh Guru founded the town and built a sarovar. Arjan compiled the hymns of previous Gurus and of other saints into Adi Granth, the first edition of the Sikh scripture, and installed it in the Harimandir Sahib. Guru Arjan reorganized the masand system initiated by Guru Ram Das, by suggesting that the Sikhs donate, if possible, one-tenth of their income, goods or service to the Sikh organization ...
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Fresco Depicting A Sikh Ragi Jatha Musically Performing Using Traditional Instruments In The Presence Of Guru Amar Das From Asthan Baba Bikram Singh Bedi, Kanak Mandi, Amritsar, Ca
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently ''buon fresco'' technology, t ...
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