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Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ...
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Samba School
A samba school () is a dancing, marching, and drumming (Samba Enredo) club. They practice and often perform in a huge square-Compound (enclosure), compounds ("quadras de samba") and are devoted to practicing and exhibiting samba, an Afro-Brazilian dance and drumming style. Although the word "school" is in the name, samba schools do not offer instruction in a formal setting. Samba schools have a strong community basis and are traditionally associated with a particular neighborhood. They are often seen to affirm the cultural validity of the Afro-Brazilian heritage in contrast to the mainstream education system,Dils A., Albright A., (eds.) "Moving History / Dancing Cultures - A Dance History Reader", Wesleyan University Press 2001:169. and have evolved often in contrast to authoritarian development. The phrase "escola de samba" is popularly held to derive from the schoolyard location of the first group's early rehearsals. In Rio de Janeiro especially, they are mostly associated with ...
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Brazilian Carnival
The Carnival of Brazil (, ) is an annual festival held the Friday afternoon before Ash Wednesday at noon, which marks the beginning of Lent, the forty-day period before Easter. During Lent, Roman Catholics and some other Christians traditionally abstain from the consumption of meat and poultry, hence the term "carnival", from ''carnelevare'', "to remove (literally, "raise") meat." Carnival is the most popular holiday in Brazil and has become an event of huge proportions. Except for industrial production, retail establishments such as malls, and carnival-related businesses, the country unifies completely for almost a week and festivities are intense, day and night, mainly in coastal cities. Rio de Janeiro's carnival alone drew 6 million people in 2018, with 1.5 million being travelers from inside and outside Brazil. Rio_Carnival, Rio's carnival is the largest in the world according to Guinness World Records. Historically its origins can be traced to the Age of Discovery#Portugues ...
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Samba Reggae
Samba-reggae is a music genre from Bahia, Brazil. Samba reggae, as its name suggests, was originally derived as a blend of Brazilian samba with Jamaican reggae as typified by Bob Marley. History and background Samba-reggae arose in the context of the black pride movement that occurred in the city of Salvador de Bahia, around the 69, and it still carries connotations of ethnic identity and pride for Afro-Brazilians today. Bahia's population has a large proportion of dark-skinned Brazilians who are descendants of African slaves who were brought to Brazil by the Portuguese in the 17th and 18th centuries. These Afro-Brazilians played a major role in the early development of samba, which first took form in a Bahian style of dance and music called " samba de roda", probably in the late 19th century. Samba de roda was brought to Rio de Janeiro by Bahians around 1900, where it was combined with harmonic and rhythmic elements from European influences (such as chorinho and military march ...
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Samba Rock
Samba rock (also known as samba soul or confused with samba funk and sambalanço) is a Brazilian dance culture and music genre that fuses samba with rock music, rock, soul music, soul, and funk. It emerged from the dance parties of São Paulo's lower-class Afro-Brazilians, black communities after they had been exposed to rock and roll and African-American music in the late 1950s. As a development of 1960s música popular brasileira, the genre was pioneered by recording acts such as Jorge Ben, Tim Maia, and Trio Mocotó. It gained a wider popularity in the following decades after breaking through into discotheques. By the 2000s, samba rock had grown into a broader cultural movement involving dancers, disc jockeys, scholars, and musicians, who reinvented the genre in a modernized form. Origins Samba rock's origins lie in the predominantly Afro-Brazilians, black favelas of São Paulo during the late 1950s, when Brazilian radio and dance halls were reached by the global spread of ...
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Samba-enredo
Samba-enredo, also known as samba de enredo, is a sub-genre of modern samba made specifically by a samba school for the festivities of Brazilian Carnival. It is a samba style that consists of a lyric and a melody created from a summary of the theme chosen as the plot of a samba school. The first sambas sung by the samba schools in their carnival presentations were freely created and generally were about of the samba itself or the reality of the samba musicians. The institution of contests between the Rio de Janeiro samba school from the 1930s File:1930s decade montage.png, From left, clockwise: Dorothea Lange's photo of the homeless Florence Owens Thompson, Florence Thompson shows the effects of the Great Depression; due to extreme drought conditions, farms across the south-central Uni ... onwards compelled them to commit themselves to presented themes, which began to narrate mainly episodes and exalt characters from the official Brazilian historiography. Background "Samba-en ...
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Samba-sincopado
Samba-sincopado () is a subgenre of samba that emphasises the syncopation of the musical genre. It is also sometimes referred to as . Etymology The word syncope comes from the Greek ''syncopé'', meaning "suppression" or "cut". In medicine, syncope indicates a momentary stop or decrease in heart rate, accompanied by suspension of breathing and temporary loss of consciousness. In grammar, syncope means the deletion of phonemes in a word. In both medicine and grammar, the term syncope suggests a change or alteration in the rhythm of the body or tongue. In music, syncopation indicates deviations in the rhythmic pattern in which the sound—articulated in the weak part of the beat or bar—continues in the strong part of the next beat. It indicates the writing of a weak beat of a bar, prolonged by another beat of greater or equal duration. Modern urban samba, which emerged in Rio de Janeiro in the 1910s, was closely linked to the maxixe. At the end of the 1920s, samba underwent m ...
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Samba (Brazilian Dance)
Samba is a lively dance of Afro-Brazilian origin in 2/4 (2 by 4) time signature, time danced to samba music. The term "samba" originally referred to any of several Latin duet dances with origins from the Congo and Angola. Today samba is the most prevalent dance form in Brazil, and reaches the height of its importance during the festival of Carnaval. There is actually a set of dances, rather than a single dance, that define the Samba dancing scene in Brazil; however, no one dance can be claimed with certainty as the "original" Samba style. Besides Brazilian Samba, a major style of Samba is ballroom Samba, which differs significantly. Etymology There are many theories about the origin of the word "samba". One of the first references to "samba" was in Pernambuco magazine's ''O Carapuceiro'', in February 1838. Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of ...
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Samba Funk
Samba funk is a musical subgenre that fuses Brazilian samba and American funk, created in the late 1960s by pianist Dom Salvador and the Brazilian band Grupo Abolição (which later gave rise to Banda Black Rio) and based on a blend of the binary measures of samba and the quaternary measures of funk, which had recently arrived on the Brazilian music market. Brazilian singers and bands such as Tim Maia, Jorge Ben and Banda Black Rio have also pioneered into the genre. Characteristics Samba funk is a hybrid musical subgenre that combines elements of Brazilian samba with American funk, its rhythm mostly composed by keyboards, electric guitar, bass guitar, drums and percussion, creating a hybrid and contagious sound. The bass, drums and guitar lines transition between the two styles. Samba funk uses instrumentation, timbres, and effects common in 1970s American funk bands, such as the Rhodes electric piano, clavinet, and Moog and Oberheim analog synthesizers. Musical effect ...
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Samba-canção
Samba-canção (; literally 'song samba') is, in its most common acceptance or interpretation, the denomination for a kind of Brazilian popular songs with a slow-paced samba rhythm. History It appeared after the World War II, at the end of the 1940s, and practically disappeared in the middle of the 1960s when majority of composers began to present their songs without category denomination. The name is somewhat arbitrary, adopted by the music industry, that is, publishers and record companies, and some composers. Like many popular songs of the world, Samba-canção (plural 'sambas-canções')'s principal theme is the love relationship, typically moaning for a lost love. Tempo is moderate or a little slower. The denomination suggests that the song is more sophisticated, less earthy, than ordinary samba songs. Composition It has, in most cases, two parts. They are repeated totally. It almost always has a small instrumental introduction, and sometimes a short additional ending ( co ...
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Pagode
Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Samba#Pagode Romântico, Pagode Romântico). Samba carioca torna-se patrimônio histórico
Original pagode developed at the beginning of the 1980s, with the advent of the band Fundo de Quintal and the introduction of new instrumen ...
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Partido Alto
Partido Alto refers to a type of samba with a number of particularities. In the world of samba subgenres and in samba reunions, partido alto songs (informally called ''partidos'') can represent a time for improvisation and (humorous or not) disputes, besides a stronger singalong opportunity for the participants. Partido Alto is also the name of a particular rhythm that is derived from the above-mentioned style of samba (especially in a jazz context). The rhythm is often played in samba, and is also the basis for the Partido Alto groove, in which more or all of the instruments accent this rhythm. Characteristics Regarding structure, Partido Alto differentiates itself from common samba in that it is usually divided in two main parts. One is the usually static refrain (''refrão''), which is sung by a choral, which often means everyone present in a samba performance. The other part is called the verses and is often soloed by one or more participants. There can frequently be two ...
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Sambalanço
Sambalanço (a portmanteau of samba and ''balanço'', meaning swing or beat in Portuguese) is a musical genre derived from samba that developed from the early 1950s to the mid-1960s in Brazil, especially in its two largest centers, São Paulo and Rio de Janeiro, reflecting the changes that this genre underwent after World War II to respond to new cultural demands brought about by the country's urbanization. Having as its roots samba, especially samba-exaltação, modified through the infusion of new elements from American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ... and Caribbean rhythms - the latter especially in the role played by wind instruments - sambalanço artists developed an extremely rhythmic and danceable sound, with extroverted and humorous themes. References ...
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