Rococo Architecture
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Rococo Architecture
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, Mascaron (architecture), mascarons, Arabesque, arabesques, and other classical elements. The Rococo style abandoned the symmetry of earlier Baroque styles like façades, cornices, and pediments, and instead created a flexible and visually engaging style that maintained a level of classical regularity. Light pastel colors, including shades of blue, green, and pink, replaced the darker elements characteristic of Baroque architecture such as exposed limestone and extensive gilding. The iconography of Rococo architecture, predominantly associated with 18-century Europe, had a considerable influence on various architectural styles globally over subsequent centuries. These styles include Dutch colonial architecture, Dutch colonial, French colonial architecture, French ...
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Sanssouci Palace
Sanssouci () is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase () meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power. Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influen ...
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Greek Revival Architecture
Greek Revival architecture is a architectural style, style that began in the middle of the 18th century but which particularly flourished in the late 18th and early 19th centuries, predominantly in northern Europe, the United States, and Canada, and Greece following that nation's independence in 1821. It revived many aspects of the forms and styles of ancient Greek architecture, including the Greek temple. A product of Hellenism (neoclassicism), Hellenism, Greek Revival architecture is looked upon as the last phase in the development of Neoclassical architecture, which was drawn from Roman architecture. The term was first used by Charles Robert Cockerell in a lecture he gave as an architecture professor at the Royal Academy of Arts in London in 1842. With newfound access to Greece and Turkey, or initially to the books produced by the few who had visited the sites, archaeologist–architects of the period studied the Doric order, Doric and Ionic order, Ionic orders. Despite its un ...
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Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ...
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Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ...
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Mascaron 8 Avenue Opera Paris
Mascaron may refer to: * Mascaron (architecture) A mascaron is an ornament in the form of a face used in architecture and the decorative arts. Originally intended to frighten evil spirits from entering a building, the compositional element became purely decorative, usually human in appearance, ..., a decorative element in the form of a sculpted face or head of a human being or an animal * Jules Mascaron, French preacher {{Disambig, surname Surnames of French origin ...
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Winter Palace
The Winter Palace is a palace in Saint Petersburg that served as the official residence of the House of Romanov, previous emperors, from 1732 to 1917. The palace and its precincts now house the Hermitage Museum. The floor area is 233,345 square metres (it has been calculated that the palace contains 1,886 doors, 1,945 windows, 1,500 rooms and 117 staircases). The total area of the Winter Palace is 14.2 hectares. Situated between Palace Embankment and Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917, as depicted in Soviet art and in Sergei Eisenstein's 1928 film ''October: Ten Days That Shook the World, October'', became a symbol of the October Revolution. The emperors constructed their palaces on a monumental scale that aimed to reflect the m ...
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Alexander Palace
The Alexander Palace (, ''Alexandrovskiy dvorets'', ) is a former imperial residence near the town of Tsarskoye Selo in Russia, on a plateau about south of Saint Petersburg. The Palace was commissioned by Catherine the Great in 1792. Due to the privacy it offered when officially resident in St Petersburg, the Alexander Palace was the preferred residence of the last Russian Emperor, Nicholas II and his family; its safety and seclusion compared favourably to the Winter Palace during the years immediately prior to the Russian Revolution. It was the birthplace of Nicholas II's eldest child Grand Duchess Olga Nikolaevna of Russia, while the rest of his children were born in the Peterhof Palace. In 1917, the palace became the family's initial place of imprisonment after the first of two Russian Revolutions in February which overthrew the House of Romanov during World War I. The Alexander Palace is situated in Alexander Park, not far from Catherine Park and the larger, more el ...
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Salsta Palace
Salsta Castle (Swedish: ''Salsta slott'') is a country house in Sweden, situated north of Vattholma, Uppsala Municipality, approximately 25 kilometers north of Uppsala. A fortified castle was already present on the site in the late 13th century, and the estate has belonged to some of the most influential noble families in Sweden, including Oxenstierna, Bielke and Brahe. The present palace was erected in the French Baroque style in the 1670s for Nils Bielke the Younger, 1st Count Bielke af Åkerö and Imperial Count of Torgelow, incorporating elements from an earlier Renaissance castle, and designed and constructed by Mathias Spieler after an earlier design by Nicodemus Tessin the Elder. File:Salsta slott i landskapet.jpg, View from the park File:Salsta slott.blåempirrum.jpg, The blue empire room Architecture Salsta is built of stone and brick on two floors in an open square, except for the basement floor. The building has a lower ground floor with two projecting corner pa ...
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Runsa
Runsa is an estate located in Upplands Väsby Municipality in Stockholm County, Sweden. It the site of the ruins of an ancient fortification (''Runsa fornborg'') and of Runsa Manor (''Runsa slott'') which was built in the middle of the 17th century. History Runsa was the site of a prehistoric hill fortification. Runsa was strategically situated on a 30 metre high rock promontory in Lake Mälaren, with views towards Sigtuna. The ancient fort covers an area of 200 x 100 metres. The site was excavated first in 1902 with the participation of the then Crown Prince, later King Gustaf VI Adolf of Sweden. It was later investigated by archaeologists in 1992. Below the ruins is a stone ship burial area (''Runsa skeppssättning''; sv) with some 30 graves. The burial ground is made up of round stones estimated to date from 400 - 500 AD. It is 56 feet from the bow to the stern and is one of the best known stone circles in Sweden. Runsa Manor (''Runsa slott'') is surrounded by these ru ...
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Nymphenburg Palace
The Nymphenburg Palace (, Palace of the Nymphs) is a Baroque palace situated in Munich's western district Neuhausen-Nymphenburg, in Bavaria, southern Germany. The Nymphenburg served as the main summer residence for the List of rulers of Bavaria, former rulers of Bavaria of the House of Wittelsbach. Combined with the adjacent Nymphenburg Palace Park it constitutes one of the premier royal palaces of Europe. Its frontal width of (north–south axis) even surpasses Versailles. History Building history The palace was commissioned by the Prince-elector, electoral couple Ferdinand Maria, Elector of Bavaria, Ferdinand Maria and Henriette Adelaide of Savoy to the designs of the Italian architect Agostino Barelli in 1664 after the birth of their son Maximilian II Emanuel, Elector of Bavaria, Maximilian II Emanuel. During its construction Barelli was again replaced (1674) by Enrico Zuccalli. The concept for the mythological decorative programme was supplied by the scholar Emanuele Tesauro ...
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Art Nouveau Architecture
Art Nouveau ( ; ; ), Jugendstil and Sezessionstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or Whiplash (decorative art), whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art. One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic art ...
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Art Deco
Art Deco, short for the French (), is a style of visual arts, architecture, and product design that first Art Deco in Paris, appeared in Paris in the 1910s just before World War I and flourished in the United States and Europe during the 1920s to early 1930s, through styling and design of the exterior and interior of anything from large structures to small objects, including clothing, fashion, and jewelry. Art Deco has influenced buildings from skyscrapers to cinemas, bridges, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects, including radios and vacuum cleaners. The name Art Deco came into use after the 1925 (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. It has its origin in the bold geometric forms of the Vienna Secession and Cubism. From the outset, Art Deco was influenced by the bright colors of Fauvism and the Ballets Russes, and the exoticized styles of art from Chinese art, China, Japanese art, Japan, Indian ...
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