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Rebetiko Musicians
Rebetiko (, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used to designate previously disparate kinds of urban Greek music which in the 1930s went through a process of musical syncretism and developed into a more distinctive musical genre. Rebetiko can be described briefly as the urban popular song of the Greeks, especially the poorest, from the late 19th century to the 1950s, and served as the basis for further developments in popular Greek music. The music, which was partly forgotten, was rediscovered during the so-called rebetika revival, which started in the 1960s and developed further from the early 1970s. In 2017 rebetiko was added in the UNESCO Intangible Cultural Heritage Lists. Definition and etymology The word (plural ) is an adjectival form derived from the Greek word (, ), which is construed to mean a person who embodies aspects of character, dress, behavior, morals and ethics associated with a particular subculture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebetes
A rebetis (Greek language, Greek: ρεμπέτης ; pl. rebetes ρεμπέτες {{IPA, [re(m)ˈbetes]) is a musician involved in the scene of the Greek musical genre of rebetiko, which flourished between 1920 and 1955. Prominent ''rebetes'' include: *Rita Abatzi *Babis Tsertos *Yiorgos Batis *Sotiria Bellou *Anestis Delias *Roza Eskenazi *Mihalis Genitsaris *Dimitris Gogos (Bayianderas) *Iovan Tsaous, Giannis Eitziridis (Yovan Tsaous) *Apostolos Hatzichristos *Manolis Hiotis *Manolis Chrysafakis *Anna Chrysafi *Apostolos Nikolaidis (singer), Apostolos Nikolaidis *Marika Ninou *Giannis Papaioannou *Vangelis Papazoglou *Stratos Pagioumtzis *Stelios Perpiniadis (Stellakis) *Kostas Roukounas *Kostas Skarvelis *Prodromos Tsaousakis *Vassilis Tsitsanis *Markos Vamvakaris (Markos) *Kostas Kaplanis *Andonis Kalyvopoulos *A. Kostis *Antonis Dalgas *Giorgos Theologitis (Katsaros) *Stelios Keromytis *Giorgos Mouflouzelis *Giorgos Kavouaras *Odysseas Moshonas ''Note'': Sometimes (not without ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Orthodox
Greek Orthodox Church (, , ) is a term that can refer to any one of three classes of Christian Churches, each associated in some way with Greek Christianity, Levantine Arabic-speaking Christians or more broadly the rite used in the Eastern Roman Empire. * The broader meaning refers to "the entire body of Orthodox (Chalcedonian) Christianity, sometimes also called 'Eastern Orthodox', 'Greek Catholic', or generally 'the Greek Church. * A second, narrower meaning refers to "any of several independent churches within the worldwide communion of (Eastern) Orthodox Christianity that retain the use of the Greek language in formal ecclesiastical settings". In this sense, the Greek Orthodox Churches are the Ecumenical Patriarchate of Constantinople and its dependencies, the Patriarchates of Alexandria, Antioch and Jerusalem, the Church of Greece and the Church of Cyprus. * The third meaning refers to the Church of Greece, an Eastern Orthodox Church operating within the modern bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of Art music, classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its Golden Age, golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic Culture, Hellenic and Persianate society, Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called ''Turkish makam, makam'', ''dastgah'' or ''echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, List of makams, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major And Minor
In Western music, the adjectives major and minor may describe an interval, chord, scale, or key. A composition, movement, section, or phrase may also be referred to by its key, including whether that key is major or minor. The words derive from Latin words meaning "large" and "small," and were originally applied to the intervals between notes, which may be larger or smaller depending on how many semitones (half-steps) they contain. Chords and scales are described as major or minor when they contain the corresponding intervals, usually major or minor thirds. Intervals A major interval is one semitone larger than a minor interval. The words ''perfect'', ''diminished'' and ''augmented'' are also used to describe the quality of an interval. Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented). Unisons, fourths, fifths, and octaves and their compound interval must be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instruments of differing sizes and pitches. The clarinet family is the largest woodwind family, ranging from the contrabass clarinet, BB♭ contrabass to the A-flat clarinet, A♭ piccolo. The B soprano clarinet is the most common type, and is the instrument usually indicated by the word "clarinet". German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime around 1700 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the orchestra and concert band and is used in classical music, military bands, klezmer, jazz, and other styles. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
țambal
The cimbalom, cimbal (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Belarus, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
