Queen Anne Revival Architecture In The United Kingdom
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Queen Anne Revival Architecture In The United Kingdom
British Queen Anne Revival architecture, also known as Domestic Revival, is a style of building using red brick, white woodwork, and an wikt:eclectic, eclectic mixture of decorative features, that became popular in the 1870s, both for houses and for larger buildings such as offices, hotels, and town halls. It was popularised by Richard Norman Shaw, Norman Shaw (1831–1912) and George Devey (1820–1886). Beginnings The Queen Anne Revival was to a large extent anticipated by George Frederick Bodley, George Gilbert Scott, Norman Shaw, W. Eden Nesfield, J. J. Stevenson, and Philip Webb in the 1860s; they had used and mixed together brick pediments and pilasters, fan-lights, ribbed chimneys, Flemish or plain gables, hipped roofs, wrought-iron railings, sash windows, outside shutters, asymmetry and even sunflower decorations. Features The Queen Anne Revival style has, as the architectural historian Mark Girouard writes, All of these features can be seen in houses, large o ...
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George Frederick Bodley
George Frederick Bodley (14 March 182721 October 1907) was an English Gothic Revival architect. He was a pupil of Sir George Gilbert Scott and worked with C. E. Kempe. He was in partnership with Thomas Garner for much of his career and was one of the founders of Watts & Co. Personal life Bodley was the youngest son of William Hulme Bodley, of Edinburgh, physician at Hull Royal Infirmary, Hull, who in 1838 retired to his wife's home town, Brighton. George's eldest brother, the Rev. W. H. Bodley, became a well-known Roman Catholic preacher and a professor at St Mary's College, New Oscott, Birmingham. He married Minna F. H. Reavely, daughter of Thomas George Wood Reavely, at Kinnersley Castle in 1872. They had a son, George H. Bodley, born in 1874. Career Bodley was articled to the architect Sir George Gilbert Scott, a relative by marriage, under whose influence he became imbued with the spirit of the Gothic revival, and he became known as the chief exponent of 14th ...
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New Scotland Yard, Victoria Embankment (geograph 5650866) (cropped)
New or NEW may refer to: Music * New, singer of K-pop group The Boyz (South Korean band), The Boyz * New (album), ''New'' (album), by Paul McCartney, 2013 ** New (Paul McCartney song), "New" (Paul McCartney song), 2013 * New (EP), ''New'' (EP), by Regurgitator, 1995 * New (Daya song), "New" (Daya song), 2017 * New (No Doubt song), "New" (No Doubt song), 1999 * "new", a song by Loona from the 2017 single album ''Yves (single album), Yves'' * "The New", a song by Interpol from the 2002 album ''Turn On the Bright Lights'' Transportation * Lakefront Airport, New Orleans, U.S., IATA airport code NEW * Newcraighall railway station, Scotland, station code NEW Other uses * New (film), ''New'' (film), a 2004 Tamil movie * New (surname), an English family name * NEW (TV station), in Australia * new and delete (C++), in the computer programming language * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlig ...
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Terracotta
Terracotta, also known as terra cotta or terra-cotta (; ; ), is a clay-based non-vitreous ceramic OED, "Terracotta""Terracotta" MFA Boston, "Cameo" database fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below. Usage and definitions of the term vary, such as: *In art, pottery, applied art, and craft, "terracotta" is a term often used for red-coloured earthenware sculptures or functional articles such as flower pots, water and waste water pipes, and tableware. *In archaeology and art history, "terracotta" is often used to describe objects such as figurines and loom weights not made on a potter's wheel, with vessels and other objects made on a wheel from the same material referred to as earthenware; the choice of term depends on the type of object rather than the material or shaping technique. *Terracotta is also used to refer to the natural brownish-orange color of most terracotta. *In architecture, ...
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Semi-detached
A semi-detached house (often abbreviated to semi) is a single-family Duplex (building), duplex dwelling that shares one common party wall, wall with its neighbour. The name distinguishes this style of construction from detached houses, with no shared walls, and terraced houses, with a shared wall on both sides. Often, semi-detached houses are built in pairs in which each house's layout is a mirror image of the other's. Semi-detached houses are the most common property type in the United Kingdom (UK). They accounted for 32% of UK housing transactions and 32% of the English housing stock in 2008. Between 1945 and 1964, 41% of all properties built were semis. After 1980, the proportion of semis built fell to 15%. History of the semi-detached house in the United Kingdom Housing the rural working classes Housing for the farm labourer's family in 1815 typically had one downstairs room with an extension for a scullery (for washing) and pantry (for storing food), and two bedrooms ups ...
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Royal Geographical Society
The Royal Geographical Society (with the Institute of British Geographers), often shortened to RGS, is a learned society and professional body for geography based in the United Kingdom. Founded in 1830 for the advancement of geographical sciences, the society has 16,000 members, with its work reaching the public through publications, research groups and lectures. The RGS was founded in 1830 under the name ''Geographical Society of London'' as an institution to promote the 'advancement of geographical science'. It later absorbed the older African Association, which had been founded by Joseph Banks, Sir Joseph Banks in 1788, as well as the Raleigh Club and the Palestine Association. In 1995 it merged with the Institute of British Geographers, a body for academic geographers, to become officially the Royal Geographical Society ''with IBG''. The society is governed by its council, which is chaired by the society's president, according to a set of statutes and standing orders. The ...
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Kensington Gore
Kensington Gore is the name of a U-shaped thoroughfare on the south side of Hyde Park in the City of Westminster, England. The streets connect the Royal Albert Hall with the Royal College of Art, the Royal Geographical Society, and in Kensington Gardens the Albert Memorial. The area is named after the Gore estate which occupied the site until it was developed by Victorian planners in the mid 19th century. A '' gore'' is a narrow, triangular piece of land. The street replaces part of Kensington Road, connecting what would otherwise be two separate streets. History Gore House was the residence of political reformer William Wilberforce between 1808 and 1821. The three-acre (12,000 m2) estate was subsequently occupied by the Countess of Blessington and the Count D'Orsay from 1836 to 1849. In May 1851, the house opened as a restaurant by the chef Alexis Soyer, who planned to cater for the 1851 Great Exhibition in Hyde Park. After the exhibition and on the advice of Pr ...
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Leadenhall Street
__NOTOC__ Leadenhall Street () is a street in the City of London. It is about and links Cornhill, London, Cornhill in the west to Aldgate in the east. It was formerly the start of the A11 road (England), A11 road from London to Norwich, but that route now starts further east at Aldgate. Leadenhall Street has always been a centre of commerce. It connected the medieval market of Leaden Hall with Aldgate, the eastern gate in the Roman city wall. The East India Company had its headquarters there, as later did P&O. By the mid 20th century, grand stone-faced offices lined the street. Today it is closely associated with the insurance industry and particularly the Lloyd’s of London, Lloyd's insurance market, with its dramatic building in the adjacent Lime Street. It forms part of a cluster of tall buildings including the 48-storey 122 Leadenhall Street and the 38-storey The Scalpel, Scalpel. Other buildings planned for the street include the 57-storey 100 Leadenhall, the 50-storey Pr ...
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Grim's Dyke
Grim's Dyke (sometimes called Graeme's Dyke until late 1891)How, Harry ''The Strand Magazine'', Vol. 2, October 1891, pp. 330–41, reprinted at ''The Gilbert and Sullivan Archive'', 20 November 2011 is a house and estate in Harrow Weald, in northwest London, England. The house was built from 1870 to 1872 by Richard Norman Shaw for painter Frederick Goodall and named after the nearby prehistoric earthwork known as Grim's Ditch (Harrow), Grim's Ditch. It was converted into a hotel, Grim's Dyke Hotel, in 1970. The house is best known as the home of the dramatist W. S. Gilbert, of the opera partnership Gilbert and Sullivan, who lived and farmed there for the last two decades of his life. He died while attempting to save a girl from drowning in his lake. Lady Gilbert and the Gilberts' ward, Nancy McIntosh, lived there until her death in 1936. The statue of Charles II of England, Charles II now found in Soho Square stood on the property from about 1880 to 1938. The house was then u ...
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Tudor Architecture
The Tudor architectural style is the final development of medieval architecture in England and Wales, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to Britain. It followed the Late Gothic Perpendicular style and, gradually, it evolved into an aesthetic more consistent with trends already in motion on the continent, evidenced by other nations already having the Northern Renaissance underway Italy, and especially French Renaissance architecture, France already well into its revolution in art, architecture, and thought. A subtype of Tudor architecture is Elizabethan architecture, from about 1560 to 1600, which has continuity with the subsequent Jacobean architecture in the early Stuart period. In the much more slow-moving styles of vernacular architecture, "Tudor" has become a designation for half-timbering, half-timbered buildings, although there are cruck and frame houses with half-timbering that consi ...
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Medieval Architecture
Medieval architecture was the architecture, art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque, Romanesque architecture, Romanesque, and Gothic architecture, Gothic. In the fifteenth century, architects began to favour Classical architecture, classical forms again, in the Renaissance architecture, Renaissance style, marking the end of the medieval period. Many examples of religious, civic, and military architecture from the Middle Ages survive throughout Europe. Styles Pre-Romanesque The pre-Romanesque period lasted from the beginning of the Middle Ages (around 500 AD) to the emergence of the Romanesque style (from the 10th century). Much of the notable architecture from the period comes from France and Germany, under the Merovingian art and architecture, Merovingians and the Carolingian architecture, Carolingians and the Ottonian architecture, Ottonians. Other regions also have examples of architect ...
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Georgian Architecture
Georgian architecture is the name given in most English-speaking countries to the set of architectural styles current between 1714 and 1830. It is named after the first four Monarchy of the United Kingdom, British monarchs of the House of Hanover, George I of Great Britain, George I, George II of Great Britain, George II, George III, and George IV, who reigned in continuous succession from August 1714 to June 1830. The Georgian cities of the British Isles were Edinburgh, Bath, Somerset, Bath, pre-independence Georgian Dublin, Dublin, and London, and to a lesser extent York and Bristol. The style was revived in the late 19th century in the United States as Colonial Revival architecture and in the early 20th century in Great Britain as Neo-Georgian architecture; in both it is also called Georgian Revival architecture. In the United States, the term ''Georgian'' is generally used to describe all buildings from the period, regardless of style; in Britain it is generally restricte ...
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Arts & Crafts Movement
The Arts and Crafts movement was an international trend in the Decorative arts, decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America. Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced, the movement flourished in Europe and North America between about 1880 and 1920. Some consider that it is the root of the Modern Style (British Art Nouveau style), Modern Style, a British expression of what later came to be called the Art Nouveau movement. Others consider that it is the incarnation of Art Nouveau in England. Others consider Art and Crafts to be in opposition to Art Nouveau. Arts and Crafts indeed criticized Art Nouveau for its use of industrial materials such as iron. In Japan, it emerged in the 1920s as the Mingei movement. It stood for traditional craftsmanship, and often used Medi ...
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