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Pagode
Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Samba#Pagode Romântico, Pagode Romântico). Original pagode developed at the beginning of the 1980s, with the advent of the band Fundo de Quintal and the introduction of new instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagode
Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Samba#Pagode Romântico, Pagode Romântico). Original pagode developed at the beginning of the 1980s, with the advent of the band Fundo de Quintal and the introduction of new instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Grammy Award For Best Samba/Pagode Album
The Latin Grammy Award for Best Samba/Pagode Album is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence and creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award has been presented since the 1st Annual Latin Grammy Awards in 2000. According to the category description guide for the Latin Grammy Awards of 2012, 13th Latin Grammy Awards, the award is for vocal or instrumental Samba/Pagode albums containing at least 51% playing time of newly recorded material. For performances by solo artists, duos or groups. Zeca Pagodinho was the first recipient of the award for ''Zeca Pagodinho ao Vivo'', he also shares the record of most wins in the category with Martinho da Vila, with four wins each. Pagodinho received the award three consecutive times from 2000 to 2002. In addition, Pagodinho is the most nominated artist in the category with twelve nominations O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beth Carvalho
Elizabeth "Beth" Santos Leal de Carvalho (May 5, 1946 – April 30, 2019) was a Brazilian samba singer, guitarist, cavaquinist and composer. Biography Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Following a 1967 album, "Muito Na Onda," with the project 'Conjunto 3D,' Carvalho did her first solo record, 1968's "Andança", and carried the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase which lasted less than one year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ubirany
Grupo Fundo de Quintal or simply Fundo de Quintal (''Backyard Group'', roughly) is a Brazilian Samba band formed in Rio de Janeiro at the end of the 1970s. History The founding members of Fundo de Quintal, Almir Guineto (banjo/ cavaco), Bira Presidente (pandeiro), Jorge Aragão (acoustic guitar), Neoci ( tan-tan), Sereno (tan-tan), Sombrinha (acoustic guitar/chip) and Ubirany (hand-repique), used to perform on Wednesdays in the sambas at the headquarters of the carnival block Cacique de Ramos in the mid-1970s. With the introduction of such instruments as the tan-tan, hand-repique and banjo, the group created a completely innovative style in samba (which, later on, the Brazilian music industry called pagode). Patronized by the famous samba singer Beth Carvalho, Fundo de Quintal recorded its first album, ''Samba É No Fundo de Quintal'', in 1980. Shortly thereafter, Almir Guineto and Jorge Aragão left the group to pursue a solo career, in addition to Neoci, who soon died. Arli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeca Pagodinho
Jessé Gomes da Silva Filho, known professionally as Zeca Pagodinho (, born February 4, 1959), is a Brazilian singer-songwriter working in the genres of samba and pagode. Biography Born in the neighborhood of Irajá, Rio de Janeiro, Zeca Pagodinho grew up around the most traditional manifestations of samba and started making his own verses while still a kid at GRES Portela samba School. In the '70s, Zeca started frequenting the Carnival Block of Cacique de Ramos, which took place in Rio de Janeiro every Wednesday and became a true pagode's crib (pagode is a type of samba). Son of Jessé da Silva and Irinéia da Silva, grandson paternal of Jessé Gomes da Silva and Milena da Silva, maternal of the president Manuel Deodoro da Fonseca and the president Mariana Cecília de Sousa Meirelles da Fonseca, his sister is Ircéia Pagodinho, his wife is Mônica Silva and his children are Eduardo, Elisa, Louis, and Maria Eduarda, his grandson is Noah, his granddaughter is Catarina, his daughte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almir Guineto
Almir de Souza Serra (12 July 1946 – 5 May 2017), better known by his stage name Almir Guineto, was a Brazilian sambista, singer and songwriter and instrumentalist, working in the genres of samba and pagode. Biography Guineto was director of the samba school Salgueiro, a founder of the Fundo de Quintal samba group, and was a member of Os Originais do Samba for 10 years before leaving for a solo career. Born on the Salgueiro hills in Rio de Janeiro in a family of musicians, he is credited as the man who introduced the banjo to samba, and is recognized as one of the main fathers of pagode Pagode () is a Brazilian style of music that originated in Rio de Janeiro, Brazil, as a subgenre of Samba. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, like .... Guineto first knew success when his partido "Mordomia" won the first prize in the 1981 MPB-Shell festival. A frequenter of the Cacique de R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand-repique
The hand-repique is a percussion instrument originated in Brazil. It’s a small drum of cylindrical form, that can be made of wood, aluminum or acrylic. It’s played with the hands, both on the skin and its body. The hand-repique has a sharp sound and is used mainly to play Samba and its variants, such as Pagode. Its common role inside these genres is to increase the percussion section, filling up the spaces and playing the off-beats. It was invented by musician Ubirany, founder and percussionist with the band "Fundo de Quintal". The hand-repique is derived from another percussion instrument, the "Repinique". Ubirany started to use the repinique in its band but felt it was too uncomfortable to play, since this instrument is made to be originally played with a drumstick. So he adapted it, adding a few mufflers on the inside, lowering the hoop and taking the bottom skin off it. It became so popular that it began to be produced by several manufactures (such as Gope, Contemporânea a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/ Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro, Deixa Falar. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep. Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sereno (musician)
Sereno may refer to: Music * ''Sereno'' (album), a 2002 album by Miguel Bosé People Given name * Sereno Edwards Bishop (1827–1909), scientist, Presbyterian minister and publisher * Sereno E. Brett (1891–1952), Brigadier General of the United States Army * Sereno Edwards Dwight (1786–1850), American author, educator, minister, and Chaplain of the Senate * Sereno Peck Fenn (1844–1927), American businessman * Sereno E. Payne (1843–1914), United States Representative from New York * Sereno Watson (1826–1892), American botanist Surname * Costantino Sereno (1829–1893), Italian painter * Henrique Sereno (born 1985), Portuguese footballer * Maria Lourdes Sereno (born 1960), '' de facto'' Chief Justice of the Supreme Court of the Philippines between August 25, 2012 and May 11, 2018 * Paul Sereno (born 1957), American paleontologist * Paulo Jorge Fernandes Sereno (born 1983), Portuguese footballer * Ronaldo Marques Sereno Ronaldo Marques Sereno, also kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tan-tan
A tan-tan is a cylindrical hand drum from Brazil that is used in small samba and pagode ensembles. It imitates the big Surdo which is played by the famous samba ''baterias'' (percussion ensembles). But due to its smaller size the tan-tan is not as loud as a surdo and so it is played rarely in big samba schools, but rather within closer gatherings of musicians called Rodas do Chôro. The tan-tan is played in a sitting or standing position by one hand beating the drum head whilst the other hand taps the metal or wood body of the drum. Further reading * Samba * Bateria External linksAbout the Tan Tan References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
