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Oni Press Adaptations
An ( ) is a kind of ''yōkai'', demon, orc, ogre, or troll in Japanese folklore. They are believed to live in caves or deep in the mountains or in hell. Oni are known for their superhuman strength and have been associated with powers like thunder and lightning, along with their evil nature manifesting in their propensity for murder and Human cannibalism, cannibalism. They are typically portrayed as hulking figures with one or more horns growing out of their heads, massive teeth, and occasionally a third eye in the center of the forehead."Oni." ''Handbook of Japanese Mythology'', by Michael Ashkenazi, ABC-CLIO, 2003, pp. 230–233. They are typically depicted with red, blue, black, or yellow colored skin, wearing loincloths of tiger pelt, and carrying iron kanabō clubs. They also have three to six digits on each hand and foot tipped with claw-like nails. Oni are able to change their looks to fool their victims into trusting them. Oni can be male or female, but have been predomin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onihitokuchi
Onihitokuchi (鬼一口) refers to a Japanese in which eat humans in one mouthful. This in turn refers to something extremely dangerous and difficult, as well as the quick and easy handling of things. Summary As an example of a representative story, in the beginning of the Heian Era, in the uta monogatari "The Tales of Ise," there is the sixth part, "." A certain man visited a woman for several years, but due to their difference in social status, they were not able to get together. One time, the man finally stole that woman, but while he was fleeing, as the night grew late, a thunderstorm came, so he found a cellar that did not fasten its doors and made the woman go in, and with a bow and arrow in his own possession, stood guard in front of the cellar, and waited for dawn. Before long, dawn came and when he peeped into the cellar, there was no figure of any woman. The woman was killed and eaten in one mouthful by an oni that lived in the cellar, and the shriek that she made when s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. History According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the biwa, was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a commander of the Minamoto clan of Japan in the late Heian period, Heian and early Kamakura period, Kamakura periods. During the Genpei War, he led a series of battles that toppled the Ise-Heishi branch of the Taira clan, helping his half-br ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * ' References Japanese styles of music Japanese traditional music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
Illustrated handscrolls, , or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuten-dōji
Shuten-dōji (, also sometimes called , or ) is a mythical ''oni'' or demon leader of Japan, who according to legend was killed by the hero Minamoto no Yorimitsu, Minamoto no Raikō. Although decapitated, the demon's detached head still took a bite at the hero, who avoided death by wearing multiple helmets stacked on his head. Shuten-dōji had his lair at Ōeyama (mountain range), Mount Ōe () northwest of the city of Kyoto, or Mount Ibuki, depending on the version. It has also been theorized that the original mountain was Ōeyama (mountain), Mount Ōe () on the western edge of the city of Kyoto. Texts The oldest surviving text of the legend is recorded in the 14th century ''Ōeyama Ekotoba'' (大江山絵詞 "Tale of Mount Ōe in Pictures and Words"), a picture scroll held by the Itsuō Art Museum. It was later incorporated into the corpus of ''Otogi-zōshi'' ("Companion tales"), and became widely read in the woodblock-printed versions of them called the ''Otogi Bunko'' (Compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
