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One Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Baba And The Forty Thieves
"Ali Baba and the Forty Thieves" () is a folk tale in Arabic added to the ''One Thousand and One Nights'' in the 18th century by its French translator Antoine Galland, who heard it from Syrian storyteller Hanna Diyab. As one of the most popular ''Arabian Nights'' tales, it has been widely retold and performed in many media across the world, especially for children (for whom the more violent aspects of the story are often removed). In the original version, Ali Baba () is a poor woodcutter and an honest person who discovers the secret treasure of a thieves' den, and enters with the magic phrase " open sesame". The thieves try to kill Ali Baba, and his rich and greedy brother Cassim tries to steal the treasure for himself, but Ali Baba’s faithful slave-girl foils their plots. His son marries her, and Ali Baba keeps the secret of the treasure. Textual history The tale was added to the story collection ''One Thousand and One Nights'' by one of its European translators, Antoine G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamluk Sultanate
The Mamluk Sultanate (), also known as Mamluk Egypt or the Mamluk Empire, was a state that ruled Egypt, the Levant and the Hejaz from the mid-13th to early 16th centuries, with Cairo as its capital. It was ruled by a military caste of mamluks (freed slave soldiers) headed by a sultan. The sultanate was established with the overthrow of the Ayyubid dynasty in Egypt in 1250 and was conquered by the Ottoman Empire in 1517. Mamluk history is generally divided into the Turkic or Bahri period (1250–1382) and the Circassian or Burji period (1382–1517), called after the predominant ethnicity or corps of the ruling Mamluks during these respective eras. The first rulers of the sultanate hailed from the mamluk regiments of the Ayyubid sultan as-Salih Ayyub (), usurping power from his successor in 1250. The Mamluks under Sultan Qutuz and Baybars routed the Mongols in 1260, halting their southward expansion. They then conquered or gained suzerainty over the Ayyubids' Syrian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanna Diyab
Antun Yusuf Hanna Diyab (; born ''circa'' 1688) was a Syrian Maronite writer and storyteller. He originated the best-known versions of the tales of ''Aladdin'' and ''Ali Baba and the Forty Thieves'' which have been added to the ''One Thousand and One Nights'' since French orientalist Antoine Galland translated and included them, after which they soon became popular across the West. Diyab was long known only from brief mentions in the diary of Antoine Galland, but the translation and publication of his Arabic manuscript autobiography in 2015 expanded knowledge about his life. Reassessments of Diyab's contribution to ''Les mille et une nuits'', Galland's widely influential version of the oriental stories of ''One Thousand and One Nights'', have argued that Diyab is central to the literary history of such famous tales as ''Aladdin'' and ''Ali Baba and the Forty Thieves'', despite Diyab only having been named as "Hanna from Aleppo" in Galland's diary. Literary scholars Ruth B. Bottigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syria
Syria, officially the Syrian Arab Republic, is a country in West Asia located in the Eastern Mediterranean and the Levant. It borders the Mediterranean Sea to the west, Turkey to Syria–Turkey border, the north, Iraq to Iraq–Syria border, the east and southeast, Jordan to Jordan–Syria border, the south, and Israel and Lebanon to Lebanon–Syria border, the southwest. It is a republic under Syrian transitional government, a transitional government and comprises Governorates of Syria, 14 governorates. Damascus is the capital and largest city. With a population of 25 million across an area of , it is the List of countries and dependencies by population, 57th-most populous and List of countries and dependencies by area, 87th-largest country. The name "Syria" historically referred to a Syria (region), wider region. The modern state encompasses the sites of several ancient kingdoms and empires, including the Eblan civilization. Damascus was the seat of the Umayyad Caliphate and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Galland
Antoine Galland (; 4 April 1646 – 17 February 1715) was a French orientalist and archaeologist, most famous as the first European translator of ''One Thousand and One Nights'', which he called '' Les mille et une nuits''. His version of the tales appeared in twelve volumes between 1704 and 1717 and exerted a significant influence on subsequent European literature and attitudes to the Islamic world. Jorge Luis Borges has suggested that Romanticism began when his translation was first read. Life and work Galland was born at Rollot in Picardy (now in the department of Somme). After completing school at Noyon, he studied Greek and Latin in Paris, where he also acquired some Arabic. In 1670 he was attached to the French embassy at Istanbul because of his excellent knowledge of Greek and, in 1673, he travelled in Syria and the Levant, where he copied a great number of inscriptions, sketched and—in some cases—removed historical monuments. After a brief visit to France, where hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aladdin
Aladdin ( ; , , ATU 561, 'Aladdin') is a Middle-Eastern folk tale. It is one of the best-known tales associated with '' One Thousand and One Nights'' (often known in English as ''The Arabian Nights''), despite not being part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian storyteller Hanna Diyab.Razzaque (2017) Sources Known along with Ali Baba as one of the "orphan tales", the story was not part of the original ''Nights'' collection and has no authentic Arabic textual source, but was incorporated into the book '' Les mille et une nuits'' by its French translator, Antoine Galland. John Payne quotes passages from Galland's unpublished diary recording Galland's encounter with a Maronite storyteller from Aleppo, Hanna Diyab. According to Galland's diary, he met with Hanna, who had travelled from Aleppo to Paris with celebrated French traveller Paul Lucas, on March 25, 1709. Galland's diary furthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four Line (poetry), lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and Classical Chinese poetry forms, China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian language, Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous "Les Propheties, prophecies" in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are Chain rhyme, ABAA, Monorhyme, AAAA, Rhyme scheme, ABAB, and Enclosed rhym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhyme A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciou ...d verse is historically the most commonly used form of verse in English. It generally has a discernible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose
Prose is language that follows the natural flow or rhythm of speech, ordinary grammatical structures, or, in writing, typical conventions and formatting. Thus, prose ranges from informal speaking to formal academic writing. Prose differs most notably from poetry, which follows some type of intentional, contrived, artistic structure. Poetic structures vary dramatically by language; in English poetry, language is often organized by a rhythmic metre and a rhyme scheme. The ordinary language of a region or community and many other forms and styles of language fall under prose, a label that can describe both speech and writing. In writing, prose is visually formatted differently than poetry. Poetry is traditionally written in verse: a series of lines on a page, parallel to the way that a person would highlight the structure orally if saying the poem aloud; for example, poetry may end with a rhyme at the end of each line, making the entire work more melodious or memorable. Pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheherazade
Scheherazade () is a major character and the storyteller in the frame story, frame narrative of the Middle Eastern collection of tales known as the ''One Thousand and One Nights''. Name According to modern scholarship, the name ''Scheherazade'' derives from the Middle Persian name , which is composed of the words () and (). The earliest forms of Scheherazade's name in Arabic sources include () in al-Masudi, and in Ibn al-Nadim. The name appears as in the ''Encyclopaedia of Islam'' and as in the ''Encyclopædia Iranica''. Among standard 19th-century printed editions, the name appears as in Macnaghten's Calcutta edition (1839–1842) and in the 1862 Bulaq edition, and as in the Breslau edition (1825–1843). Muhsin Mahdi's critical edition has . The spelling ''Scheherazade'' first appeared in English-language texts in 1801, borrowed from German usage. History The oldest known text of the tale of Scheherazade is a ninth century (CE) Arabic manuscript from Cairo. Acros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of One Thousand And One Nights Characters
This is a list of characters in ''One Thousand and One Nights'' (also known as ''The Arabian Nights''), the classic, medieval collection of Middle-Eastern folk tales. Characters in the frame story Scheherazade Scheherazade or Shahrazad (, ''Šahrzād'', or , ) is the legendary Persian queen who is the storyteller and narrator of ''The Nights''. She is the daughter of the kingdom's vizier and the elder sister of Dunyazad. Against her father's wishes, she marries King Shahryar, who has vowed that he will execute a new bride every morning. For 1,001 nights, Scheherazade tells her husband a story, stopping at dawn with a cliffhanger. This forces the King to keep her alive for another day so that she can resume the tale at night. The name derives from the Persian ''šahr'' () and ''-zâd'' (); or from the Middle-Persian ''čehrāzād'', wherein ''čehr'' means 'lineage' and ''āzād'', 'noble' or 'exalted' (i.e. 'of noble or exalted lineage' or 'of noble appearance/origin'), Dun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
