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New Media Art
New media art includes artworks designed and produced by means of new media, electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts such as architecture, painting or sculpture. New media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminism
Feminism is a range of socio-political movements and ideology, ideologies that aim to define and establish the political, economic, personal, and social gender equality, equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women. Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to Women's suffrage, vote, Nomination rules, run for public office, Right to work, work, earn gender pay gap, equal pay, Right to property, own property, Right to education, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loie Fuller
Loie Fuller (; born Marie Louise Fuller; January 15, 1862 – January 1, 1928), also known as Louie Fuller and Loïe Fuller, was an American dancer and a pioneer of modern dance and theatrical lighting techniques. Auguste Rodin said of her, "Loie Fuller has paved the way for the art of the future." Biography Early life and debut Marie Louise Fuller was born on January 15, 1862, in Fullersburg, Illinois, on a remote farm conveniently linked to Chicago by a newly-constructed plank road. When Fuller was two, her parents Reuben Fuller and Delilah Eaton moved to Chicago and opened a boarding house. Her early exposure to the arts came through her parents - her father was a skilled fiddler and dance caller, while her mother had aspired to be an opera singer before marriage. Fuller's parents took her to the Progressive Lyceum, a hub of Freethought, on Sunday mornings. Fuller debuted on the stage as a toddler, performing a variety of dramatic and dance roles in Chicago. Her first perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Dixon (actor)
Stephen Robert Dixon (born 1956 in Manchester, England) is a British actor and academic. Early life He studied performing arts at the Victoria University of Manchester, graduating in the same class as Rik Mayall. He worked as an actor for many years, taking minor roles in films like '' Privates on Parade'' and on television shows including '' The Young Ones'' and '' The Krypton Factor''. For three years in the early 1980s he began working as a stand-up comic at The Comedy Store in London. He also worked in theatre, most notably with directors such as Nicholas Hytner, Steven Berkoff and Richard Eyre as well as working with experimental theatre companies Incubus and Lumiere & Son. He has directed productions himself in Mexico, Latvia and the UK, and produced an opera for the theatre company Opera North. Dixon has also directed five independent films which include large-scale movies produced through community texts. He also won an Industrial Society directing award for corpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homage To New York
''Homage to New York'' was a 1960 kinetic artwork and performance by Jean Tinguely. Description ''Homage to New York'' was a kinetic artwork composed of found mechanical parts including multiple bicycle wheels, a weather balloon, a piano, a radio, an American flag, a bassinet, and a toilet, all painted white. In its first and only performance in the New York Museum of Modern Art sculpture garden on March 17, 1960, the machine whirred to life with the sounds and smells of its mechanical motion. The sculpture was split into sections that would activate at different times, slowly turning the overall sculpture until, in its climax, the machine would destroy itself. In one section, the piano played while glass bottles dropped from above, shattering and releasing noxious odors. A youth go-kart scurried in front of the sculpture. Production In February 1960, Museum of Modern Art curator for painting and sculpture Peter Selz commissioned artist Jean Tinguely to make a self-d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century.Chilvers, Ian; Glaves-Smith, John (2009). ''A Dictionary of Modern and Contemporary Art''. Oxford University Press. p. 709. ISBN 978-0-1992396-6-5. Tinguely's art satirized automation and the technological overproduction of material goods. Life Born in Fribourg, Tinguely grew up in Basel. From 1941 to 1945, he studied under artist Julia Ris at the Allgemeine Gewerbeschule Basel, where he encountered the work of Kurt Schwitters and other Dadaists, which later influenced his kinetic constructions. He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avant-garde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (''Nouveau réalisme' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Wilfred
Thomas Wilfred (June 18, 1889 in Naestved, Denmark – August 15, 1968 in Nyack, New York), born Richard Edgar Løvstrøm, was a visual artist, inventor, designer and musician. He is best known for his art of light, which he named '' lumia'', and his designs for color organs called Clavilux. Wilfred was not fond of the term "color organ", and coined the word "Clavilux" from Latin meaning "light played by key". His innovative, mobile works prefigured the kinetic and op art movement and the advent of light art in America, and influenced subsequent generations of visual artists. Biography Wilfred's father ran a photography studio, and young Wilfred was exposed to the arts at a young age. He studied painting and poetry in Paris, and found early success as "Wilfred the Lute Player" traveling Europe and America performing minstrel songs on the archaic lute. Around 1905, Wilfred began to experiment with bits of colored glass and light sources. After moving to New York he, along wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoopraxiscope
The zoopraxiscope (initially named ''zoographiscope'' and ''zoogyroscope'') is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12″ discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eadweard Muybridge
Eadweard Muybridge ( ; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture Movie projector, projection. He adopted the first name "Eadweard" as the original Germanic name, Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic. A photographer in the 19th century American West, he photographed Yosemite National Park, Yosemite, San Francisco, the newly acquired Alaska, Alaskan Territory, subjects involved in the Modoc War, and lighthouses on the West Coast of the United States, West Coast. He also made his early moving picture studies in California. Born in Kingston upon Thames, Surrey, England, at the age of 20 he emigrated to the United States as a bookseller, first to New York City, then to San Francisco. In 1860, he planned a return trip to Europe, but suffered serious head injuries en route in a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxinoscope
The praxinoscope is an animation device, the successor to the zoetrope. It was invented in France in 1877 by Charles-Émile Reynaud. Like the zoetrope, it uses a strip of pictures placed around the inner surface of a spinning cylinder. The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors can, therefore, see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered. Variations Reynaud introduced the Praxinoscope-Théâtre in 1879. This was basically the same device, but it was hidden inside a box to show only the moving figures within added theatrical scenery. When the set was assembled inside the unfolded box, the viewer looked through a rectangular slot in the front, onto a plate with a transparent mir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
