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New Wave In Cinema
New Wave may refer to various artistic movements in film, music and literature. These include: Movements in film * The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement * Australian New Wave * Indian New Wave, or Parallel cinema * Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French ''Nouvelle Vague'' * Persian New Wave, or Iranian New Wave, started in the 1960s * New German Cinema, new wave of German cinema * Berlin School (filmmaking), also Known as Nouvelle Vague Allemand, second new wave of German cinema * New Nigerian Cinema, also known as Nigerian New Wave * Czechoslovak New Wave * Cinema Novo or Novo Cinema, a movement in Brazilian and Portuguese film * Hong Kong New Wave, a movement in Hong Kong film led by Tsui Hark * Philippine New Wave, also known as Filipino New Wave or Contemporary Philippine Cinema * Romanian New Wave * British New Wave * Taiwan New Wave * Thai New Wave * Toronto New Wav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
The New Wave (, ), also called the French New Wave, is a French European art cinema, art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to film editing, editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinematography, cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder, Agnès Varda, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Hollywood
The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of Experimental film, avant-garde underground film, underground cinema), was a movement in Cinema of the United States, American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking. In New Hollywood films, the film director, rather than the studio, took on a key Auteur theory, authorial role. The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurodisco
Eurodisco (also spelled as Euro disco) is a genre of electronic dance music that evolved from disco in the middle 1970s, incorporating elements of pop music, pop and rock music, rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different First language, mother tongue. Eurodisco derivatives generally include Europop and Eurodance, with the most prominent sub-genres being space disco of the late 1970s and Italo disco of the early 1980s. The genre declined in popularity after 1990 in preference to house and eurodance. History Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines. Another root is the Eurovision Song Contest, especially in the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldemaro Romero
Aldemaro Romero (March 12, 1928 – September 15, 2007) was a Venezuelan pianist, composer, arranger and orchestral conductor. He was born in Valencia, Carabobo State. Biography Romero was a prolific composer, creating a wide range of music, such as: Caribbean, Jazz, Venezuelan waltzes, including works for orchestra, orchestra and soloist, orchestra and choir, chamber music, and symphonic works. He began his musical studies with his father, Rafael Romero. In 1941, he moved to Caracas and worked as pianist in nocturnal saloons and dance orchestras. In 1949, he toured in Cuba, and then went to New York. In 1952, he returned to Caracas and established his own dance orchestra. In 1951, Romero became an arranger at RCA Victor in New York. As a part of this contract, he released his record-breaking '' Dinner in Caracas'' album, the first of his ''Dinner In...'' series featuring popular Latin American music. In the United States, he collaborated with many musicians, including Dean Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nueva Ola
The nueva ola (; Spanish for "new wave") was a loosely affiliated group of musicians, mainly in Spanish-speaking South America, who played and introduced rock 'n roll and other American and European music of the 1950s and 1960s to their countries. The term "nueva ola" was coined in Argentina around the turn of the 1960s to denote the foreign rock and roll styles that were gaining popularity among the youth, along with their local exponents. From there, the concept spread to Chile, with exponents such as Buddy Richard, Los Carr Twins, Los Red Junior, Luis Dimas, José Alfredo Fuentes, Fresia Soto, Cecilia, Gloria Aguirre and Pat Henry. And in Peru, with exponents such as Kela Gates, Jimmy Santi, Los Doltons, Joe Danova, Los Silvertons, Los Belkings and Anita Martinez. Nueva ola bands usually had their names in English and rather than producing their own material they recorded versions of songs that were already popular in the United States or Europe. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; ; ; ) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene in general, including the freshly arrived new wave music, was socially accepted, well developed and covered in the media. New wave was especially advocated by the magazines ''Polet'' from Zagreb and '' Džuboks'' from Belgrade, as well as the TV sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Deutsche Welle
Neue Deutsche Welle (NDW, , "New German Wave") is a genre of West German rock music originally derived from post-punk and new wave music with electronic influences. The term was first coined by Dutch radio DJ Frits Ritmeester on the popular nationwide radio station Hilversum 3, which was very popular among German listeners. Soon after that, the term was used in a record-shop advertisement by Burkhardt Seiler in an August 1979 issue of the West German magazine ''Sounds''. It was then used by journalist Alfred Hilsberg in an article about the movement titled ("New German Wave — From Grey Cities' Walls") in ''Sounds'' in October 1979. History The history of the Neue Deutsche Welle consists of two major parts. From its beginnings to 1981, the genre was mostly an underground movement with roots in British punk and new wave music. It quickly developed into an original and distinct style, influenced in no small part by the different sound and rhythm of the German langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk Revival
Post-punk revival (also known as indie rock revival) is a Music genre, subgenre or movement of indie rock that emerged in the early 2000s as a stripped-down and back-to-basics version of Guitar-rock, guitar rock inspired by the original sounds and aesthetics of post-punk, New wave music, new wave and garage rock.. It is closely associated with new wave revival and garage rock revival.J. Stuessy and S. D. Lipscomb, ''Rock and roll: its History and Stylistic Development'' (London: Pearson Prentice Hall, 5th edn., 2006), , p. 451. The genre has an emphasis on "rock authenticity" that was seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop music, hip hop and "bland" post-Britpop groups. The commercial breakthrough of the genre came with the release of the Strokes' ''Is This It'' in 2001. The genre reached a zenith in the middle of the decade with the success of Bloc Party, Arctic Monkeys and the Killers. Over time, later indie and post-punk bands were criticize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of Traditional Heavy Metal
The new wave of traditional heavy metal (N.W.O.T.H.M.) is a musical movement that started in the mid-2000s as a revival of classic metal sound from the 1970s and 1980s. The term is used to describe bands that make heavy use of the elements and style of that era of metal music. Origin The N.W.O.T.H.M. initially started in the mid-2000s with a number of bands, such as Cauldron, Skull Fist, and Enforcer, who began to write and record music that reflected the style and sound of classic heavy metal. These bands combined elements of the metal genres from the '70s and '80s, especially those of the N.W.O.B.H.M., although some bands are also influenced from genres such as speed metal, power metal and hard rock. While the overall movement's focus was placed on replicating both the sound and success of traditional heavy metal, many of the early N.W.O.T.H.M bands also incorporated noticeable influence from more melodic mainstream rock and alternative genres. However, by the mid-2010s, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of American Heavy Metal
The new wave of American heavy metal (also known as NWOAHM and new wave of American metal) was a heavy metal music movement that originated in the United States during the early–mid 1990s and expanded most in the early to mid-2000s. Some of the bands considered part of the movement had formed as early as the late 1980s, but did not become influential or reach popular standing until the following decade. The term itself borrows from the new wave of British heavy metal dating to 1979. NWOAHM includes a wide variety of styles, including alternative metal, groove metal, industrial metal, nu metal and metalcore. The term was reportedly coined by Mark Hunter, vocalist of the American metalcore band Chimaira, in 2001. Although the term is used by the media with increasing frequency, the definition has not been finished completely. This is due in part to the growing addition of bands that assimilate to common styles in NWOAHM (as defined below), yet have not differentiated greatly eno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of British Heavy Metal
The new wave of British heavy metal (often abbreviated as NWOBHM) was a nationwide musical movement that began in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis (music journalist), Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper ''Sounds (magazine), Sounds'' to describe the emergence of heavy metal music, heavy metal bands in the mid-to-late 1970s, as punk rock declined amid the dominance of new wave music. Although encompassing diverse styles inherited from rock music, the music of the NWOBHM is best remembered for infusing earlier heavy metal with the intensity of punk rock to produce fast and aggressive songs. The DIY ethic, DIY attitude of the NWOBHM bands led to raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapism, escapist themes, such as mythology, fantasy, horror, and the rock 'n' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
