Neo-psychedelia
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Neo-psychedelia
Neo-psychedelia is a genre of psychedelic music that draws inspiration from the music production approaches and songwriting of 1960s psychedelia, either exploring emulations of the sounds of the era or applying its ethos to new styles of music. It has occasionally seen mainstream pop success but is typically explored within alternative music, indie music and underground scenes. Neo-psychedelia first developed in the late-1970s as an outgrowth of the British post-punk scene, where it was also known as acid punk. A neo-psychedelic wave of British alternative rock in the 1980s spawned the subgenres of dream pop and shoegaze. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. Characteristics Neo-psychedelic acts consistently borrow a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop and psychedelic rock of bands such as the Beatles and early Pin ...
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Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as Dmt, DMT, Lysergic acid diethylamide, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and Altered state of consciousness, altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk music, folk and rock music, rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal music, heavy ...
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List Of Neo-psychedelia Artists
This is a list of neo-psychedelia artists. Individuals are alphabetized by surname. A–M * Animal Collective * Apollo Sunshine * The Apples in Stereo * Arctic Monkeys * Beck * The Bevis Frond * The Black Angels * Blind Melon * The Brian Jonestown Massacre * The Church * Crumb * Dead Meadow * Djo * Dr. Dog * The Dream Syndicate * Empire of the Sun * Feng Suave * Fishmans * The Flaming Lips * Forest for the Trees * Foster the People * Gorky's Zygotic Mynci * Grizzly Bear * Guardian Alien * Robyn Hitchcock * Jane's Addiction * Kasabian * Keane * Khruangbin * Kid Cudi * King Gizzard & the Lizard Wizard * Kula Shaker * Lava La Rue * Lenny Kravitz * Lil Yachty * Mazzy Star * Melody's Echo Chamber * Mercury Rev * MGMT * Moon Duo * My Morning Jacket N–Z * Oasis * Oh Sees * The Olivia Tremor Control * OOIOO * Phish * Plasticland * Pond * Primal Scream * Prince * Psychedelic Porn Crumpets * Quest for Fire
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization (the bending of time), and dynamization (when fixed, ordinary objects dissolve into moving, dancing structures), all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians w ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is a genre of pop music that contains musical characteristics associated with psychedelic music. Developing in the mid-to-late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very " bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blend ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through groups associated with the UK label 4AD, most prominently Cocteau Twins, This Mortal Coil, and A.R. Kane. Subsequently, UK-based acts such as My Bloody Valentine, Slowdive, and Lush alongside US-based artists Galaxie 500, Julee Cruise, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-2000s success of indie act Beach House. Etymology and characteristics The term dream pop is thought to relate to the "immersion" in the music experienced b ...
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Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with dream pop) is a subgenre of indie rock, indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion (music), distortion and effects, audio feedback, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during such concerts. My Bloody Valentin ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through groups associated with the UK label 4AD, most prominently Cocteau Twins, This Mortal Coil, and A.R. Kane. Subsequently, UK-based acts such as My Bloody Valentine, Slowdive, and Lush alongside US-based artists Galaxie 500, Julee Cruise, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-2000s success of indie act Beach House. Etymology and characteristics The term dream pop is thought to relate to the "immersion" in the music experienced b ...
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Hypnagogic Pop
Hypnagogic pop (abbreviated as h-pop) is pop music, pop or psychedelic music that evokes cultural memory and 1980s nostalgia, nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s as American lo-fi music, lo-fi and noise music, noise musicians began adopting retro aesthetics remembered from their childhood, such as mainstream rock, radio rock, new wave music, new wave pop, synth-pop, video game music, soft rock, light rock, and contemporary R&B, R&B. Recordings circulated on audio cassette, cassette or Internet blogs and were typically marked by the use of outmoded analog recording, analog equipment and do it yourself, DIY experimentation. The genre's name was coined by journalist David Keenan in an August 2009 issue of ''The Wire (magazine), The Wire'' to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." It was used interchangeably with "chillwave" or "glo-fi" a ...
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Space Rock
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers, and lyrical themes of outer space and science fiction. The genre emerged in late 1960s psychedelia and progressive rock bands such as Pink Floyd, Hawkwind, and Gong who explored a "cosmic" sound. Similar sounds were pursued in the early 1970s' West German '' kosmische Musik'' ("cosmic music") scene. Later, the style was taken up in the mid-1980s by Spacemen 3, whose " drone-heavy" sound was avowedly inspired by and intended to accommodate drug use. By the 1990s, space rock developed into shoegaze and post-rock with bands such as the Verve and Flying Saucer Attack. History Origins: 1950s-1960s Humanity's entry into outer space provided ample subject matter for rock and roll and R&B songs from the mi ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ...
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