Mozart Requiem
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Mozart Requiem
The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated movement of Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence, the latter including the Dies irae, the first eight bars of the Lacrimosa, and the Offertory. First Joseph Eybler and then  Franz Xaver Süssmayr then filled in the rest, composed additional movements, and made a clean copy of the completed parts of the score for delivery to Walsegg, imitating Mozart's musical handwriting but clumsily dating it "1792." It cannot be shown to w ...
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Modern Completions Of Mozart's Requiem
This article lists some of the modern completions of the Requiem by Wolfgang Amadeus Mozart. Liturgical completions For the first performance of the Requiem in Rio de Janeiro in December 1819, Austrian composer Sigismund von Neukomm constructed a movement based on material in the Süssmayr version. Incorporating music from various movements (including the "Requiem aeternam", "Dies irae", "Lacrymosa", and "Agnus Dei"), the bulk of the piece is set to the "Libera me", a responsory text traditionally sung after the Requiem Mass, and concludes with a reprise of the "Kyrie" and a final "Requiescat in pace". A contemporary of Neukomm and a pupil of Mozart's, Ignaz von Seyfried, composed his own Mozart-inspired "Libera me" for a performance at Ludwig van Beethoven's funeral in 1827. The "Amen" fugue In the 1960s, a sketch for an "Amen" fugue was discovered, which some musicologists, including Robert Levin and Richard Maunder, believed Mozart intended as a conclusion of the sequence ...
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