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Mohiniyattam Exponents
''Mohiniyattam'' is an Indian classical dance form originating from the state of Kerala. The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm. ''Mohiniyattams roots, like all classical Indian dances, are in the ''Natya Shastra'' – the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in ''Natya Shastra'', that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though men also perform the dance in the contemporary period. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. The song is typically in Malayalam-Sanskrit hybrid called Manipravalam. The earliest mention of the word is found in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vallathol Narayana Menon
Vallathol Narayana Menon (16 October 1878 – 13 March 1958) was a Malayalam poet and one of the triumvirate of modern Malayalam poetry, along with Asan and Ulloor. The honorific Mahakavi was applied to him in 1913 after the publication of his '' Mahakavya'' ''Chitrayogam''. He was a nationalist poet and wrote a series of poems on various aspects of the Indian freedom movement. He founded the Kerala Kalamandalam and is credited with revitalising the traditional Keralite dance form known as Kathakali. Early life Vallathol was born in Chennara, Mangalam, Tirur, in Malappuram District, Kerala, as the son of Kadungotte Mallisseri Damodaran Elayathu and Kuttipparu Amma(Parvathy)."Vallathol Narayana Menon" |
Travancore
The kingdom of Travancore (), also known as the kingdom of Thiruvithamkoor () or later as Travancore State, was a kingdom that lasted from until 1949. It was ruled by the Travancore Royal Family from Padmanabhapuram, and later Thiruvananthapuram. At its zenith, the kingdom covered most of the south of modern-day Kerala ( Idukki, Kottayam, Alappuzha, Pathanamthitta, Kollam, and Thiruvananthapuram districts, major portions of Ernakulam district, Puthenchira village of Thrissur district) and the southernmost part of modern-day Tamil Nadu ( Kanyakumari district and some parts of Tenkasi district) with the Thachudaya Kaimal's enclave of Irinjalakuda Koodalmanikyam temple in the neighbouring kingdom of Cochin. However Tangasseri area of Kollam city and Anchuthengu near Attingal in Thiruvananthapuram were parts of British India. Malabar District of Madras Presidency was to the north, the Madurai and Tirunelveli districts of Pandya Nadu region in Madras Presidency ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rekha Raju DS
Bhanurekha Ganesan (; born 10 October 1954), better known by her mononymous stage name Rekha, is an Indian actress who appears predominantly in Hindi films. Acknowledged as one of the finest actresses in Indian cinema, she has starred in more than 180 films and is the recipient of several accolades, including one National Film Award and three Filmfare Awards. She has often played strong and complicated female characters—from fictional to literary—in both mainstream and independent films. Though her career has gone through certain periods of decline, Rekha has gained a reputation for reinventing herself numerous times and has been credited for her ability to sustain her status. In 2010, the Government of India honoured her with Padma Shri, India's fourth highest civilian honour. The daughter of actors Pushpavalli and Gemini Ganesan, Rekha started her career as a child actress in Telugu films '' Inti Guttu'' (1958) and '' Rangula Ratnam'' (1966). Her first film as a lead ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Morality
Victorian morality is a distillation of the moral views of the middle class in 19th-century Britain, the Victorian era. Victorian values emerged in all social classes and reached all facets of Victorian living. The values of the period—which can be classed as religion, morality, Evangelicalism, industrial work ethic, and personal improvement—took root in Victorian morality. Contemporary plays and all literature—including old classics, like William Shakespeare's works—were cleansed of content considered to be inappropriate for children, or " bowdlerized". Historians have generally come to regard the Victorian era as a time of many conflicts, such as the widespread cultivation of an outward appearance of dignity and restraint, together with serious debates about exactly how the new morality should be implemented. The international slave trade was abolished, and this ban was enforced by the Royal Navy. Slavery was ended in all the British colonies, child labour was ended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swathi Thirunal Rama Varma
Sri Swathi Thirunal Rama Varma III (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He was a great musician and composer who has to his credit over 400 classical compositions in both Carnatic and Hindustani style. A code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Swathi Thirunal, as a King, to modernize Travancore. Early life Swathi Thirunal was born into the Venad dynasty of the Matrilineal Travancore royal family, royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1810 to 1815, and Raja Raja Varma Koil Thampuran of Changanasseri Palace, and the elder son. While in the womb itself, he was proclaimed King and thus was referred to as Garbha Sreema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balarama Bharatam
Balarama Bharatam is a Sanskrit treatise on natyam. The author was the king of Travancore (1724–1798), known by the title 'Dharma Raja Karthika Thirunal Rama Varma (1724–17 February 1798) often referred to as Rama Varma I or Dharma Raja, was the Maharajah of Travancore from 1758 until his death in 1798. He succeeded his uncle Marthanda Varma, who is credited with the title o ...' or "the king of righteousness". The full name of the king was Karthika Thirunal Rama Varma and he was the Maharajah of Travancore from 1758 until his death in 1798. Being a scholar of music and dance and natyasastra, he compiled this treatise on natyasastra following the fundamental principles laid down by Bharatamuni in Natyasastra and Nadikeshwara in Natyadarpanam, He also considered the contents in Bhavaprakasanam of Saradatanaya. The treatise 'Balarama Bharatam' is not a simple compilation of earlier texts. It is an extension of the earlier sastras with adaptation to contemporary contexts. Bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati (, , IPA: /Sanskrit phonology, pɑɾʋət̪iː/), also known as Uma (, , IPA: Sanskrit phonology, /ʊmɑː/) and Gauri (, , IPA: /Sanskrit phonology, gə͡ʊɾiː/), is one of the principal goddesses in Hinduism, revered as the Devi, goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. Along with Lakshmi and Saraswati, Sarasvati, she forms the trinity, known as the Tridevi. From her first appearance as a goddess during the Itihasa-Purana, epic period (400 BCE – 400 CE), Parvati is primarily depicted as the consort of the god Shiva. According to various Puranas, Parvati is the reincarnation of Sati (Hindu goddess), Sati, Shiva's first wife, who relinquished her body to sever familial ties with her father, Daksha, after he had insulted Shiva. Parvati is often equated with the other goddesses such as Sati, Uma, Kali and Durga and due to this close connection, they are often treated as one and the same, with their stories frequently ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music. Identity He is thought to have lived between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. ''Nāṭya Śāstra'' Bharata is known only as being traditionally attributed authorship of the treatise '' Natya Shastra''. All other early Sanskrit treatises were similarly attributed to mythical sages. The text draws on his authority, as existing in the public imagination. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the performing arts The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohiniyattam At Kerala School Kalolsavam 2019 02
''Mohiniyattam'' is an Indian classical dance form originating from the state of Kerala. The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm. ''Mohiniyattams roots, like all classical Indian dances, are in the ''Natya Shastra'' – the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in ''Natya Shastra'', that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though men also perform the dance in the contemporary period. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. The song is typically in Malayalam-Sanskrit hybrid called Manipravalam. The earliest mention of the word is found in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaishnavism
Vaishnavism () ), also called Vishnuism, is one of the major Hindu denominations, Hindu traditions, that considers Vishnu as the sole Para Brahman, supreme being leading all other Hindu deities, that is, ''Mahavishnu''. It is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. Its followers are called Vaishnavites or ''Vaishnava''s (), and it includes sub-sects like Krishnaism and Ramanandi Sampradaya, Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2020 estimate by The World Religion Database (WRD), hosted at Boston University’s Institute on Culture, Religion and World Affairs (CURA), Vaishnavism is the largest Hindu sect, constituting about 399 million Hindus. The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a History of Hinduism, fusion of various regional non-Vedic religions with worship of Vishnu. It is considered a merger of several popular non-Vedic theistic traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
