|
MIME
A mime artist, or simply mime (from Greek language, Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean + Brigitte Soubeyran Im Zirkus
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' * Jean Luc Picard, fictional character from ''Star Trek Next Generation'' Places * Jean, Nevada, United States; a town * Jean, Oregon, United States Entertainment * Jean (dog), a female collie in silent films * Jean (song), "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * Jean Seberg (musical), ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS Jean (ID-1308), USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (disambiguat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Publius Syrus
Publilius Syrus (fl. 85–43 BC), was a Latin writer, best known for his sententiae. He was a Syrian from Antioch who was brought as a slave to Roman Italy. Syrus was brought to Rome on the same ship that brought a certain Manilius, astronomer - not the famous Manilius of the 1st century AD (see Pliny, ''NH'' X, 4-5), and Staberius Eros the grammarian. By his wit and talent, Syrus won the favour of his master, who granted him manumission and educated him. He became a member of the Publilia gens. Publilius' name, due to the palatalization of 'l' between two 'i's in the Early Middle Ages, is often presented by manuscripts (and some printed editions) in corrupt form as ' Publius', Publius being a very common Roman praenomen. Work His mimes, in which he acted, had a great success in the provincial towns of Italy and at the games given by Julius Caesar in 46 BC. Publilius was perhaps even more famous as an improviser. He received from Julius Caesar the prize in a contest, in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Musical Theatre
Classical Indian musical theatre is a sacred art of the Hindu temple culture. It is performed in different styles. Overview Classical Indian musical theatre theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight styles: #Bharatanatyam #Odissi #Kuchipudi #Kathak #Mohiniaattam #Kathakali #Manipuri dance, Manipuri #Sattriya dance, Sattriya Classical Indian musical theatre at its best is Bharata Natyam, Natya Yoga, has the most powerful means to lead its worshipers, the artist, to the Divine. It is a sincere depiction of the Divine. It is a sincere depiction of the realities in life, an embodiment of the imagination and gracefulness, the very soul which thereby creates as it were the “Idol of the Beautiful”. While Bharatanatyam, Odissi and Kuchipudi are the orthodox styles that claim to preserve the knowledge of the Natya Shastra most faithfully, Kathak is different from other styles as it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Gaspard Deburau
Jean-Gaspard Deburau (; born Jan Kašpar Dvořák; 31 July 1796 – 17 June 1846), sometimes erroneously called Debureau, was a Czech-French mime. He performed from 1816 to the year of his death at the Théâtre des Funambules, which was immortalized in Marcel Carné's poetic-realist film '' Children of Paradise'' (1945); Deburau appears in the film (under his stage-name, "Baptiste") as a major character. His most famous pantomimic creation was Pierrot—a character that served as the godfather of all the Pierrots of Romantic, Decadent, Symbolist, and early Modernist theater and art. Life and career Born in Kolín, Bohemia (now Czech Republic), Deburau was the son of a Czech servant, Kateřina Králová (or Catherine Graff), and a former French soldier, Philippe-Germain Deburau, a native of Amiens. Jean-Gaspard became an actor and performed at the head of a nomadic troupe. In 1814 he took the company to Paris and they were hired in 1816 by the manager of the Théâtre des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbshow
Dumbshow, also dumb show or dumb-show, is defined by the ''Oxford Dictionary of English'' as "gestures used to convey a meaning or message without speech; mime." In the theatre the word refers to a piece of dramatic mime in general, or more particularly a piece of action given in mime within a play "to summarise, supplement, or comment on the main action". In the ''Oxford Encyclopedia of Theatre and Performance'', Michael Dobson writes that the dumbshow was originally "an allegorical survival from the morality play". It came into fashion in 16th-century English drama in interludes featuring "personifications of abstract virtues and vices who contend in ways which foreshadow and moralize the fortunes of the play's characters".Dobson, Michael"dumb show" ''The Oxford Encyclopedia of Theatre and Performance'', Oxford University Press, 2003, retrieved 29 November 2015 There are examples in ''Gorboduc (play), Gorboduc'' (1561) throughout which dumbshow plays a major part, and in Thomas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummers Play
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Plays may be performed in the street or during visits to houses and pubs. They are generally performed seasonally, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and often with a collection of money. The practice may be compared with other customs such as those of Halloween, Bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
