Luca Turilli (band) Members
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Luca Turilli (band) Members
Luca Turilli (born 5 March 1972) is an Italian composer, arranger, producer and multi-instrumentalist. He is the original guitarist and a founder of the symphonic power metal band Rhapsody, later called Rhapsody of Fire, for which he composed and arranged all music with his colleague Alex Staropoli from 1997 until 2011. In the early 2000s, Turilli released trilogy of solo albums and one album under the name of Luca Turilli's Dreamquest. After his split from Rhapsody of Fire, he released three albums under the name Luca Turilli's Rhapsody. In 2019 Turilli released an album with other former Rhapsody of Fire members under the name Turilli / Lione Rhapsody. In 2020, he announced the release of his debut piano album. Early life Turilli was born in Trieste, Venezia Giulia, Italy. His father was a cello player who died when Turilli was only two years old. He inherited his passion for classical music, and at 16 years old, he started playing guitar. In 1993, Turilli survived canc ...
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Trieste
Trieste ( , ; ) is a city and seaport in northeastern Italy. It is the capital and largest city of the Regions of Italy#Autonomous regions with special statute, autonomous region of Friuli-Venezia Giulia, as well as of the Province of Trieste, regional decentralization entity of Trieste. Trieste is located at the head of the Gulf of Trieste, on a narrow strip of Italian territory lying between the Adriatic Sea and Slovenia; Slovenia lies close, at approximately east and southeast of the city, while Croatia is about to the south of the city. The city has a long coastline and is surrounded by grassland, forest, and karstic areas. As of 2025, it has a population of 198,668. Trieste belonged, as Triest, to the Habsburg monarchy from 1382 until 1918. In the 19th century, the monarchy was one of the Great Powers of Europe and Trieste was its most important seaport. As a prosperous trading hub in the Mediterranean region, Trieste grew to become the fourth largest city of the Aust ...
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Yngwie Malmsteen
Yngwie Johan Malmsteen (; born Lars Johan Yngve Lannerbäck, on 30 June 1963) is a Swedish-American guitarist. He first became known in the 1980s for his neoclassical metal, neoclassical playing style in heavy metal music, heavy metal, and has released 22 studio albums in a career spanning over 40 years. Early life Malmsteen was born Lars Johan Yngve Lannerbäck in Stockholm, Sweden, the third child of a musical family. In 1975, his mother reverted to her mother's (Yngwie's maternal grandmother Maud's) maiden name Malmsten, a Swedish noble name, which Yngve promptly also started using as his surname. Later he slightly changed it to Malmsteen and altered his third given name Yngve to "Yngwie". Malmsteen played his first show when in 6th grade, on May 11th, 1976 with his first real band, Track on Earth, consisting of himself, his cousin Erik Lannerbäck and a friend from school playing the drums. Later his brother Björn joined on drums. As a teenager he was heavily influenced by ...
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Ludovico Einaudi
Ludovico Maria Enrico Einaudi OMRI (; born 23 November 1955) is an Italian pianist and composer. Trained at the Milan Conservatory, Conservatorio Verdi in Milan, Einaudi began his career as a classical composer, later incorporating other styles and genres such as Pop music, pop, Rock music, rock, Folk music, folk, and world music. Einaudi has composed the scores for a number of films and television productions, including ''This Is England (film series), This Is England'', ''The Intouchables'', ''I'm Still Here (2010 film), I'm Still Here'', the TV miniseries ''Doctor Zhivago (TV series), Doctor Zhivago'', and ''Acquario'' (1996), for which he won the Grolla d'oro. His music was used as the score for the Golden Globe and Academy Award-winning films ''Nomadland'' and ''The Father (2020 film), The Father''. He has also released a number of solo albums for piano and other instruments, notably ''I Giorni'' in 2001, ''Nightbook'' in 2009, and ''In a Time Lapse'' in 2013. On 1 March 2 ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ...
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Pentatonic
A pentatonic scale is a Scale (music), musical scale with five Musical note, notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. As Leonard Bernstein put it: "The universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland ...now, that is a true musico-linguistic universal." There are two types of pentatonic scales: Those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more ...
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Melodic Minor
In Classical_music, Western classical music theory, the minor scale refers to three Scale (music), scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending). These scales contain all three notes of a minor triad: the root (chord), root, a minor third (rather than the major third, as in a Major chord, major triad or major scale), and a perfect fifth (rather than the tritone, diminished fifth, as in a diminished scale or half diminished scale). Minor scale is also used to refer to other scales with this property, such as the Dorian mode or the Pentatonic Scale#Minor pentatonic scale, minor pentatonic scale (see #Other minor scales, other minor scales below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth Degree (music), degree of its relative major, relative major scale. For instance, the ...
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Locrian Mode
The Locrian mode is the seventh mode of the major scale. It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there on up to the next higher B. Its ascending form consists of the key note, then: Half step, whole step, whole step, half step, whole step, whole step, whole step. : History '' Locrian'' is the word used to describe an ancient Greek tribe that inhabited the three regions of Locris. Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete ''harmonia''), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or later phases of modal theory through the 18th century, or modern scholarship on ancient Greek musical theory and practice. The name first came into use in modal chant theory after the 18th century, when ''L ...
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Phrygian Mode
: The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. ), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ...
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Harmonic Minor
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, creating an augmented second between the sixth and seventh degrees. : Thus, a harmonic minor scale is represented by the following notation: : 1, 2, 3, 4, 5, 6, 7, 8 A harmonic minor scale can be built by lowering the 3rd and 6th degrees of the parallel major scale by one semitone. Because of this construction, the 7th degree of the harmonic minor scale functions as a leading tone to the tonic because it is a ''semitone'' lower than the tonic, rather than a ''whole tone'' lower than the tonic as it is in natural minor scales. The intervals between the notes of a harmonic minor scale follow the sequence below: : whole, half, whole, whole, half, augmented second, half While it evolved primarily as a basis for chords, the harmonic minor with its augmented second is sometimes used melodically. Insta ...
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Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), a scale would be played beginning in A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (), a coastal district of Anatolia. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleoni ...
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