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Lions In Heraldry
The lion is a common Charge (heraldry), charge in heraldry. It traditionally symbolises courage, nobility, Royal family, royalty, strength, stateliness and Courage, valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the Emblem of Jerusalem, coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animals of the "barbarian" (Eurasian nomads, Eurasian) predecessors of heraldic designs are likely to have been used as totemism, clan symbols. Confronted animals, Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. Adopted in Germanic art, Germanic tradition around the Germanic Iron Age, 5th century, they w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of English Monarchs
This list of kings and reigning queens of the Kingdom of England begins with Alfred the Great, who initially ruled Wessex, one of the heptarchy, seven Anglo-Saxon kingdoms which later made up modern England. Alfred styled himself king of the Anglo-Saxons from about 886, and while he was not the first king to claim to rule all of the English people, English, his rule represents the start of the first unbroken line of kings to rule the whole of England, the House of Wessex. Arguments are made for a few different kings thought to have controlled enough Anglo-Saxon kingdoms to be deemed the first king of England. For example, Offa of Mercia and Egbert of Wessex are sometimes described as kings of England by popular writers, but it is no longer the majority view of historians that their wide dominions were part of a process leading to a unified England. The historian Simon Keynes states, for example, "Offa was driven by a lust for power, not a vision of English unity; and what he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms Of Finland
The coat of arms of Finland is a crowned lion on a red field, the right foreleg replaced with an armoured human arm brandishing a sword, trampling on a sabre with the hindpaws. The Finnish coat of arms was originally created around the year 1580. Background The lion in Finnish heraldry The heraldic lion is quite common in Western Europe, and several European countries incorporate it into their national coats of arms. In Nordic heraldry, the lion is first found in the coat of arms of Denmark in the later part of the 12th century. Starting in the 13th century, the territory of today's Finland was gradually incorporated into the Swedish kingdom, and this coincided with the period when coats of arms first came into use in northern Europe. The first known use of the lion in Sweden was on the royal seals of Erik Knutsson (died 1216) and Erik Eriksson (1216–50), who used two and three lions on their seal, respectively. The first king of the House of Bjälbo, Valdemar Birge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Art
Migration Period art denotes the artwork of the Germanic peoples during the Migration period (c. 300 – 800). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed. Background In the 3rd century, the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the sub-Roman Britain, post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin language, Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Hiberno-Scottish mission, Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic art, Celtic and Anglo-Saxon art, Anglo-Saxon styles. One major distinctive feature is interlace (art), interlace decoration, in particular the interlace (visual arts), interlace decoration as found at Sutton Hoo, in East Anglia. This is now appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Migration Period Art
Migration Period art denotes the artwork of the Germanic peoples during the Migration period (c. 300 – 800). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed. Background In the 3rd century, the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confronted Animals
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork. In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio-cultural motif. A related motif in ancient art is known as the Mistress of Animals. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same base on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totemism
A totem (from or ''doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While the word ''totem'' itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and culture), belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. Ojibwe ''doodemen'' The Anishinaab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurasian Nomads
Eurasian nomads form groups of nomad, nomadic peoples who have lived in various areas of the Eurasian Steppe. History largely knows them via frontier historical sources from Europe and Asia. The steppe nomads had no permanent abode, but travelled from place to place to find fresh pasture for their livestock. The generic designation encompasses the varied ethnic groups who have at times inhabited steppe regions of present-day Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, Uzbekistan, East Turkestan, Uyghuristan, Mongolia, Russia, and Ukraine. They domestication of the horse, domesticated the horse around 3500 BCE, vastly increasing the possibilities of nomadic lifestyle, and subsequently their economies and cultures emphasised horse breeding, horse riding, and nomadic pastoralism; this usually involved trading with settled peoples around the edges of the steppe. They developed the chariot, the wagon,cavalry, and horse archery, and introduced innovations such as the bridle, Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms Of The Armenian Kingdom Of Cilicia
A coat is typically an outer clothing, garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of Button (clothing), buttons, zippers, Hook-and-loop fastener, hook-and-loop fasteners (AKA velcro), toggles, a belt (clothing), belt, or a combination of some of these. Other possible features include Collar (clothing), collars, shoulder straps, and hood (headgear), hoods. Etymology ''Coat'' is one of the earliest clothing category words in English language, English, attested as far back as the early Middle Ages. (''See also'' Clothing terminology.) The Oxford English Dictionary traces ''coat'' in its modern meaning to , when it was written ''cote'' or ''cotte''. The word coat stems from Old French and then Latin ''cottus.'' It originates from the Proto-Indo-European language, Proto-Indo-European word for woolen clothes. An early use of ''coat'' in English is Mail (armour), coat of mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
