Libretti By Michel Carré
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Libretti By Michel Carré
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ...
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Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italians, Italian, later American, opera libretto, librettist, poet and Catholic Church, Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Wolfgang Amadeus Mozart, Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and ''Così fan tutte'' (1790). He was the first professor of Italian literature at Columbia University, and with Manuel García (tenor), Manuel Garcia, the first to introduce Italian opera#Gluck's reforms and Mozart, Italian opera to America.Music View, Did Casanova Lend a Helping Hand?
The New York Times, Donald Henahan, Nov. 10, 1985
Smith, Howard Jay (2022)

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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, ...
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Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic music, Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the , in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, Drame lyrique, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a g ...
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Jacques Offenbach
Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose c ...
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Ludovic Halévy
Ludovic Halévy (1 January 1834 – 7 May 1908) was a French people, French author and playwright, known for his collaborations with Henri Meilhac on the libretto, libretti for Georges Bizet's ''Carmen'' and comic operas by Jacques Offenbach, including ''La belle Hélène'' (1864), ''La vie parisienne (operetta), La vie parisienne'' (1866), ''La Grande-Duchesse de Gérolstein'' (1867) and ''La Périchole'' (1868) Born in Paris to a musical and artistic family, Halévy worked as a civil servant after leaving school, and continued to do so, while pursuing a parallel career as a playwright, librettist and novelist. He generally wrote with collaborators, including Hector-Jonathan Crémieux, Hector Crémieux, and on two occasions, his father, but his partnership with Meilhac, an old schoolfriend, produced the works for which he is chiefly remembered. Life and career Early years Ludovic Halévy was born in the 10th arrondissement of Paris, 10th arrondissement of Paris on 1 January 1834 ...
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Henri Meilhac
Henri Meilhac (; 23 February 1830 – 6 July 1897) was a prolific French playwright and opera librettist, known for his collaborations with Ludovic Halévy on comic operas with music by Jacques Offenbach. He also wrote occasionally for serious works including Georges Bizet's ''Carmen'' (with Halévy) and Jules Massenet's '' Manon''. Born in Paris, Meilhac began writing for a humorous magazine in 1852, and four years later he began a career as a playwright. In 1860 he collaborated for the first time with Halévy, an old schoolfriend, on a one-act comedy, presented at the Théâtre des Variétés. Over the next twenty-one years the two co-wrote fifty more stage works. After Halévy retired in 1882 Meilhac continued to write, sometimes as sole author and sometimes with collaborators. His tally of stage works is more than a hundred, and includes short and full-length comic plays and the libretti of twenty-five operettas. He and Halévy wrote the libretti for Offenbach's ''La bell ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate hims ...
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Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some Church music, sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an alm ...
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian Romantic music, Romantic composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his reside ...
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Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; ; 3 November 1801 – 23 September 1835) was an Italian opera composer famed for his long, graceful melodies and evocative musical settings. A central figure of the era, he was admired not only by the public, but also by many composers who were influenced by his work. His songs balanced florid Ornament (music), embellishment with a deceptively simple approach to lyric setting. Born to a musical family in Sicily, he distinguished himself early and earned a scholarship to study under several noted musicians at Music conservatories of Naples#Conservatorio di San Sebastiano, Naples' Real Collegio di Musica. There he absorbed elements of the Neapolitan School's style and was inspired by performances of Donizetti's and Rossini's operas, among others, in more modern idioms. He wrote his first opera, ''Adelson e Salvini'' (1825), for the conservatory, and his next, ''Bianca e Fernando'' (1826), on a Teatro di San Carlo-affiliated commiss ...
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Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La muette de Portici, La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second French Empire, Second Empire i ...
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