|
Libretti By Andrea Leone Tottola
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. The Italian word (, ) is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene. The relationship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto Cover Andrea Chenier
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italians, Italian, later American, opera libretto, librettist, poet and Catholic Church, Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Wolfgang Amadeus Mozart, Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and ''Così fan tutte'' (1790). He was the first professor of Italian literature at Columbia University, and with Manuel García (tenor), Manuel Garcia, the first to introduce Italian opera#Gluck's reforms and Mozart, Italian opera to America.Music View, Did Casanova Lend a Helping Hand? The New York Times, Donald Henahan, Nov. 10, 1985Smith, Howard Jay (2022) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
