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Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holoca ...
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The Klezmorim
The Klezmorim, founded in Berkeley, California, in 1975, was the world's first klezmer revival band, widely credited with spearheading the global renaissance of klezmer (Eastern European Yiddish instrumental music) in the 1970s and 1980s.Thompson, Suzy R., "The Klezmorim," in McGovern, Adam (ed.), ''musicHound World'', Visible Ink, 2000, , p. 398.Strom, Yale, ''The Book of Klezmer'', A Capella, Chicago, 2002, , pp. 208–209. Initially featuring flute and strings—notably the exotic fiddling of co-founder David Skuse—the ensemble reorganized into a "loose, roaring, funky" brass/reed/percussion band fronted by co-founder Lev Liberman's saxophones and founding member David Julian Gray's clarinets. As a professional performing and recording ensemble focused on recreating the lost sounds of early 20th century klezmer bands, The Klezmorim achieved crossover success, garnering a Grammy nomination in 1982 for their album ''Metropolis'' and selling out major concert venues across Nort ...
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Dave Tarras
Dave Tarras (c. 1895 – February 13, 1989) was a Ukrainian-born American klezmer clarinetist and bandleader, a celebrated klezmer musician, instrumental in Klezmer revival. Biography Early life Tarras was born David Tarasiuk in Teplyk, Ukraine and later moved to Ternivka, a village which was then in Podolian Governorate, Russian Empire and which is now in Teplytskyi Raion, Vinnytsia Oblast, Ukraine.Shulamit Shalit"Король клейзмеров Дэйв Таррас (1897-1989)" ''Evreyskaya Starina'', no. 4(79), 2013; ''Quote'': "Родом мы из Теплика, это на Украине. Потом уже в Терновку перебрались" We hail from Teplyk, and only later moved to Ternivka"/ref> His exact birthday is disputed; it is often given as March 15, 1895, but other credible accounts give it as 1898. He came from a klezmer family; to the family of Rakhmil Tarasyuk, who was a klezmer trombonist, and Sheyndl, his grandfather was a fiddler and ''b ...
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Andy Statman
Andy Statman (born 1950) is a noted American klezmer clarinetist and bluegrass/ newgrass mandolinist. Life and career Statman was born in New York City and grew up in the borough of Queens. Beginning at age 12, he learned to play banjo and guitar, following the example of his older brother Jimmy, and then switched to mandolin, which he studied briefly under lifelong-friend David Grisman. He learned to play R&B and jazz saxophone, for a time under the tutelage of Richard Grando, who played saxophone in Earth Opera. As a teenager Statman was already performing in public in Washington Square Park and with local string bands. In 1969 he attended Franconia College in Franconia, New Hampshire, but eventually dropped out to pursue a musical career. He first gained acclaim as a mandolinist as a sideman with David Bromberg and Russ Barenberg, as well as in the pioneering bluegrass bands Country Cookin' and Breakfast Special. During the course of exploring a wide range of roots a ...
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Naftule Brandwein
Naftule Brandwein, or Naftuli Brandwine, ( yi, נפתלי בראַנדװײַן, 1884–1963) was an Austrian-born Jewish American Klezmer musician, clarinetist, bandleader and recording artist active from the 1910s to the 1940s. Along with Dave Tarras, he is considered to be among the top klezmer musicians of the twentieth century, and has a continuing influence on musicians in the genre a century later. Along with Tarras and other contemporaries like Israel J. Hochman, Max Leibowitz and Harry Kandel, he also helped forge the new American klezmer sound of the early twentieth century, which gradually gravitated towards a sophisticated big-band sound. Biography Early life Brandwein was born on September 20, 1884 in Przemyslany, Austro-Hungarian Galicia (now Ukraine). He was born into a dynasty of klezmer musicians, part of the Stretiner Hasidic dynasty founded by Rabbi Yehuda Hirsch Brandwein of Stratin. His father Peysekhe (Paul) played violin, clarinet, and was an ...
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Sidney Beckerman (musician)
Sidney Beckerman (1919–2007) was an influential klezmer clarinet player. He learned the style from his father Shloimke, who was himself a well known klezmer soloist. Sidney played Jewish weddings and celebrations in New York City and the Catskills throughout the 1930s. After World War II ended, he returned to New York and started working for the US Postal Service. Upon his retirement in 1982, he was convinced by fellow klezmer musician Pete Sokolow to join the band Klezmer Plus!. A recording of this band in 1989 (with Howie Leess) was named an Outstanding Folk Recording by the Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The librar ... Sidney was also a founding member of the klezmer music camp Klezkamp. He was inducted into the ''People's Hall of Fame'' in Feb ...
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Moisei Beregovsky
Moisei Iakovlevich Beregovsky (russian: Моисей Яковлевич Береговский, yi, משה אהרן בערעגאָווסקי; 1892–1961) was a Soviet Jewish folklorist and ethnomusicologist from Ukraine, who published mainly in Russian and Yiddish. He has been called the "foremost ethnomusicologist of Eastern European Jewry".p.253 "A Fresh Look at Beregovski's Folk Music Research" by Mark Slobin. Ethnomusicology, Vol. 30, No. 2 His research and life's work included the collection, transcription and analysis of the melodies, texts and culture of Yiddish folk song, wordless melodies (nigunim), East European Jewish instrumental music for both dancing and listening (klezmer music), Purim plays (Yiddish: פורים-שפיל / purim-shpil), and exploration of the relationship between East European Jewish and Ukrainian traditional music. Biography Early life Beregovsky was born into the family of a Jewish parochial primary school ( kheyder) teacher in the village of T ...
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Ukrainian Music
Ukrainian music covers diverse and multiple component elements of the music that is found in the Western and Eastern musical civilization. It also has a very strong indigenous Slavic and Christian uniqueness whose elements were used among the areas that surround modern Ukraine. Ukraine is also the rarely acknowledged musical heartland of the former Russian Empire, home to its first professional music academy, which opened in the mid-18th century and produced numerous early musicians and composers. Modern Ukraine is situated north of the Black Sea, previously part of the Soviet Union. Several of its ethnic groups living within Ukraine have their own unique musical traditions and some have developed specific musical traditions in association with the land in which they live. Folk music Ukraine found itself at the crossroads of Asia and Europe and this is reflected within the music in a perplexing mix of exotic melismatic singing with chordal harmony which does not always eas ...
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Ivan Lipaev
Ivan Vasilievich Lipaev (russian: Иван Васильевич Липаев, 1865–1942) was a Russian music critic, composer, writer, social advocate, pedagogue, and trombonist active in both the Russian Empire and the Soviet Union. He played trombone in Russia's first brass quartet starting in around 1888, and in the Bolshoi Theatre orchestra from 1893 to 1912 and from 1924–31. He was also dedicated to the modernization of music pedagogy in the Russian empire and advocated for better conditions for music students and orchestra members. He was made Honored Artist of the RSFSR in 1925. Biography Lipaev was born on 16 May 1865 in the village of Spiridonovka, Bobrovskaya Volost, Samarsky Uyezd, Samara Governorate, Russian Empire. Starting in 1882 he studied trombone and composition at the School of Music and Drama of the Moscow Philharmonic Society and at the Moscow Conservatory. In around 1888 he was a founding member of a new brass quartet at the Bolshoi Theatre, the fir ...
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Romanian Music
Romania is a European country with a multicultural music environment which includes active ethnic music scenes. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. History Folk music is the oldest form of Romanian musical creation, characterised by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, also by numerous performers who helped propagate and further develop the folk sound. One of them, Gheorghe Zamfir, is famous throughout the world today and helped popularize a traditional Romanian folk instrument, the panpipes. The religious musical creation, born under the influence of Byzantine music adjusted to the intonations of the local folk music, saw a period of glory between the 15th and 17th centuries, when reputed schools of liturgical music developed within Ro ...
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Religious Jewish Music
This article describes the principal types of religious Jewish music from the days of the Temple to modern times. History of religious Jewish music The history of religious Jewish music is about the cantorial, synagogal, and the Temple music from Biblical to Modern times. The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Mishnah, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers. A number of additional instruments were known to the ancient Hebrews, though they were not included in the regular orchestra of the Temple: the '' uggav'' (small flute), the '' abbuv'' (a reed flute or oboe-like instrument). After the destruction of the Temple and the subsequent diaspora of the Jewish people, music was initially banned. Later, these restrictions would relax, save for the Jews of Yemen who maintained strict adherence to Talmudic and Maimonidean halakha and "instead ...
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Musical Instruments
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians ...
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Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept. Etymology The words ''metonymy'' and ''metonym'' come from grc, μετωνυμία, 'a change of name', from , 'after, post, beyond' and , , a suffix that names figures of speech, from , or , 'name'. Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tropes": metaphor, meto ...
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