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Kathak Exponents
''Kathak'' is one of the eight major forms of Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Dance
Indian classical dance, or ''Shastriya Nritya'', is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance,, Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world." the theory and practice of which can be traced to the Sanskrit text ''Natya Shastra''. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: ''Bharatanatyam'', ''Kathak'', '' Kuchipudi'', '' Odissi'', '' Kathakali'', '' Sattriya'', '' Manipuri'' and '' Mohiniyattam''. Additionally, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar
Akbar (Jalal-ud-din Muhammad Akbar, – ), popularly known as Akbar the Great, was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. He is generally considered one of the greatest emperors in Indian history and led a successful campaign to unify the various kingdoms of '' Hindūstān'' or India proper. Quote: "Akbar, The greatest Mughal emperor of India." Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharhut
Bharhut is a village in the Satna district of Madhya Pradesh, central India. It is known for a Buddhist stupa, unique in that each panel is explicitly labelled in Brahmi characters saying what the panel depicts. The major donor for the Bharhut stupa was King Dhanabhuti. The Bharhut sculptures are some of the earliest examples of Indian and Buddhist art, later than the monumental art of Ashoka (), and slightly later than the early Shunga-period reliefs on railings at Sanchi Stupa No.2 (starting circa 115 BCE). It is more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition. Recent authors date the reliefs of the railings of Bharhut circa 125–100 BCE, and clearly after Sanchi Stupa No.2, compared to which Bharhut has a much more developed iconography. The torana gateway was made slightly later than the railings, and is dated to 100–75 BCE. Historian Ajit Kumar gives a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music. Identity He is thought to have lived between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. ''Nāṭya Śāstra'' Bharata is known only as being traditionally attributed authorship of the treatise '' Natya Shastra''. All other early Sanskrit treatises were similarly attributed to mythical sages. The text draws on his authority, as existing in the public imagination. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the performing arts The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharmila Sharma Et Rajendra Kumar Gangani 2
Sharmila (Hindi : शर्मिला) is a Hindu/Sanskrit Indian popular feminine given name, which means "comfort", "joy" and"protection". Notable people named Sharmila * Sharmila Anandasabapathy, Sri Lankan-American physician * Sharmila Bhattacharya (born 1964), American-Nigerian doctor and NASA scientist * Sharmila Biswas (born 1962), Indian dancer and choreographer * Sharmila Chakraborty (born 1961), Indian cricketer * Sharmila Devar (born 1977), American actress * Sharmila Farooqi (born 1978), Pakistani politician * Sharmila M. Mukhopadhyay, Indian professor of material science * Sharmila Nicollet (born 1991), French-Indian golfer * Sharmila Rege (1964–2013), Indian sociologist, feminist and writer * Irom Chanu Sharmila (born 1972), Indian poet, political and civil rights activist * Sharmila Tagore (born 1944), Indian actress * Y. S. Sharmila (born 1973), Indian politician Notable people named Sarmila * Sarmila Bose (born 1959), Harvard Harvard Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nautch
The nautch (, meaning "dance" or "dancing" from Hindustani: "naach")Scott A. Kugle, 2016When Sun Meets Moon: Gender, Eros, and Ecstasy in Urdu Poetry p.230. was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. The word "''nautch''" was a British corruption of "''Nach''", the Bengali word for dancing. In the early part of the 19th century, it was the resident Bengalis British supported and created elite with who they associated most with and they picked up their culture from them. The culture of the performing art of the nautch rose to prominence during the later period of Mughal Empire and the rule of the East India Company. Over time, the nautch travelled outside the confines of the imperial courts of the Mughals, the palaces of the nawabs and the princely states, and the higher echelons of the officials of the British Raj, to the palaces of zamindars. However under the British Raj they came to be reviled as lewd by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music. Thumari being a popular form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti
Shakti (Devanagari: शक्ति, IAST: Śakti; 'energy, ability, strength, effort, power, might, capability') in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a Deva (Hinduism), male deity, often personified as the female consort of the given Hindu god. In Tantric Shaktism, Shakti is the foremost deity, akin to Brahman. In Puranic Hinduism, Shiva and Shakti are the masculine and feminine principles that are complementary to each other. The male deity is ''purusha'', pure consciousness, which creates the universe through the female creative energy of Shakti, which is ''Prakṛti, prakriti'', 'nature'. The term ''Shakta'' is used for the description of people associated with Shakti worship. The Shakta pithas are shrines, which are believed to be the sacred seats of Shakti. Etymology and overview According to the Monier Monier-Williams, Monier-Williams dict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi
''Odissi'' (''ଓଡ଼ିଶୀ'') also referred to as ''Orissi'' in old literature, oldest surviving classical dance of India, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu deities Shiva and Surya, as well as Hindu goddesses (Shaktism)., Quote: "There are other te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
''Bharatanatyam'' is a Indian classical dance form that came from Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of precursors of ''Bharatanatyam'' from the Natya Shastra dated around (500 BCE) and in the ancient Tamil epic ''Silappatikaram'' dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed Bharatanatyam in 1932, is the oldest classical dance tradition in India. ''Bharatanatyam'' contains different types of ''bani''. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
