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Japanese Artists
This is a list of Japanese artists. This list is intended to encompass Japanese who are primarily fine artists. For information on those who work primarily in film, television, advertising, manga, anime, video games, or performance arts, please see the relevant respective articles. Heian and Kamakura periods Sculptors Pottery and ceramics Sumi-e (Ink Painting) Kanō School Rimpa School Tosa School Kyoto School Nihonga Painters Eccentrics and smaller schools Ukiyo-e painters and printmakers Modern artists See also *List of manga artists *List of Utagawa school members * List of Japanese photographers * List of Yōga painters References External links Artcyclopedia {{DEFAULTSORT:Japanese artists Artists * Japanese Japanese Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** ...
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Kose No Kanaoka
was a ninth-century Japanese artist, court painter of Heian-kyō, Heian (Kyoto). Biography Known as someone who pursued and added depth to the style unique to Japanese-style painting, he is said to render service by establishing the style of ''Yamato-e'' painting, a traditional Japanese style painting of the late Heian period, Heian and Kamakura period, Kamakura periods dealing with Japanese themes. This was when ''kara-e'' (Chinese-style painting) lost its influence. His descendants later formed a circle of painters known as the Kose school, and it greatly influenced the fields of ''kyuutei-ga'' (court paintings) and Buddhist paintings. Though few of his works have survived, he is known to have painted landscapes and portraits. He also founded the Kose School of Art, which is named after him. He made the first tonal gradation, and the first Buddha in crayonnage style. This school would change from producing Chinese style paintings with Chinese themes into a more Japanese style ...
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Tōdai-ji
is a Buddhist temple complex that was once one of the powerful Nanto Shichi Daiji, Seven Great Temples, located in the city of Nara, Nara, Nara, Japan. The construction of the temple was an attempt to imitate Chinese temples from the much-admired Tang dynasty. Though it was originally founded in the year 738 CE, Tōdai-ji was not opened until the year 752 CE. The temple has undergone several reconstructions since then, with the most significant reconstruction (that of the Great Buddha Hall) taking place in 1709. However, it was on the verge of collapse in the late 19th century due to the weight of its huge roof. The collapse was prevented through a first restoration (1904–1913), and its current appearance was completed using rebars and concretes between 1974 and 1980. Its Great Buddha Hall ( ''Daibutsuden'') houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese as ''Daibutsu'' (). The temple also serves as the Japanese headquarters of the Kegon sch ...
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Jun Kaneko
is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture. Based out of a studio warehouse in Omaha, Nebraska, Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze. Early life and education In 1942 he was born in Nagoya, Japan, where he studied painting in high school. He came to the United States in 1963 to continue those studies at Chouinard Art Institute in Los Angeles when his focus was drawn to sculptural ceramics through his introduction to Fred Marer. He studied with Peter Voulkos, Paul Soldner, and Jerry Rothman in California during the time now defined as the contemporary ceramics movement. Career The following decade, Kaneko taught at various U.S. art schools, including Scripps College, Cranbrook Academy of Art and Rhode Island School of Design. Kaneko established his third studio in Omaha, Nebraska, in 1990 where he primarily works. He has also created work in several ...
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Kimiyo Mishima
Kimiyo Mishima (1932 – June 19, 2024) was a Japanese contemporary artist, best known for creating highly realistic versions of "breakable printed matter" in ceramic such as newspapers, comic books and boxes out of clay. Mishima began her artistic career as a painter in the early 1960s, then started working in ceramics in 1971. At this time, she began to use the silk screen technique to print newspaper and ad poster images onto clay. Her use of manufactured objects shows parallels with the works of Claes Oldenburg and Andy Warhol, as well as postwar Japanese collectives Gutai and Dokuritsu Art Association. Early life Mishima was born in 1932 in the Juso district, a downtown area of Osaka City. Her family owned a liquor store, so she grew up relatively well off. Mishima took lessons in Nihon-Buyo, classical Japanese dance, but her teacher often scolded her for making up her choreography. She said she wanted to dance like Mercier Cunningham, the famous American modern dancer, "bu ...
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Living National Treasures Of Japan
is a Japanese popular term for those individuals certified as by the MEXT, Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasure (Japan), National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death.
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Hamada Shōji
A hamada (, ) is a type of desert landscape consisting of high, largely barren, hard rocky (basalt) plateaus, where most of the sand has been removed by deflation. The majority of the Sahara is hamada. Other examples are Negev desert in Israel and the in Algeria. Formation Hamadas are produced by the wind, which removes the fine products of weathering, an aeolian process known as deflation. The finer-grained products are taken away in suspension. At the same time, the sand is removed through saltation and surface creep, leaving behind a landscape of gravel, boulders and bare rock. Related landforms Hamada is related to desert pavement (known variously as reg, serir, gibber, or saï), which occurs as stony plains or depressions covered with gravels or boulders rather than as highland plateaus. Hamadas exist in contrast to ''ergs'', which are large areas of shifting sand dunes.McKnight, Tom L. and Darrel Hess. ''Physical Geography: A Landscape Appreciation'', 8th ed., pp. ...
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Chie Aoki
Chie Aoki (青木千絵, born 1981) is a Japanese sculptor. Her sculpture work uses mediums of cloth, foam, lacquer, and she is also known for photography on rice paper. Her sculptures commonly have the shapes of amorphous human bodies, without heads or faces. Life Aoki was born in 1981 in Gifu Prefecture, Japan. Her father was the curator of the Toyota Municipal Museum of Art and introduced her to Alberto Giacometti's sculptures, which depict existential struggles. She received a degree in arts and crafts from the Kanazawa College of Art in 2005, and completed graduate work in 2006. She has two daughters. Works and themes Aoki's works are surreal and convey the idea of metamorphosis or transformation. Her sculptures often start as carved styrofoam blocks over which Aoki layers black lacquer, which is then polished. Aoki's work is influenced by psychological themes seen in Edvard Munch's art. Collections Aoki's works have been featured in the following collections and galle ...
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Tetsuya Noguchi
is a Japanese artist known for his images of samurai in modern everyday or comical situations. Biography Noguchi was born in 1980 in Takamatsu, Kagawa Prefecture, Japan. He graduated from Hiroshima City University in 2003 specializing in oil painting, going on to complete graduate school there in 2005. Since his youth, Noguchi has been inspired by science fiction, samurai films, history, and plastic models, and he uses these as influences in his paintings and sculptures. He was first inspired by a photo of a samurai taken around the end of the Tokugawa period, as well as by the works of Kobori Tomoto. His works have appeared in over 15 solo exhibits since his first in 2008. Two books featuring his works were published in 2014. Exhibits ;Solo *"Noguchi Tetsuya Exhibit" (Tokyo Contemporary Art Fair (TCAF), 2008) *"Positive Contact" (Matsuzakaya Art Museum, Matsuzakaya Nagoya Branch, 2011) *"Noguchi Tetsuya Exhibit" (Gallery Tamae, 2011) *"Noguchi Tetsuya Exhibit: Noguchi Tetsuya ...
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Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship.Yuji Yamashita (2014), ''Meiji no saimitsu kogei''. pp. 86-87. Heibonsha History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener which secured the cord at the top of the sash was a carved, button-like toggle called a . ...
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Naitō Toyomasa
was a noted Japanese sculptor of '' netsuke'' from Tanba Province. He was thus associated with the Tamba school. His works often depict animals. The Los Angeles County Museum of Art The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits (George C. Page Museum). LACMA was founded in 1961 ... (LACMA) has an extensive collection of his works. References Bibliography *''Naito Toyomasa, Parts I & II'' by Kazutoyo Ichimichi External links 1773 births 1856 deaths Netsuke-shi {{Asia-sculptor-stub ...
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Gechu
Gechū (牙虫; active 18th century) was a Japanese sculptor. His dates of birth and death are not known. Biography Little is known about Gechū's life, he is primarily known through his works, in particular ''netsuke''. He was an Osaka School style artist, and is known to have sculpted in ivory. It was originally believed he lived in Osaka though recently it has been suggested that he may have been at home in Satsuma Province on Kyushu. His most celebrated ''netsuke'', upon which many attributions to Gechū are based, an ivory of a shaggy dog and pup, was sold at the last auction of the M. T. Hindson collection on 23 June 1969. This supreme masterpiece of the art form was the favourite netsuke of the pianist Julius Katchen and he was determined to purchase it for his collection. He died a few months before the sale and his widow, Arlette, is said to have bid for and bought it in his memory. When sold at Bonhams in 2016, the work achieved the second highest price ever for a ...
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Enkū
(1632–1695) was a Japanese Buddhist monk, poet and sculptor during the early Edo period. He was born in Mino Province (present-day Gifu Prefecture) and is famous for carving some 120,000 wooden statues of the Buddha and other Buddhist icons, many of which were given in payment for lodging on his pilgrimages to temples throughout Japan. Biography Childhood The most credible source has Enkū born in 1632 on the banks of the Kisogawa in central Japan in Mino Province (present-day Gifu Prefecture). His family was poor and, under the tightly controlled regime of the Tokugawa shōguns, there was little prospect of any kind of advancement. Social status, occupation, even religious affiliation, were rigidly prescribed. Travel was restricted. Tradition recounts that his mother was washed away and drowned in a river flood, probably when he was seven years old. Soon after this, Enkū left home and became a Buddhist monk. The temple Enkū entered belonged to the Tendai Jimonshu, one o ...
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