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Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (hi-NRG, Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982.Folklore that ZYX boss Bernhard Mikulski coined the term ''Italo-disco'' in 1983 was long published on Wikipedia, but is unsubstantiated; to date, reliable third-party documentation has not been found to support whether ZYX label boss Mikulski himself named it, or whether ZYX was even the first to publish t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Levine
Ian Geoffrey Levine (born 22 June 1953) is a British songwriter, producer, DJ, and prominent Doctor Who fan. A populariser of Northern soul music in the UK, and a developer of the style of hi-NRG, he has co-written and co-produced records with sales totalling over 40 million. Early and personal life Levine was born into a Jewish family; his parents owned and ran the "Lemon Tree" complex in Blackpool, including its casino and nightclub. Levine is openly gay. He suffered a major stroke in July 2014, leaving him with severely limited movement on the left side of his body. Levine has also survived paranasal sinus and nasal cavity cancer, nasal cancer, bladder cancer, sepsis and sarcoidosis. Levine spent decades tracking down 3,000 of his relatives. He has organised several meetings with hundreds of family members over the years, which have been covered by media outlets. Levine has written books about his genealogy search. Career Disc jockey Levine began collecting Motown records fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurobeat
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Alive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Beat
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as Belgian techno, hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megatone Records
Megatone Records was an independent music label specializing in disco and created in San Francisco in 1981 by Patrick Cowley and Marty Blecman. The label name was derived from Cowley's 1981 high energy disco song, " Megatron Man". In 1983, musician Sylvester became a partner of Megatone Records. Some of the artists involved include: Patrick Cowley, Jeanie Tracy, Sylvester, Modern Rocketry, Sarah Dash, Patti LaBelle, and Paul Parker. History Megatone owned two sub-labels Megatone House Records and Mega-Tech Records. Megatone House Records, active from 1988 to 1991, specialized in House music. Mega-Tech Records, was active in 1992, specialized in house music with breakbeat. Megatone brought several high energy disco singles to the U.S. Dance Charts in the early 1980s. All cuts from Sylvester's "All I Need" LP peaked at number 2 on the club charts in 1982, Paul Parker made number 1 with his single "Right On Target" that same year, and Sarah Dash took her single "Lucky Toni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Summer
Donna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music gained a global following. Born and raised in Boston, Summer dropped out of high school before graduating and began her career as the lead singer of a blues rock band named Crow and moved to New York City. In 1968, she joined the German adaptation of the musical ''Hair (musical), Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and released her first album, the European market-only ''Lady of the Night (album), Lady of the Night'' in 1974. Following the recording and European release of the groundbreaking disco anthem, "Love to Love You Baby (song), Love to Love You Baby", she signed with Casablanca Records in 1975, where it was released in North A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer and music producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music. While in Munich in the 1970s, Moroder started Oasis Records, later a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen, and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donna Summer version, MacArthur Park", "Hot Stuff (D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard House
UK hard house or simply hard house is a style of electronic dance music that emerged in the early 1990s and is synonymous with its association to the Trade club and the associated DJs there that created the style. It often features a speedy tempo (around 150 BPM but hard house ranges from around 135 BPM to around 165 BPM), offbeat bass stabs, hoovers and horns. It usually contains a break in the middle of the track where no drums are present. UK hard house often uses a long and sharp string note to create suspense. Most of the time, the drops are introduced by a drum roll. Origins Hard house has its immediate roots primarily in Belgian and German techno, American disco-sample based house music, handbag house and early trance. UK producer and label owner John Truelove was quoted as saying of hard house's origins: "I would say that tunes such as XVX's "Tremorra Del Terra" and Interactive's "Amok" (essentially the same tune) were absolutely defining moments. Early German tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard NRG
Hard NRG, nu-NRG, filthy hard house, or more recently just filth, is an electronic dance music genre similar in structure (with regard to sequencing and programming) to UK hard house form, taking influences from German hard trance. The main difference is in the musical/thematic content of each style. Where UK hard house has uplifting, playfully fun and tough elements, NRG is ominous, dark, aggressive and relentless with its distressed, menacing and gritty sounds on a slightly faster BPM (155–165 average) than UK hard house (150–155 average). In regard to the mechanics of the scene, many of the labels have made a shift from purely vinyl releases to CD single releases and digital downloads. Record labels which produce the genre include Vicious Circle, Flashpoint, Tidy Trax, Kaktai, Tonka Trax, Tinrib Digital, Noir Records and Noir Digital. History 1980s–early 1990s: Roots in UK hard house and EU techno Acid house of the late 1980s was the 'happier' (playful/fun) side o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
