Hardcore Punk Genres
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Hardcore Punk Genres
This is a list of hardcore punk musical genres. *Bandana thrash *Beatdown hardcore *Christian hardcore *Crossover thrash *Crunkcore *Crust punk *D-beat *Deathcore *Digital hardcore *Easycore *Emo *Electronicore *Grindcore *Jazzcore *Krishnacore *Mathcore *Melodic hardcore *Melodic metalcore *Metalcore *Nardcore *Nintendocore *Nu metalcore *Positive hardcore *Post-hardcore *Powerviolence *Progressive metalcore *Queercore *Rapcore *Screamo#Sass, Sass *Screamo *Skacore *Thrashcore *Tough guy hardcore See also *Punk rock subgenres *Punk rock *Punk subculture *List of microgenres References

Hardcore punk, Genres Lists of music genres Microgenres, Hardcore punk {{music-genre-stub ...
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Hardcore Punk
Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington, D.C., hardcore#History, Washington, D.C., and Punk rock#New York City, New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Fr ...
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Melodic Metalcore
Melodic metalcore is a fusion genre, incorporating elements of melodic death metal and metalcore; it has a heavy emphasis on melodic instrumentation, distorted guitar tones, palm mute, palm muting, double bass drumming, blast beats, metalcore-stylized Breakdown (music), breakdowns, and vocals that range from aggressive screaming (music), screaming and death growls to clean singing. The genre has seen commercial success for employing a more accessible sound at times compared to other forms of extreme music. Many notable melodic metalcore bands have been influenced by At the Gates and In Flames. History Origins In the late 1990s, a wave of metalcore bands began incorporating elements of melodic death metal into their sound. This formed an early version of what would become the melodic metalcore genre. The first band to make use of this fusion was Overcast (band), Overcast, who were soon followed by Shadows Fall on ''Somber Eyes to the Sky'' (1997), Undying on ''This Day All Gods Di ...
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Thrashcore
Thrashcore (also known as fastcore) is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, adopting a slightly more extreme style by means of its vocals, dissonance, and occasional use of blast beats. Songs are usually very brief, and thrashcore is in many ways a less dissonant, minimally metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198. Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the '' New York Thrash'' compilation ...
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Skacore
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska, which reached its zenith in the mid-1990s. Before ska punk began, many ska bands and punk rock bands performed on the same bills. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were punk bands playing an occasional ska-flavored song or ska bands with punk influences. During the late 1980s and early 1990s, ska-punk enjoyed its greatest success, heralded by bands such as Fishbone, the Mighty Mighty Bosstones, Sublime, Less Than Jake, and more. Ska punk had significant mainstream success in the middle-to-late 1990s, with man ...
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Screamo
Screamo (also referred to as skramz) is a subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics".Jason Heller, "Feast of Reason". ''Denver Westword'', June 20, 2002 Access date: June 15, 2008 San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming. Characteristics Screamo is a style of hardcore punk-influenced emo with screaming. Alex Henderson of AllMusic considers screamo a bridge between hardcore punk and emo, and Andrew Sacher of BrooklynVegan states the genre is "built ...
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Rapcore
A number of overlapping punk rock subgenres have developed since the emergence of punk rock (often shortened to ''punk'') in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits. Afro-punk Afro-punk (sometimes spelled AfroPunk) refers to the participation of African Americans in the punk and alternative music cultures. Afro-punks represent a majority in the punk culture in predominantly black regions of the world that have burgeoning punk communities, such as in parts of Africa. There are many punk rock bands with black members, and several with lineups that are all black. Anarcho punk Anarcho-punk is punk rock that promotes anarchism. The term ''anarcho-punk'' is sometimes applied exclusively to bands that we ...
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Queercore
Queercore (or homocore) is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBTQ community. Queercore expresses itself in a DIY style through magazines, music, writing and film. As a music genre, it may be distinguished by lyrics exploring themes of prejudice and dealing with issues such as sexual identity, gender identity and the rights of the individual; more generally, queercore bands offer a critique of society endemic to their position within it, sometimes in a light-hearted way, sometimes seriously. Musically, many queercore bands originated in the punk scene but the industrial music culture has been influential as well. Queercore groups encompass many genres such as hardcore punk, electropunk, indie rock, power pop, no wave, noise, experimental, industrial and others. ...
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Progressive Metalcore
Progressive metalcore (also called technical metalcore or ambient metalcore) is a fusion of progressive metal and metalcore characterized by highly technical lead guitar, "atmospheric" elements, and complex instrumentation. Some notable practitioners take influence from djent. History Progressive metalcore evolved from progressive metal and metalcore in the 90s. After the Burial is a pioneer of the genre, forming in 2004 and promoting "a sound that pushed the boundaries of heaviness through the use of extended-scale guitar work." According to the digital ticketing corporation AXS, "After The Burial play progressive metalcore and have been a key contributor to the sound of djent." Erra has been referred to as "the spearhead of the whole modern/progressive metalcore movement" and noted for their "balance between involved riffs, beautiful clean moments and tasty solos." They were formed in 2009 and express their unique version of "progressive technical metalcore" by utilizing "p ...
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Powerviolence
Powerviolence (sometimes written as power violence) is a chaotic and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal music, heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege (band), Siege are considered the pioneers of powerviolence. Additionally, Infest (band), Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment (band), No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege (band), Siege, Hüsker Dü, SSD (band), SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten ...
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Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac who stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- an ...
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Positive Hardcore
Positive hardcore (sometimes shortened to posicore or posi-core) is a branch of the hardcore punk music scene, that is socially aware, or focuses on values, such as being inclusive, community-oriented, and anti-violent. The genre was created as a backlash to the violence and negativity in the straight edge scene. History Since the term was coined in the 1980s, it has been applied to a divergent group of musical styles and bands including 7 Seconds,Ensminger, 2011, p. 162 Youth of Today, Good Clean Fun, and The Wonder Years. Early positive hardcore bands in the 1980s and 1990s sang about social issues such as the treatment of the LGBT community by the hardcore punk scene as well as non-violence and scene unity. These were topics that the hardliners rejected. In the late 2000s through the 2010s there has been a renaissance in the genre. Instead of being a backlash against hardline, the renaissance comes from a backlash against the (2010s) dominant metalcore Metalcore is a broa ...
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Nu Metalcore
Nu metalcore (or nu-core) is a fusion genre that combines elements of nu metal and metalcore. The genre often makes use of a combination of screamed and sung vocals, in addition to breakdowns, hip hop-influenced drum beats and electronic music elements. During the 1990s, many nu metal groups took influence from the hardcore scene, and metalcore bands including Integrity, Norma Jean and Bury Your Dead embraced elements of nu metal at varying points in their careers. In the 2000s, some deathcore bands like Suicide Silence, Emmure and Whitechapel took influence from nu metal, pioneering a nu deathcore style. This led to the first wave of nu metalcore in the 2010s. In 2013, genre defining works such as Bring Me the Horizon's '' Sempiternal'', My Ticket Home's '' Strangers Only'' and Sworn In's '' the Death Card'' were released. By 2016, the formations of Cane Hill, Ocean Grove and Issues had led to a solidified first wave. A second strain of the genre, originating from the h ...
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