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Gujarati Music
Gujarat, a western state of India, is known for music traditions of both folk and classical music. Folk music Gujarati folk music consists of a wide variety. Bhajan, a devotional song type, is categorized by theme of poetry/lyrics and by musical compositions such as Prabhatiya, Garba, etc. The Barot, Charan and Gadhvi communities have preserved and enriched the folk tradition of storytelling with or without music. This includes the forms of Doha, Sorathaa, Chhand, etc. The songs and music accompanying traditional dance forms such as Garba, Dandiya Raas, Padhar, Dangi and Tippani are unique in nature. ''Dayro'' and ''Lokvarta'' are music performances where people gather to listen performer who delivers religious as well as social message through it. ''Marasiya''s are an elegiac form of music originated from Marsiya. ''Fattanna'' or ''Lagna-geet''s are a light form of song and music played during marriages. Bhavai and Akhyana are folk musical theatre performed in Gujarat. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarat
Gujarat () is a States of India, state along the Western India, western coast of India. Its coastline of about is the longest in the country, most of which lies on the Kathiawar peninsula. Gujarat is the List of states and union territories of India by area, fifth-largest Indian state by area, covering some ; and the List of states and union territories of India by population, ninth-most populous state, with a population of 60.4 million in 2011. It is bordered by Rajasthan to the northeast, Dadra and Nagar Haveli and Daman and Diu to the south, Maharashtra to the southeast, Madhya Pradesh to the east, and the Arabian Sea and the Pakistani province of Sindh to the west. Gujarat's capital city is Gandhinagar, while its largest city is Ahmedabad. The Gujarati people, Gujaratis are indigenous to the state and their language, Gujarati language, Gujarati, is the state's official language. The state List of Indus Valley civilisation sites#List of Indus Valley sites discovered, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dandiya Raas
Raas or Dandiya Raas is the socio-religious folk dance originating from Indian state of Gujarat and popularly performed in the festival of Navaratri. The dance is performed in the Marwar region of Rajasthan too. The etymology of Dandiya-Raas is in Sanskrit. Dandiya-raas exists in the different forms, including the collegiate competitive form. The dance style is now in a competitive format and a traditional format. Men and women traditionally play ''dandiya-raas'' and the dance operates in pairs, meaning the group must contain an even number. Generally, two lines are formed, with partners facing each other:The lines move clockwise, and each person steps forward to hit sticks with their partner, then moves on two people. At the end of the line, each turns and joins the line opposite, so the movement is continuous. The music starts very slowly It is an eight-beat time cycle called Kaherva and performed in the following manner: on the first beat, your own sticks are hit togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omkarnath Thakur
Pandit Omkarnath Thakur (24 June 1897 – 29 December 1967), was an Indian music teacher, musicologist and Hindustani classical singer. A disciple of classical singer Vishnu Digambar Paluskar of Gwalior gharana and the founder of Akhil Bharatiya Gandharva Mahavidyalaya Mandal he became the principal of Gandharva Mahavidyalaya, Lahore, and later went on become the first dean of the music faculty at Banaras Hindu University.He also wrote book "sangeetanjli" vol 1 to 6 Early life and training Thakur was born in 1897 in a village called Jahaj in the Princely State of Baroda (15 km from Khambhat in present-day Anand District, Gujarat, into a poor military family. His grandfather Mahashankar Thakur had fought in the Indian Rebellion of 1857 for Nanasaheb Peshwa. His father Gaurishankar Thakur was also in the military, employed by Maharani Jamnabai of Baroda, where he commanded 200 cavalrymen. Wade, p. 258 The family moved to Bharuch in 1900, though soon the family faced fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faiyaz Khan
Ustad Faiyaz Khan (8 February 1886 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music. Also Known as Aftab-E-Mausiqi meaning the Sun or sunshine of music. According to SwarGanga Music Foundation website, "By the time he died at Baroda, he had earned the reputation of being one of the greatest and most influential vocalists of the century." Early life Born at Sikandara in the North-Western Provinces on 8 February 1886, he was the son of Safdar Hussain, who died four months before his birth. He was brought up by his maternal grandfather, Ghulam Abbas (1825-1934), who taught him music up to the age of 25. He was also a student of Ustad Mehboob Khan "Daraspiya", his father-in-law, Natyan Khan and his uncle Fida Hussain Khan. According to an article on a music website titled, 'Great Masters of Hindustani Music', "Faiyaz Khan's musical lineage goes back to Tansen (1493 1589) himself. His family is traced back to Alakh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhyana
Akhyana was a traditional musical theatre as well as medieval genre of Gujarati poetry and Rajasthani poetry. It was primarily practiced in Gujarat and Rajasthan states of India. Etymology and definition ''Akhyana'' literally means ''to tell'' or ''narrate'' in Sanskrit. The 12th century polymath Hemchandra defined Akhyana in his ''Kavyanusashana'' as a side story from religious texts narrated by Granthika (professional storyteller) to instruct audience accompanied by singing and acting. This definition does not include the narration of other non-mythological stories like that of Narsinh Mehta. In general, Akhyana can be defined as the stories narrated by story teller for religious instructions to audience accompanied by singing and acting. Dolarrai Mankad defined it as a form of poetry with musical components and scope of acting. Akhyana Performers The narrator or professional storytellers who recited Akhyanas were called Manabhatt or Gagaria-bhatt. They set poetry to musical t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavai
Bhavai, also known as ''Vesha'' or ''Swang'', is a popular folk theatre form of western India, especially in Gujarat. Etymology ''Bhavai'' may derive from the Sanskrit word ''Bhava'', meaning expression or emotion. It is also associated with Hindu goddess Amba. ''Bhav'' means universe and ''Aai'' means mother, so it may be also considered an art form dedicated to the Mother of the Universe, Amba. Bhavai is also known as ''Vesha'' or ''Swang'', which literally means 'get-up'. History Bhavai is believed to have originated in the 14th century. Asaita Thakar is traditionally credited for its origin. Folklore In 14th century, Ganga, daughter of Unjha headman Hema Patel, was kidnapped by Muslim subedar. Their family priest, Asaita Thakar who was a brahmin, went to subedar claiming Ganga as his daughter. To prove, subedar asked him to dine with Ganga as during those time, brahmins did not dine with lower castes. He dined with her to save her but upon return, he was outcaste by B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsiya
A marsiya (; ) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali, his family, and his companions at the tragedy of Karbala. Marsiyas are essentially religious lamentations. Background The word ''Marsiya'' is derived from the Arabic word ''marthiyya'' (; root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, ''qasida'', or the four-line unit form, ''murabba''. Over time, the ''musaddas'' became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the ''band'' have one rhyme scheme while the remaining two line referred to as the ''tip'' have another. Poets who recite marsiyas are called ''marsiakhaw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tippani Dance
Tippani is form of folk dance originated from the Veraval and Chorwad region of Saurashtra in Gujarat, India. Etymology ''Tippani'' is made of two long wooden stick of about 175 cm joined by a square wooden or iron block called ''Garbo'' at the lower end to make it stronger in opposite rows. It was used to press lime into the foundation of a house or floor in older times. The dance originated among laborers such as Koli community who broke the stones and leveled the ground who performed it to avoid monotony of the work. Dance The dance was performed exclusively by women. The women holding ''Tippani'' dance while beating the floor in two opposite rows accompanied by folk songs. ''Turi'' and ''Thali'' (brass plate) are used to create music. Zanz, Manjira, Tabla, Dhol and Shehnai The ''shehnai'' is a type of oboe from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end. It was one of the nine instruments fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garba (dance)
Garba is a form of Circle dance and Social dance form originating in the state of Gujarat, India, and played across the Indian diaspora worldwide. ''Garba'' is traditionally danced as part of the annual Hindu festival of Navratri (or "Nine Nights"), held in celebration of Amba Mata, or the primordial mother. Typically, at the end of each Navratri night of dance, the community also plays ''raas'', a sibling circle-dance form, in which players hold a stick in each hand and tap out a rhythm with a partner. Everyone is invited to join ''garba'' and ''raas'', and people of all ages dance together. Traditionally ''garba'' is played around an earthen pot with holes on the sides, revealing a flame inside (a symbol of the ''jiva'' or soul inside the womb). Alternatively, a picture or statue of the Hinduism, Hindu goddess Durga, Amba, an incarnation of Durga, may be placed in the center of the circle. When there are large numbers of participants, they make concentric circles to form rings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Prosody
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, each with its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (poetry)
Doha (, , ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' '' Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples Here is a Doha by Rahim: जो रहीम उत्तम प्रकृति का कर सकत कुसंग। चन्दन विष ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
