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Gouache Brands
Gouache (; ), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work. Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together. Description Gouache paint is similar to watercolor, but it is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the late nine ...
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Gouache
Gouache (; ), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work. Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together. Description Gouache paint is similar to watercolor, but it is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the la ...
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En Plein Air
''En plein air'' (; French language, French for 'outdoors'), or plein-air painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise titled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon School of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These wer ...
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Persian Miniature
A Persian miniature (Persian language, Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ''muraqqa''. The techniques are broadly comparable to the Medieval art, Western Medieval and Byzantine art, Byzantine traditions of Miniature (illuminated manuscript), miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese art, Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared manuscript, document where the text is decorated with flourishes such as marginalia, borders and Miniature (illuminated manuscript), miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds. The earliest surviving illuminated manuscripts are a small number from late antiquity, and date from between 400 and 600 CE. Examples include the Vergilius Romanus, Vergilius Vaticanus, and the Rossano Gospels. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance. While Islamic manuscripts can also be called illuminated and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. Most manuscripts, ...
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Tragacanth
Tragacanth is a natural gum obtained from the dried sap of several species of Middle Eastern Fabaceae, legumes of the genus ''Astragalus (plant), Astragalus'', including ''Astragalus adscendens, A. adscendens'', ''Astragalus gummifer, A. gummifer'', ''Astragalus brachycalyx, A. brachycalyx'', and ''Astragalus tragacantha, A. tragacantha''. Some of these species are known collectively under the common names "goat's thorn" and "locoweed". The gum is sometimes called Shiraz gum, shiraz, gum elect or gum dragon. The name derives from the Greek language, Greek words ''tragos'' (meaning "goat") and ''akantha'' ("thorn"). Iran is the biggest producer of this gum. Gum tragacanth is a viscous, odorless, tasteless, water-soluble mixture of polysaccharides obtained from sap that is drained from the root of the plant and dried. The gum seeps from the plant in twisted ribbons or flakes that can be powdered. It absorbs water to become a gel, which can be stirred into a paste. The major fraction ...
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MET 24 DP238441r2 61E
Met, MET, The Met or The MET may refer to: Buildings Arts venues * Metropolitan Museum of Art, or the Met, in New York City * Manhattan Ensemble Theatre, or MET, in New York City * Metropolitan Opera, or the Met, in New York City * Metropolitan Opera House (other), various buildings * The Met (arts centre) in Bury, Greater Manchester * Manila Metropolitan Theater in Manila, Philippines Sports venues * Met Center in Bloomington, Minnesota * Met Park in Norfolk, Virginia * MetLife Stadium in East Rutherford, New Jersey * Metropolitan Stadium in Bloomington, Minnesota Other buildings * Metropolitan Bible Church ("The MET"), Ottawa, Canada * Metropolitan Building (Minneapolis), until 1961 * Metropolitan Miami (development), Florida, US * Metropolitan Theatre (Winnipeg), Canada * The Met (skyscraper), Bangkok, Thailand Arts, entertainment, and media * Met, a fictitious character in ''Mega Man'' (v-game) series * Met 107, a radio station in Bangkok * ''Mind's ...
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Blue Nude II
The ''Blue Nudes'' is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions. Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right. The ''Blue Nudes'' refers also to the editioned multiples based on the cut-outs. Matisse supervised the creation of these lithographs until his death in 1954. ''Blue Nude IV'', the first of the four nudes, took a notebook of studies and two weeks' work of cutting-and-arranging before the resulting artefact satisfied him. In the event, Matisse finally arrived at his favorite pose, for all four works—intertwining legs and an arm stretching behind the neck. The posture of the nude woman is like the posture of a number of seated nudes made in the first years of the 1920s, ultimately, the posture derives from t ...
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual arts, visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, and sculpture, sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauvism, Fauves (French language, French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more re ...
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Decoupage
''Decoupage'' or ''découpage'' (; ) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from purpose-manufactured papers. Each layer is sealed with varnishes (often multiple coats) until the "stuck on" appearance disappears and the result looks like painting or inlay work. The traditional technique used 30 to 40 layers of varnish which were then sanded to a polished finish. Three dimensional ''decoupage'' (sometimes also referred to simply as decoupage) is the art of creating a three-dimensional (3D) image by cutting out elements of varying sizes from a series of identical images and layering them on top of each other, usually with adhesive foam spacers between each layer to give the image more depth. Pyramid decoupage (also called pyramage) is a process similar to 3D d ...
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Cardboard
Cardboard is a generic term for heavy paper-based products. Their construction can range from a thick paper known as paperboard to corrugated fiberboard, made of multiple plies of material. Natural cardboards can range from grey to light brown in color, depending on the specific product; dyes, pigments, printing, and coatings are available. The word ''cardboard'' has general use in English and French, but the term is deprecated in commerce and industry as not adequately defining a specific product. Material producers, container manufacturers, packaging engineers, and standards organizations, use more specific terminology. Usage statistics In 2020, the United States hit a record high in its yearly use of cardboard. Over 120 billion pieces were used that year, with around 80 percent of all the products sold in the United States being packaged in cardboard. In the same year, over 13,000 separate pieces of consumer cardboard packaging were thrown away by American households, co ...
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Airbrush
An airbrush is a small, air-operated tool that atomizes and sprays various media, most often paint, but also ink, dye, and make-up. Spray painting developed from the airbrush and is considered to employ a type of airbrush. History Up until the mid-2000s, it was widely published that the airbrush was invented in 1893, but following research undertaken in collaboration with New York University's Conservation Department, and personal support from Professor Margaret Holben Ellis, a more detailed history emerged, which required many authorities such as Oxford Art to update their dictionaries and references. Depending on the definition requiring compressed air or not, the first spray painting device that could be called an airbrush was patented in 1876 () by Francis Edgar Stanley of Newton, Massachusetts. This worked akin to a diffuser/atomizer and did not have a continuous air supply. Stanley and his twin brother later invented a process for continuously coating photographic ...
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