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Film Theory
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate. Although some branches of film theory are derived from linguistics and literary theory, it also originated and overlaps with the philosophy of film. History Early theory, before 1945 French philosopher Henri Bergson's '' Matter and Memory'' (1896) anticipated the development of film theory during the birth of cinema in the early twentieth century. Bergson commented on the need for new ways of thinking about movement, and coined the terms "the movement-image" and "the time-image". However, in his 1906 essay ''L'i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academic
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of tertiary education. The name traces back to Plato's school of philosophy, founded approximately 386 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and Skills, skill, north of Ancient Athens, Athens, Greece. The Royal Spanish Academy defines academy as scientific, literary or artistic society established with public authority and as a teaching establishment, public or private, of a professional, artistic, technical or simply practical nature. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the Gymnasium (ancient Greece), gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive Grove (nature), grove, hence the expression "the groves of Academe". In these gardens, the philos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotics
Semiotics ( ) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is any activity, conduct, or process that involves signs. Signs often are communicated by verbal language, but also by gestures, or by other forms of language, e.g. artistic ones (music, painting, sculpture, etc.). Contemporary semiotics is a branch of science that generally studies meaning-making (whether communicated or not) and various types of knowledge. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes the study of indication, designation, likeness, analogy, allegory, metonymy, metaphor, symbolism, signification, and communication. Semiotics is frequently seen as having important anthropological and sociological dimensions. Some semioticians regard every cultural phenomenon as being able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superimposition
Superimposition is the placement of one thing over another, typically so that both are still evident. Superimpositions are often related to the mathematical procedure of superposition. Audio Superimposition (SI) during sound recording and reproduction (commonly called overdubbing) is the process of adding new sounds over existing without completely erasing or masking the existing sound. Some reel-to-reel tape recorders of the mid 20th century provided crude superimposition facilities that were implemented by killing the high-frequency AC feed to the erase head while recording as normal via the read-write head. 2D images In graphics, superimposition is the placement of an image or video on top of an already-existing image or video, usually to add to the overall image effect, but also sometimes to conceal something (such as when a different face is superimposed over the original face in a photograph). Superimposition of two-dimensional images containing correlated periodic grid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Impressionist Cinema
French impressionist cinema (also known as first avant-garde or narrative avant-garde) refers to a group of French films and filmmakers of the 1920s. Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. Others, namely Richard Abel, criticize these attempts and group the films and filmmakers more loosely, based on a common goal of "exploration of the process of representation and signification in narrative film discourse." Still others such as Dudley Andrew would struggle with awarding any credibility at all as "movement". Filmmakers and films (selection) *Abel Gance ('' La Dixième symphonie'', 1918, '' J’Accuse'', 1919, '' La Roue'', 1922, and, above all, '' Napoléon'', 1927) * Jean Epstein ('' Coeur fidèle'', 1923, ''Six et demi onze'', 1927, ''La Glace a Trois Face'', 1928, and '' The Fall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germaine Dulac
Germaine Dulac (; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942)Flitterman-Lewis 1996 was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early childhood. A few years after her marriage she embarked on a journalistic career in a feminist magazine, and later became interested in film. With the help of her husband and friend she founded a film company and directed a few commercial works before slowly moving into Impressionist and Surrealist territory. She is best known today for her Impressionist film, '' La Souriante Madame Beudet'' (''The Smiling Madam Beudet'', 1922/23), and her Surrealist experiment, '' La Coquille et le Clergyman'' (''The Seashell and the Clergyman'', 1928). Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont. Biography Germaine Dulac was born in Amiens, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Arnheim
Rudolf Arnheim (; July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.The Intelligence of Vision: An Interview with Rudolf Arnheim ''cabinetmagazine.org''. His magnum opus was his book ''Art and Visual Perception: A Psychology of the Creative Eye'' (1954). Other major books by Arnheim have included ''Visual Thinking'' (1969), and ''The Power of the Center: A Study of Composition in the Visual Arts'' (1982). ''Art and Visual Perception'' was revised, enlarged and published as a new version in 1974, and it has been translated into fourteen languages. He lived in Germany, Italy, En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memory
Memory is the faculty of the mind by which data or information is encoded, stored, and retrieved when needed. It is the retention of information over time for the purpose of influencing future action. If past events could not be remembered, it would be impossible for language, relationships, or personal identity to develop. Memory loss is usually described as forgetfulness or amnesia. Memory is often understood as an informational processing system with explicit and implicit functioning that is made up of a sensory processor, short-term (or working) memory, and long-term memory. This can be related to the neuron. The sensory processor allows information from the outside world to be sensed in the form of chemical and physical stimuli and attended to various levels of focus and intent. Working memory serves as an encoding and retrieval processor. Information in the form of stimuli is encoded in accordance with explicit or implicit functions by the working memory p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flashback (narrative)
A flashback, more formally known as analepsis, is an interjected scene (fiction), scene that takes the narrative back in time from the current point in the Plot (narrative), story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, and cable, or distributed digitally on streaming plat ..., photography, still photography, and the comic strip medium is a type of shot (filmmaking), shot that tightly film frame, frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming (filmmaking), zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Münsterberg
Hugo Münsterberg (; ; June 1, 1863 – December 16, 1916) was a German-American psychologist. He was one of the pioneers in applied psychology, extending his research and theories to Industrial organization, industrial/organizational (I/O), legal, medical, clinical, educational and business settings. Münsterberg experienced immense turmoil with the outbreak of the First World War. Torn between his loyalty to the United States and his homeland, he often defended Germany's actions, attracting highly contrasting reactions. Biography Early life Hugo Münsterberg was born into a merchant family in Danzig (now Gdansk, Poland), then a port city in West Prussia.Hergenhahn, B. R. (2000). An introduction to the history of psychology. Belmont, Calif u.a.: Wadsworth. Münsterberg's family was Jewish, a heritage with which he felt no connection and would barely ever manifest publicly. His father Moritz (1825–1880), was a successful lumber merchant and his mother, Minna Anna Bernhardi (1838� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vachel Lindsay
Nicholas Vachel Lindsay (; November 10, 1879 – December 5, 1931) was an American poet. He is considered a founder of modern ''singing poetry,'' as he referred to it, in which verses are meant to be sung or chanted. Early years Lindsay was born in Springfield, Illinois where his father, Vachel Thomas Lindsay, worked as a medical doctor and had amassed considerable wealth. The Lindsays lived across the street from the Illinois Executive Mansion, home of the Governor of Illinois. The location of his childhood home influenced Lindsay, and one of his poems, "s:The Eagle That Is Forgotten, The Eagle That Is Forgotten", eulogizes Illinois governor John P. Altgeld, whom Lindsay admired for his courage in pardoning the anarchists involved in the Haymarket Affair, despite the strong protests of President of United States, US President Grover Cleveland. Growing up in Springfield influenced Lindsay in other ways, as evidenced in such poems as "On the Building of Springfield" and culminatin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
