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Electroclash
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a Music genre, genre of popular music that fuses 1980s Electro (music), electro, New wave music, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the late 1990s and was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk rock, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, and was described by ''The Guardian'' as one of "the two most significant upheavals in recent dance music history". The visual aesthetic of electroclash has been associated with the 1982 cult film ''Liquid Sky''. DJ Hell is widely credited as inventor and name g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Kittin
Caroline Hervé (born 15 July 1973), known professionally as Kittin, is a French electronic music producer, DJ, singer, and songwriter. Since rising to prominence in 1998 for her singles "1982" and "Frank Sinatra" with The Hacker, she has worked with other musicians such as Chicks on Speed, Felix da Housecat and Golden Boy. She released her debut solo album '' I Com'' in 2004, a second, '' BatBox'', in 2008, and a third, '' Calling from the Stars'', in 2013. She achieved international popularity with the singles " Rippin Kittin" and " Silver Screen Shower Scene". Life and career 1973–1994: Early life Miss Kittin was born Caroline Hervé in 1973 in Grenoble, a city in the Alps, in southeastern France. Music such as Genesis, Supertramp, Miles Davis, Maria Callas, Pink Floyd and The Beatles became a prominent part of her and her parents' lives. At the age of 6, Hervé often played piano for fun at her grandparents', and reproduced melodies from the radio. Miss Kittin tried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropunk
Electronic rock (also known as electro rock and synth rock) is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno and synth-pop, which has helped spur subgenres such as indietronica, dance-punk and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romo
Romantic Modernism, more commonly known as Romo, was a musical and nightclubbing movement, of glam/style pop lineage, in the UK circa 1995–1997, centred on the twin homes of Camden-based clubnight Club Skinny and its West End clone Arcadia, as well as concerts by the chief associated bands. The Romo movement was essentially a derivation of late-1970s disco and early-1980s club music, with an emphasis on the extroverted sartorial style and decadent air of New Romantic-era bands such as Japan and Soft Cell. Nonetheless, contemporary features in ''Melody Maker'' (where the genre was championed mainly by Simon Price and Taylor Parkes – it was dismissed by the rival ''NME'') tended to downplay the nostalgic connection with New Romantic, emphasising Romo's innovation and contemporary relevance. Much championed by the said writers at the ''Melody Maker'' as a stylish and poppy backlash against the dressed-down style and raw jangly sound of the Britpop movement, while var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Hell
Helmut Josef Geier (born 6 September 1962), known professionally as DJ Hell, is a German DJ. Biography 1970s and 1980s DJ Hell described his musical beginnings in an interview with '' The European'', telling them “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.” Hell has worked as a DJ since 1978.„Arbeiter der Nacht“ Interview with sueddeutsche.de, 23.8.2013. Starting in 1983, he began working as a DJ at Club Libella in Kirchweidach, Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his eclectic style of mixing [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fischerspooner NYC 2005
Fischerspooner was an electroclash duo and performance troupe formed in 1998 in New York City after meeting in school. The name is a combination of the founders' last names, Warren Fischer and Casey Spooner. Career Originally a duo formed by classically trained musician Warren Fischer and video-artist and experimental theater performer Casey Spooner for an impromptu rendition of their makeshift track "Indian Cab Driver" at the Astor Place Starbucks, the group grew to over 20 performers, most of whom are dancers and guest vocalists. "We started as a performance art piece about entertainment that ultimately became legitimate entertainment," said Casey Spooner, when talking about the group's origins in an April 2009 interview. ''#1'' (2001) Their debut album, '' #1'', has been released on several record labels, including International DJ Gigolo, Ministry of Sound and Capitol Records, and includes their singles "Sweetness", " Emerge", and a cover of Wire's " the 15th". In the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropop
Electropop is a popular music fusion genre combining elements of the electronic and pop styles. It has been described as a variant of synth-pop with emphasis on a hard electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. The genre is often confused with electro, which is sometimes called electro-pop but is a separate genre which incorporates funk and early hip hop. History Early 1980s Depeche Mode's composer Martin Gore said: "For anyone of our generation involved in electronic music, Kraftwerk were the godfathers". During the early 1980s, Japanese artists such as Yellow Magic Orchestra and Ryuichi Sakamoto and British artists such as Gary Numan, Depeche Mode, Orchestral Manoeuvres in the Dark, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (hi-NRG, Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982.Folklore that ZYX boss Bernhard Mikulski coined the term ''Italo-disco'' in 1983 was long published on Wikipedia, but is unsubstantiated; to date, reliable third-party documentation has not been found to support whether ZYX label boss Mikulski himself named it, or whether ZYX was even the first to publish t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro House
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
