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Either/or and related terms may refer to: * ''Either/Or'' (Kierkegaard book), an 1843 book by Søren Kierkegaard * ''Either/Or'' (Batuman novel), a 2022 novel by Elif Batuman * ''Either/Or'' (album), a 1997 album by Elliott Smith * ''Either/Or'', a 1999 British comedy game show written and presented by Simon Munnery * ''either...or'' and ''neither...nor'', examples of correlative conjunctions in English * Exclusive or, the logical meaning of "either ... or ... but not both" * Logical disjunction, the logical meaning of "either ... or ... or both" * Either-or fallacy, another name for false dilemma * Either–or topology, a structure in mathematics See also *For some other uses of the English words ''either'' and ''neither'': **Correlative conjunction **English determiners **Indefinite pronoun **Wiktionary entries for ''either'' and ''neither'' *Or (other) * Nor (other) * * *Ether Or ''Ether Or'' is a live performance album by SubArachnoid Space, released in ...
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Either/Or (Kierkegaard Book)
''Either/Or'' ( Danish: ''Enten – Eller'') is the first published work of Danish philosopher Søren Kierkegaard. It appeared in two volumes in 1843 under the pseudonymous editorship of ''Victor Eremita'' (Latin for "victorious hermit"). It outlines a theory of human existence, marked by the distinction between an essentially hedonistic, aesthetic mode of life and the ethical life, which is predicated upon commitment. ''Either/Or'' portrays two life views. Each life view is written and represented by a fictional author, with the prose reflecting and depending on the life view. The aesthetic life view is written in short essay form, with poetic imagery and allusions, discussing aesthetic topics such as music, seduction, drama, and beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibility, critical reflection, and marriage. The views are expressed as experiences embodied by the fictional authors. ...
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Either/Or (Batuman Novel)
''Either/Or'' is the second novel from Turkish American writer Elif Batuman. The novel is a bildungsroman, continuing the story of Selin, the narrator of Batuman's first novel ''The Idiot (Batuman novel), The Idiot,'' in her second year at Harvard University. The title is borrowed from Danish philosopher Søren Kierkegaard's Either/Or (Kierkegaard book), first published work. Plot Selin Karadağ is a sophomore studying literature at Harvard University in 1996. Through the novel, Selin retrospects on her previous summer relationships, her work in Hungary, and her new travels abroad. Reception In a positive review for ''The New York Times'', Dwight Garner wrote that, "This novel wins you over in a million micro-observations" and that Batuman "has written about herself, or something very close to herself, in incremental, almost diaristic form, like an oyster secreting its shell." Writing for ''Jacobin (magazine), Jacobin'', Amelia Ayrelan Iuvino wrote that, "''Either/Or'' is well p ...
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Either/Or (album)
''Either/Or'' is the third studio album by American singer-songwriter Elliott Smith. ''Either/Or'' was recorded in several locations, mostly in Portland, Oregon – while Smith was still a member of Heatmiser – and was produced by Smith, Tom Rothrock and Rob Schnapf. ''Either/Or'' was released on February 25, 1997, on the Kill Rock Stars record label, following Heatmiser's dissolution. Promoted with two singles, "Speed Trials" and "Ballad of Big Nothing", ''Either/Or'' did not chart in the US, but was acclaimed by critics. Director Gus Van Sant was highly impressed with the album, incorporating three of its songs; " Between the Bars", "Angeles" and " Say Yes" along with a new song, " Miss Misery", into the ''Good Will Hunting'' soundtrack. "Miss Misery" was nominated for Best Original Song at the 1998 Academy Awards, and was performed at the televised ceremony in an abridged version by Smith, backed by the house orchestra, briefly propelling him into the international spotl ...
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Simon Munnery
Simon Munnery is an English comedian. Early life Born in Middlesex, Munnery grew up in Bedmond and was educated at Watford Grammar School for Boys, where he earned four A Levels. He read natural sciences at Trinity College, Cambridge but soon lost interest in science and joined the Footlights. In 1987, he became vice-president with Peter Bradshaw as president. After graduating with "a very high third", he did various menial jobs before making his big break into comedy. He has described praise of his work as implying his work occupies a place between "unfunny comedy" and "shit art". Munnery had a short-lived career as a video game programmer. His most famous title was a version of ''Asteroids'' for the Commodore International VIC-20 (a game that Jeff Minter once described as a "pile of wank"). He also authored several games for the ZX81 (''Road Race'', '' Breakout'' and ''Space Invaders'') and the ZX Spectrum. The VIC-20 games he wrote were ''Asteroids'', '' Cosmiads'' and ...
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Correlative Conjunction
In grammar, a conjunction (abbreviated or ) is a part of speech that connects words, phrases, or clauses'','' which are called its conjuncts. That description is vague enough to overlap with those of other parts of speech because what constitutes a "conjunction" must be defined for each language. In English, a given word may have several senses and in some contexts be a preposition but a conjunction in others, depending on the syntax. For example, ''after'' is a preposition in "he left after the fight" but a conjunction in "he left after they fought". In general, a conjunction is an invariant (non- inflecting) grammatical particle that stands between conjuncts. A conjunction may be placed at the beginning of a sentence, but some superstition about the practice persists. The definition may be extended to idiomatic phrases that behave as a unit and perform the same function, "as well as", "provided that". A simple literary example of a conjunction is "the truth of nature, ''and ...
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Exclusive Or
Exclusive or, exclusive disjunction, exclusive alternation, logical non-equivalence, or logical inequality is a logical operator whose negation is the logical biconditional. With two inputs, XOR is true if and only if the inputs differ (one is true, one is false). With multiple inputs, XOR is true if and only if the number of true inputs is odd. It gains the name "exclusive or" because the meaning of "or" is ambiguous when both operands are true. XOR ''excludes'' that case. Some informal ways of describing XOR are "one or the other but not both", "either one or the other", and "A or B, but not A and B". It is symbolized by the prefix operator J Translated as and by the infix operators XOR (, , or ), EOR, EXOR, \dot, \overline, \underline, , \oplus, \nleftrightarrow, and \not\equiv. Definition The truth table of A\nleftrightarrow B shows that it outputs true whenever the inputs differ: Equivalences, elimination, and introduction Exclusive disjunction essentially ...
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Logical Disjunction
In logic, disjunction (also known as logical disjunction, logical or, logical addition, or inclusive disjunction) is a logical connective typically notated as \lor and read aloud as "or". For instance, the English language sentence "it is sunny or it is warm" can be represented in logic using the disjunctive formula S \lor W , assuming that S abbreviates "it is sunny" and W abbreviates "it is warm". In classical logic, disjunction is given a truth functional semantics according to which a formula \phi \lor \psi is true unless both \phi and \psi are false. Because this semantics allows a disjunctive formula to be true when both of its disjuncts are true, it is an ''inclusive'' interpretation of disjunction, in contrast with exclusive disjunction. Classical proof theoretical treatments are often given in terms of rules such as disjunction introduction and disjunction elimination. Disjunction has also been given numerous non-classical treatments, motivated by problems ...
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False Dilemma
A false dilemma, also referred to as false dichotomy or false binary, is an informal fallacy based on a premise that erroneously limits what options are available. The source of the fallacy lies not in an invalid form of inference but in a false premise. This premise has the form of a disjunctive claim: it asserts that one among a number of alternatives must be true. This disjunction is problematic because it oversimplifies the choice by excluding viable alternatives, presenting the viewer with only two absolute choices when, in fact, there could be many. False dilemmas often have the form of treating two contraries, which may both be false, as contradictories, of which one is necessarily true. Various inferential schemes are associated with false dilemmas, for example, the constructive dilemma, the destructive dilemma or the disjunctive syllogism. False dilemmas are usually discussed in terms of deductive arguments, but they can also occur as defeasible arguments. The h ...
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Either–or Topology
In mathematics, the either–or topology is a topological structure defined on the closed interval minus;1, 1by declaring a set open Open or OPEN may refer to: Music * Open (band), Australian pop/rock band * The Open (band), English indie rock band * ''Open'' (Blues Image album), 1969 * ''Open'' (Gerd Dudek, Buschi Niebergall, and Edward Vesala album), 1979 * ''Open'' (Go ... if it either does not contain or does contain (−1, 1). References * General topology {{topology-stub ...
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Correlative Conjunction
In grammar, a conjunction (abbreviated or ) is a part of speech that connects words, phrases, or clauses'','' which are called its conjuncts. That description is vague enough to overlap with those of other parts of speech because what constitutes a "conjunction" must be defined for each language. In English, a given word may have several senses and in some contexts be a preposition but a conjunction in others, depending on the syntax. For example, ''after'' is a preposition in "he left after the fight" but a conjunction in "he left after they fought". In general, a conjunction is an invariant (non- inflecting) grammatical particle that stands between conjuncts. A conjunction may be placed at the beginning of a sentence, but some superstition about the practice persists. The definition may be extended to idiomatic phrases that behave as a unit and perform the same function, "as well as", "provided that". A simple literary example of a conjunction is "the truth of nature, ''and ...
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English Determiners
English determiners (also known as determinatives) are words – such as ''the'', ''a'', ''each'', ''some'', ''which'', ''this'', and numerals such as ''six'' – that are most commonly used with nouns to specify their referents. The determiners form a closed lexical category in English. The syntactic role characteristically performed by determiners is known as the determinative function (see ). A determinative combines with a noun (or, more formally, a nominal; see ) to form a noun phrase (NP). This function typically comes before any modifiers in the NP (e.g., ''some very pretty wool sweaters'', not ''*very pretty some wool sweaters''). The determinative function is typically obligatory in a singular, countable, common noun phrase (compare ''I have a new cat'' to *''I have new cat''). Semantically, determiners are usually definite or indefinite (e.g., ''the cat'' versus ''a cat''), and they often agree with the number of the head noun (e.g., ''a new cat'' but not *''man ...
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Indefinite Pronoun
An indefinite pronoun is a pronoun which does not have a specific, familiar referent. Indefinite pronouns are in contrast to definite pronouns. Indefinite pronouns can represent either count nouns or noncount nouns. They often have related forms across these categories: universal (such as ''everyone'', ''everything''), assertive existential (such as ''somebody'', ''something''), elective existential (such as ''anyone'', ''anything''), and negative (such as ''nobody'', ''nothing''). Many languages distinguish forms of indefinites used in affirmative contexts from those used in non-affirmative contexts. For instance, English "something" can be used only in affirmative contexts while "anything" is used otherwise. Indefinite pronouns are associated with indefinite determiners of a similar or identical form (such as ''every'', ''any'', ''all'', ''some''). A pronoun can be thought of as ''replacing'' a noun phrase, while a determiner ''introduces'' a noun phrase and precedes any ad ...
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