Dragons In Art
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Dragons In Art
A dragon is a Magic (supernatural), magical legendary creature that appears in the folklore of multiple cultures worldwide. Beliefs about dragons vary considerably through regions, but European dragon, dragons in Western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Chinese dragon, Dragons in eastern cultures are usually depicted as wingless, four-legged, Snake, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of Reptile, reptilian, mammalian, and Bird, avian features. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French , which, in turn, comes from Latin (genitive ), meaning "huge serpent, dragon", from , (genitive , ) "serpent".
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Friedrich Justin Bertuch
Friedrich Johann Justin Bertuch (30 September 1747 – 3 April 1822) was a German publisher and patron of the arts. He co-founded the Weimar Princely Free Drawing School with the painter Georg Melchior Kraus in 1776. He was the father of the writer and journalist . Life Early life Bertuch came from a family attested in the Tennstedt area of Thuringia since the 15th century. When Friedrich Johann Justin Bertuch was 5, his father became garrison doctor in the service of duke Ernst August Konstantin at Blutsturz. He lost his mother aged 15 and grew up in the house of his uncle Gottfried Matthias Ludwig Schrön (a member of the Weimarer Rat der Landschaftskasse). He attended the Weimar Gymnasium (school), Gymnasium, studied from 1765 to 1769 theology then law at the Universität Jena, Landesuniversität in Jena. His main interest, however, was for literature and natural history. His acquaintance with Freiherr allowed the 22-year-old Bertuch to break off his studies without taking ...
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Old French
Old French (, , ; ) was the language spoken in most of the northern half of France approximately between the late 8th [2-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it was deemed no longer make to think of the varieties spoken in Gaul as Latin. Although a precise date can't be given, there is a general consensus (see Wright 1982, 1991, Lodge 1993) that an awareness of a vernacular, distinct from Latin, emerged at the end of the eighth century.] and mid-14th centuries. Rather than a unified Dialect#Dialect or language, language, Old French was a Dialect cluster, group of Romance languages, Romance dialects, Mutual intelligibility, mutually intelligible yet Dialect continuum, diverse. These dialects came to be collectively known as the , contrasting with the , the emerging Occitano-Romance languages of Occitania, now the south of France. The mid-14th century witnessed the emergence of Middle French, the lang ...
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Mušḫuššu
The ''mušḫuššu'' (; formerly also read as or ) or mushkhushshu () is a creature from ancient Mesopotamian mythology. A mythological hybrid, it is a scaly animal with hind legs resembling the talons of an eagle, lion-like forelimbs, a long neck and tail, two horns on its head, a snake-like tongue, and a crest. The most famously appears on the Ishtar Gate of the city of Babylon, dating to the sixth century BCE. The form is the Akkadian nominative of , 'reddish snake', sometimes also translated as 'fierce snake'. One author, possibly following others, translates it as 'splendour serpent' ( is the Sumerian term for 'serpent'). The older reading is due to a mistransliteration of the cuneiform in early Assyriology and was often used as a placeholder before the actual reading was discovered. History Mušḫuššu already appears in Sumerian religion and art, as in the " Libation vase of Gudea", dedicated to Ningishzida by the Sumerian ruler Gudea (21st century BCE shor ...
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Proto-Indo-European Religion
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, speakers of the hypothesized Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities in mythological concepts found in Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates—linguistic siblings from a common origin—and associated with similar attributes and body of myths: such as , the daylight-sky god; his consort , the earth mother; his daughter , the dawn goddess; his sons the Divine Twins; and and , a solar deity and moon deity, respectively. Some deities, ...
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