|
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or " ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or " riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae Fusion
Reggae fusion is a genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip hop, R&B, jazz, funk, soul, disco, electronic and latin. Origin Although artists have been mixing reggae with other genres from as early as the early 1970s, no official term had been used to describe this practice. Artists such as UB40 were described using terms that joined the various genres they performed (e.g. "reggae funk", "reggae pop", "reggae-disco"). It was not until the late 1990s when the term was coined. The subgenre predominantly evolved from late 1980s and early 1990s dancehall music which instrumentals or "riddims" contained elements from the R&B and hip hop genres. Due to this, some consider dancehall artists such as Mad Cobra, Shabba Ranks, Super Cat, Buju Banton and Tony Rebel as pioneers of reggae fusion. For some of these artists, such as Buju Banton, reggae fusion became a staple throughout their careers. However, reggae fusion can be traced ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Music of Jamaica, Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggaeton
Reggaeton (, ), also known as reggaetón and reguetón (), is a music style that originated in Panama during the late 1980s. It was later popularized in Puerto Rico. It has evolved from dancehall and has been influenced by American hip hop, Latin American, and Caribbean music. Vocals include rapping and singing, typically in Spanish. Reggaeton is regarded as one of the most popular music genres in the Spanish-speaking Caribbean, including Puerto Rico, Panama, Dominican Republic, Cuba, Colombia, and Venezuela. Over the 2010s, the genre has seen increased popularity across Latin America, as well as acceptance within mainstream Western music. Etymology The word ''reggaeton'' (formed from the word ''reggae'' plus the augmentative suffix ) was first used in 1988 when El General's representative Michael Ellis gave it that name to describe it as "''reggae grande''" (big reggae). The spellings ''reggaeton'' and ''reggaetón'' are common, although prescriptivist sources such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragga
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae performed o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afroswing
Afroswing, also known as Afrobashment, or less commonly Afrobbean or Afro-trap (not to be confused with the French genre), is a genre of music that developed in the UK during the mid-2010s, derivative of dancehall and afrobeats, with influences from trap, hip hop, R&B, and grime. Commercially, the genre has been very successful, with many afroswing artists making it into the British charts. Characteristics Afroswing is largely defined by its melody rather than a specific tempo. Producer Steel Banglez stated the key elements of afroswing were happy or dark chords that "make you feel a certain way", and that "drum pattern is the most important thing about this whole sound, it's the snare that comes on the third. In hip-hop it comes on the fourth. Coming off the third beat comes from afrobeats." Martin Connor, an expert in vocal melodies and rap analysis, described the characteristics of the genre as being " .technically in 4/4, what you will hear over and over again is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tropical House
Tropical house, also known as trop house, is a subgenre of house music, and a derivation of tropical music, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Gryffin. The term "Tropical House" began as a joke by Australian producer Thomas Jack, but has since gone on to gain popularity among listeners. The term "trouse" should not be confused with tropical house, as "trouse" is a genre that instead combines the feeling of trance and the beats of progressive house, using electro synths. History In the mid and late 2000s, Bob Sinclar and Yves Larock created international hits which had many characteristics of tropical house, drawing inspiration from 1980's Hi-NRG music and in contrast with other sub-types of Electronic ("EDM") music of the time. The style was further popularized by Ster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound System (Jamaican)
In Jamaican popular culture, a sound system is a group of disc jockeys, engineers and MCs playing ska, rocksteady or reggae music. The sound system is an important part of Jamaican culture and history. History The sound system concept first became popular in the 1940s, in the parish of Kingston. DJs would load up a truck with a generator, turntables, and huge speakers and set up street parties. Tom the Great Sebastian, founded by Chinese-Jamaican businessman Tom Wong, was the first commercially successful sound system and influenced many sound systems that came later. Gooden 2012 In the beginning, the DJs played American rhythm and blues music, but as time progressed and more local music was created, the sound migrated to a local flavour. The sound system remained successful when the conservative, BBC-modeled Jamaican establishment radio refused to play the people's music, while DJs could play whatever they wanted and favored local sounds such as reggae. The sound systems we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dembow
Dembow is a Dominican musical genre that can be traced to a riddim that originated in Jamaican dancehall. When Shabba Ranks released " Dem Bow" in 1990, it did not take long for the dembow genre to form. Riddims were built from the song and the sound became a popular part of reggaeton. From there it took off in Dominican Republic creating the sound UNDERWORLD ("Bajo Mundo" in Spanish). It hit the streets of New York and from there it made its way to all of Latin America. The Dominican Dembow sound keeps evolving and has been fusioned with Trap music since 2016 and it's also fused with Bachata and Merengue from the Dominican Republic. Dembow artists are called "Dembowseros" Characteristics The main element of dembow music is its rhythm, which is somewhat reminiscent of reggaeton and dancehall music, but with a more constant rhythm and faster beats per minute than reggaeton. Rhythm and melodies in dembow tend to be simple and repetitive. See also *Reggaeton Regg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the late 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
