César Morales (dancer)
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César Morales (dancer)
César Morales Anderson (born 17 November 1978) is a Chilean ballet dancer who, as of February 2014, is a principal dancer with the Birmingham Royal Ballet. Born in Rancagua, Chile, César Morales began dancing at the age of eleven at the Ballet School of the Municipal Theatre of Santiago, where he trained for three years before being offered a scholarship by Ben Stevenson to train at the academy of Houston Ballet. He returned to Santiago at the age of fifteen to complete his training and Ivan Nagy offered him a contract to join the Ballet de Santiago. After a year in the Corps de Ballet, he was promoted to soloist and a year later to principal dancer immediately after his first performance of ''Swan Lake''. Morales danced with the Ballet de Santiago until 2003, when he moved to Paris to work as a freelance guest artist, dancing in Paris, Slovenia and the Czech Republic. He went on to join the English National Ballet in 2004, was Principal Guest Artist with Vienna Staatsoper in 20 ...
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Chile
Chile, officially the Republic of Chile, is a country in the western part of South America. It is the southernmost country in the world, and the closest to Antarctica, occupying a long and narrow strip of land between the Andes to the east and the Pacific Ocean to the west. Chile covers an area of , with a population of 17.5 million as of 2017. It shares land borders with Peru to the north, Bolivia to the north-east, Argentina to the east, and the Drake Passage in the far south. Chile also controls the Pacific islands of Juan Fernández, Isla Salas y Gómez, Desventuradas, and Easter Island in Oceania. It also claims about of Antarctica under the Chilean Antarctic Territory. The country's capital and largest city is Santiago, and its national language is Spanish. Spain conquered and colonized the region in the mid-16th century, replacing Inca rule, but failing to conquer the independent Mapuche who inhabited what is now south-central Chile. In 1818, after ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by the ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel '' Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vie ...
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Ronald Hynd
Ronald Hynd (born 22 April 1931) is an English choreographer, and in his youth was a ballet dancer. In the Royal Ballet in the late 1940s he began to dance with Annette Page, whom he later married. Page died on 4 December 2017. They have a daughter, Louise.Dean Speer & Francis Timlin, A Very Merry Couple Ronald Hynd and Annette Page talk about dancing, PNB and Merry Widow' from ''Ballet-Dance magazine'' dated April 2005 online at ballet-dance.com, accessed 28 April 2012 Ballets Hynd has choreographed include '' The Merry Widow'' in 1975, and the ballet '' Charlotte Brontë'' for the Royal Ballet Touring Company in 1974."Death and Entrances", The Oxford Dictionary of Dance, Debra Craine and Judith Mackrell (eds), Oxford University Press, p. 126. . He recreated the nineteenth-century ballet '' Papillon''
Dance: Houston ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story '' Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz '' en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian Wa ...
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La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * '' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings ...
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ...
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La Bayadère
''La Bayadère'' ("the temple dancer") (Russian language, ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Mariinsky Ballet, Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has re ...
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The Taming Of The Shrew (ballet)
''The Taming of the Shrew'' is a ballet in two acts choreographed by John Cranko to keyboard works by Domenico Scarlatti arranged and orchestrated by Kurt-Heinz Stolze. With scenery and costumes designed by Elizabeth Dalton, it was first presented as ''Der Widerspenstigen Zähmung'' by the Stuttgart Ballet at the Wṻrtembergische Staatstheater in Stuttgart on 16 March 1969. Background Cranko's ballet is a dance version of William Shakespeare's play ''The Taming of the Shrew'' (1590–1592). The story is a comedy about Petruchio's determination to subdue the irascible Katherine; he woos her, marries her, and makes her an obedient wife. Shakespeare chose his title to signify to his audiences that the play was about the marriage of a man to an ill-tempered woman given to scolding, nagging, and aggression. Such a woman, especially a wife, was known in the sixteenth century as a shrew, so called after a tiny rodent with a notoriously hostile and unpleasant nature. A woman convicted ...
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John Cranko
John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born in Rustenburg in the former province of Transvaal, Union of South Africa. As a child, he would put on puppet shows as a creative outlet. Cranko received his early ballet training in Cape Town under the leading South African ballet teacher and director, Dulcie Howes, of the University of Cape Town Ballet School. In 1945 he choreographed his first work (using Stravinsky's Suite from '' L'Histoire du soldat'') for the Cape Town Ballet Club. He then moved to London, studying with the Sadler's Wells Ballet School (later called the Royal Ballet) in 1946Dromgoole, Nicholas"John Cranko" ''Oxford Dictionary of National Biography'', retrieved 19 March 2015, and dancing his first role with the Sadler's Wells Ballet in November 1947. London Cranko collaborated with the designer John Pip ...
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Mercutio
Mercutio ( , ) is a fictional character in William Shakespeare's 1597 tragedy, ''Romeo and Juliet''. He is a close friend to Romeo and a blood relative to Prince Escalus and Count Paris. As such, Mercutio is one of the named characters in the play with the ability to mingle around those of both houses. The invitation to Lord Capulet's party states that he has a brother named Valentine. Though often fun-loving and witty, the latter demonstrated in his Queen Mab speech in the first act, Mercutio's sense of humour can at times be facetious or even coarse, much to his friends' annoyance. He is also moody and given to sudden outbursts of temper, one of which sets a key plot development in motion. Role in the play One of Romeo's closest friends, Mercutio, entreats Romeo to forget about his unrequited love for a girl named Rosaline and come with him to a masquerade ball at Lord Capulet's estate, through use of his Queen Mab speech. There, Mercutio and his friends become the life ...
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Romeo
Romeo Montague () is the male protagonist of William Shakespeare's tragedy ''Romeo and Juliet''. The son of Lord Montague and his wife, Lady Montague, he secretly loves and marries Juliet, a member of the rival House of Capulet, through a priest named Friar Laurence. Juliet then becomes Juliet Montague. Forced into exile after slaying Juliet's cousin, Tybalt, in a duel, Romeo commits suicide upon hearing falsely of Juliet's death. The character's origins can be traced as far back as Pyramus, who appears in Ovid's ''Metamorphoses'', but the first modern incarnation of Romeo is Mariotto in the 33rd of Masuccio Salernitano's ''Il Novellino'' (1476). This story was reworked in 1524 by Luigi da Porto as ''Giulietta e Romeo'' (published posthumously in 1531). Da Porto named the character Romeo Montecchi and his storyline is near-identical to Shakespeare's adaptation. Since no 16th-century direct English translation of ''Giulietta e Romeo'' is known, Shakespeare's main source is ...
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