Cummings Ist Der Dichter
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Cummings Ist Der Dichter
' (''Cummings is the Poet'') is a 1970 composition for mixed choir and instrumental ensemble by Pierre Boulez, based on a poem by E. E. Cummings. Background Boulez was initially introduced to the poetry of Cummings in 1952 by John Cage during a visit to a New York bookstore. Boulez recalled that he immediately felt that he "had a pretty direct relationship with the poetry of Cummings," but "did not feel sufficiently well acquainted with the English language to tackle one of his poems." During the late 1960s, he considered setting five Cummings poems to music, and began composing a ''Cantate pour Baryton et petit Orchestre'', using the poem that would eventually appear in ''Cummings ist der Dichter''. However, he became dissatisfied with the piece, and subsequently reworked the instrumental passages into '' Domaines''. In 1970, Boulez completed the first version of ''Cummings ist der Dichter'', a ten-minute work for mixed choir and instrumental ensemble, based on a poem titled "bir ...
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Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 19255 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montbrison, Loire, Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, Aleatoric music, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twent ...
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Arnold Whittall
Arnold Whittall (born 1935) is a British musicologist and academic. Whittall's research areas have primarily been centred around the musical analysis of 20th-century music and aspects of the nineteenth-century, such as the music of Richard Wagner. He is Professor Emeritus of Musical Theory and Analysis at King's College London, having worked as Professor there between 1975 and 1996. Life career Prior to his King's College London position, Whittall lectured at Cambridge, Nottingham (1964–1969), and Cardiff (1969–1975), and served as visiting professor at Yale University. His students included Australian composer Norma Tyer. Since the 1960s, he has contributed extensively to musicology through the publication of books, articles and provided chapters to multi-authored books. Whittall's initial publications focussed on Benjamin Britten before shifting to 20th-century music more generally. Other publications have addressed key discussions within musicology such as semiotics and m ...
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Serial Compositions
Serial may refer to: Arts, entertainment, and media The presentation of works in sequential segments * Serial (literature), serialised literature in print * Serial (publishing), periodical publications and newspapers * Serial (radio and television), series of radio and television programs that rely on a continuing plot * Serial film, a series of short subjects, with a continuing story, originally shown in theaters, in conjunction with feature films, particularly in the 1930s and 1940s * Indian serial, a type of Indian television program Other uses in arts, entertainment, and media * ''Serial'' (1980 film), based on McFadden's novel, starring Martin Mull and Tuesday Weld * ''Serial'' (podcast), a podcast spinoff of radio series ''This American Life'' * '' The Serial: A Year in the Life of Marin County'', a 1977 novel by Cyra McFadden Computing and technology * SerDes, a Serializer/Deserializer (pronounced sir-deez) * Serial ATA * Serial attached SCSI * Serial bus, e.g., **I²C ...
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20th-century Classical Music
20th-century classical music is Western art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was characteristi ...
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1970 Compositions
Year 197 ( CXCVII) was a common year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an artificial canal between the Tigris ...
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Compositions By Pierre Boulez
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ...
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BBC Proms
The BBC Proms is an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in central London. Robert Newman founded The Proms in 1895. Since 1927, the BBC has organised and broadcast The Proms. Each season consists of concerts in the Royal Albert Hall, chamber music concerts at Cadogan Hall (or occasionally other venues), additional Proms in the Park events across the UK on the Last Night of the Proms, and associated educational and children's events. Recently, concerts have been held in additional cities across different nations of the UK, as part of Proms Around the UK. The season is a significant event in British culture and in classical music. Czech conductor Jiří Bělohlávek described the Proms as "the world's largest and most democratic musical festival". ''Prom'' is short for '' promenade concert'', a term which originally referred to outdoor concerts in London's pleasure gar ...
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Le Soleil Des Eaux
(''The Sun of Waters'') is a two-movement cantata for soprano, choir and orchestra by Pierre Boulez, based on two poems by René Char, and having a total duration of about nine minutes. Background Boulez first encountered Char's poetry in 1945 or 1946, and was immediately attracted to its conciseness and "internal violence". Boulez based his first cantata, '' Le Visage nuptial'' (1946–47) on the poet's work, and would later use Char's poems as the basis of ''Le Marteau sans maître'' (1953–55). The two met in the summer of 1947, at which point they began a long friendship. ''Le Soleil des eaux'' began life as incidental music for a radio drama of the same name, written by Char, broadcast on RTF on April 29, 1948 and published in April 1949 with illustrations by Georges Braque. The play revolved around a story of fishermen on the river Sorgue whose livelihoods are threatened by pollution from a new factory, and who revolt and attack the factory in response. (Char was born i ...
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Universal Edition
Universal Edition (UE) is an Austrian classical music publishing firm. Founded in 1901 in Vienna, it originally intended to provide the core classical works and educational works to the Austrian market. The firm soon expanded to become one of the most important publishers of modernist and contemporary classical music. History 20th century Universal Edition was founded on 1 June 1901 in Vienna. It was formed by the publishers Bernhard Herzmansky (himself from the firm), and as an attempt to compete with the Leipzig-based publishers Breitkopf & Härtel and Edition Peters. UE itself describes this as an attempt to "simply to counter the predominance of the foreign music trade in Vienna with a domestic music publishing house". In a financial boost for UE, the Austrian Ministry of Education gave a 5 July 1901 decree that Austrian music schools should prefer UE editions over those by German publishers. The firm's creation was announced next month in the '' Neues Wiener Tagbla ...
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John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and Extended technique, non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various Eastern world, East and South Asia, South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of Aleatoric music, aleatoric or Indeterminism#Philosophy, chance-controlled music, which ...
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Clytus Gottwald
Clytus Gottwald (20 November 1925 – 18 January 2023) was a German composer, conductor, and musicologist who focused on choral music. He was considered by music critics to be a key figure in contemporary choral music, and is known for his arrangements for vocal ensembles of up to 16 voices. He founded and conducted the Schola Cantorum Stuttgart for this music. Life and work Gottwald was born in Ober Salzbrunn on 20 November 1925. After military service and being a prisoner of war in the United States, he studied voice with Gerhard Hüsch and choral conducting with Kurt Thomas. As a choir director, he was initially an assistant to Marcel Couraud from 1954 to 1958. From 1958 to 1970 he was cantor at the Paulus-Kirche in Stuttgart, conducting the . Gottwald studied Protestant theology, sociology, and musicology in Tübingen and Frankfurt. In 1961 he completed his dissertation on the Renaissance composer Johannes Ghiselin in Frankfurt. As a musicologist, he edited numerous sc ...
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Susan Bradshaw
Susan Bradshaw (Monmouth, 8 September 1931 – London, 30 January 2005) was a British pianist, teacher, writer, and composer. She was mainly associated with contemporary music, and especially with the work of Pierre Boulez, several of whose writings she translated. As a critic and musicologist she contributed to a number of magazines and journals over several decades; the titles included '' Contact'', '' Music and Musicians'', ''Tempo'' and ''The Musical Times''. Early life Bradshaw attended the Royal Academy of Music from 1949, studying piano with Harold Craxton and composition with Howard Ferguson and Mátyás Seiber. There she met Cornelius Cardew, a fellow student, with whom she performed in Bartók's Sonata for Two Pianos and Percussion. Career Bradshaw attended Darmstadt three times, 1956-1958 and in the last year performed there Richard Rodney Bennett's ''Music for Two Pianos'' with the composer. A recording survives of the performance. Around the same period she stu ...
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