|
Cumbia Vallenata
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin America
Latin America is the cultural region of the Americas where Romance languages are predominantly spoken, primarily Spanish language, Spanish and Portuguese language, Portuguese. Latin America is defined according to cultural identity, not geography, and as such it includes countries in both North and South America. Most countries south of the United States tend to be included: Mexico and the countries of Central America, South America and the Caribbean. Commonly, it refers to Hispanic America plus Brazil. Related terms are the narrower Hispanic America, which exclusively refers to Spanish-speaking nations, and the broader Ibero-America, which includes all Iberic countries in the Americas and occasionally European countries like Spain, Portugal and Andorra. Despite being in the same geographical region, English- and Dutch language, Dutch-speaking countries and territories are excluded (Suriname, Guyana, the Falkland Islands, Jamaica, Trinidad and Tobago, Belize, etc.), and French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia Villera
Cumbia villera () (roughly translated as "slum cumbia", "ghetto cumbia", or " shantytown cumbia", from '' villa miseria'', "slum") is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad. Lyrically, cumbia villera uses the vocabulary of the marginal and lower classes, like the Argentine ''lunfardo'' and ''lenguaje tumbero'' ("gangster language" or "thug language"), and deals with themes such as the everyday life in the ''villas miseria'' (slums), poverty and misery, the use of hard drugs, promiscuity and/or prostitution, nights out at ''boliches'' (discos and clubs) that play cumbia and other tropical music genres (such as the emblematic ''Tropitango'' venue in Pacheco), the football culture of the barras bravas, delinquency and clashes with the police and other forms of authority, antipathy towards politicians, and authenticity in being true ''villeros'' (inhabitants of the ''villas''). Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia Marimbera
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvadoran Cumbia
Salvadorans (), also known as Salvadorians, are citizens of El Salvador, a country in Central America. Most Salvadorans live in El Salvador, although there is also a significant Salvadoran diaspora, particularly in the United States, with smaller communities in other countries around the world. El Salvador's population was 6,218,000 in 2010, compared to 2,200,000 in 1950. In 2010, the percentage of the population below the age of 15 was 32.1%, 61% were between 15 and 65 years of age, while 6.9% were 65 years or older. Demonym Although not the academic standard, ''Salvadorian'' and ''Salvadorean'' are widely-used English demonyms used by those living in the United States and other English-speaking countries. All three versions of the word can be seen in most Salvadoran business signs in the United States and elsewhere in the world. ''Centroamericano/a'' in Spanish and in English ''Central American'' is an alternative standard and widespread cultural identity term that Salvador ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecuadorian Cumbia
Ecuadorians () are people identified with the South American country of Ecuador. This connection may be residential, legal, historical or cultural. For most Ecuadorians, several (or all) of these connections exist and are collectively the source of their being ''Ecuadorian''. Numerous indigenous cultures inhabited what is now Ecuadorian territory for several millennia before the expansion of the Inca Empire in the fifteenth century. The Las Vegas culture of coastal Ecuador is one of the oldest cultures in the Americas. The Valdivia culture is another well-known early Ecuadorian culture. Spaniards arrived in the sixteenth century, as did sub-Saharan Africans who were enslaved and transported across the Atlantic by Spaniards and other Europeans. The modern Ecuadorian population is principally descended from these three ancestral groups. As of the 2022 census, 77.5% of the population identified as Mestizo, a mix of Spanish and Indigenous American ancestry, up from 71.9% in 2000. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costa Rican Cumbia
Costa may refer to: Biology * Rib (Latin: ''costa''), in vertebrate anatomy * Costa (botany), the central strand of a plant leaf or thallus * Costa (coral), a stony rib, part of the skeleton of a coral * Costa (entomology), the leading edge of the forewing of winged insects, as well as a part of the male clasper Arts and entertainment * '' Costa!'', a 2001 Dutch film * '' Costa!!'', a 2022 Dutch film * Costa Book Awards, formerly the Whitbread Book Award, a literary award in the UK Organisations * Costa Caribe, a Nicaraguan basketball team * Costa Coffee, a British coffee shop chain, sponsor of the book award * Costa Cruises, a leading cruise company in Europe * Costa Del Mar, an American manufacturer of polarized sunglasses * Costa Group, Australian food supplier Places * Costa, Haute-Corse, France, a commune on the island of Corsica * Costa, Lajas, Puerto Rico, a barrio * Costa, West Virginia, US, or Brushton, a community * Costa Head, a headland on the Orkney Islands * Depart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia Vallenata
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans, and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community. Cumbia traditionally uses three drums ('' tambora'', ' and ''llamador''), three flutes (''gaita hembra'' and ''gaito macho'', both forms of , and '' flauta de millo'') and has a or meter. The sound of cumbia can be characterized as having a simple "chu-chucu-chu" rhythm created by the guacharaca. The genre frequently incorporates brass instruments and piano. In order to properly understand the interlocking relationship between cumbia's roots, its Pan-American (and then global) routes, and its subgenres, Colombia's geocultural complexities must be taken into account. Most Hispanic American countries have made their own regional version of Cumbia, some of them with their own part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porro
The porro is a musical style and dance from the Caribbean region of Colombia. It is a Colombian cumbia rhythm that developed into its own subgenre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras, and danced in couples. This genre influenced some of the greatest Latin American bands of the 1960s, with songs such as "Pachito E'ché" (originally from Wolfgang Alejandro Tovar García, then interpreted by Benny Moré), "Se Va el Caimán", and "Me voy pa'Cataca" (originally from José María Peñaranda, then interpreted by La Sonora Matancera.) Types The two types of folkloric porro are porro palitiao and porro tapao. Porro palitiao The term "palitiao" is derived from the way the bombo drum is struck along its rim to produce the sound of a Cowbell (instrument), cowbell. This type of porro is associated with the Sinú River, and its surrounding cities and towns. Some would agree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bullerengue
Bullerengue is a traditional musical genre and dance from the Caribbean region of Colombia and the Darién Province in Panama. It is sung and preserved primarily by elderly women, accompanied by local artisan drums, and developed in the Palenques or Maroon communities. Some renowned bullerengue singers are Graciela Salgado, Petrona Martínez, Irene Martinez, Emilia Herrera, Estefanía Caycedo, Etelvina Maldonado, and Ceferina Banquez. In recent decades, Petrona Martínez and Totó la Momposina Sonia Bazanta Vides (born 1 August 1940), better known as Totó la Momposina, is a Colombian singer of Afro-Colombian and Indigenous descent. She reached international attention with the release of her 1993 album '' La Candela Viva'' on Peter Ga ... have increased bullerengue's international popularity and success, the former having been granted the Latin Grammy Award for Best Folk Album. References * {{Cumbia Colombian styles of music Cumbia music genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Chilean Cumbia
The New Chilean Cumbia also known as New Chilean Cumbia Rock (Spanish: ''Nueva cumbia chilena'', ''Nueva cumbia rock chilena'') is a subgenre of cumbia music that originated in Chile in the early 2000s and that largely surfaced in mainstream media in 2009 and 2010. In contrast to older cumbias the lyrics of New Chilean Cumbia deals more with urban life and combines aspects of rock, hip hop and a wide variety of Latin American genres like Andean music, salsa, the son, reggae, boleros, ska, Latin-African music, diablada and even folklore from the Balkans, like the Klezmer, and Gipsy music. While the movement has various influences its roots lie in the Chilean cumbia tradition established by Orquesta Huambaly, Giolito y su Combo, Orquesta Cubanacán, La Sonora Palacios and Sonora de Tommy Rey, but in contrast to these bands the New Chilean Cumbia is aimed towards a younger public. The New Chilean Cumbia public comes often from the middle classes. The movement has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
