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Culture Of Uttar Pradesh
The Culture of Uttar Pradesh is an Indian culture which has its roots in Hindi, Bhojpuri and Urdu literature, music, fine arts, drama and cinema. Lucknow, the capital of Uttar Pradesh, has historical monuments including Bara Imambara and Chhota Imambara, and has preserved the damaged complex of the Oudh-period British Resident's quarters, which are being restored. Urban culture Varanasi's ghats (bathing steps along the river) draws pilgrims year-round who bathe in the Ganges River. Mathura's celebrations of Holi festival attract many tourists. Thousands gather at Allahabad (Prayagraj) to take part in the annual Magh Mela festival on the banks of the Ganges which is organised on a larger scale every 12th year, when it is called the Kumbha Mela, where over 10 million Hindu pilgrims congregate –The largest peaceful gathering of human beings in the world. Badaun is a religiously significant city whose historical monuments and tombs attract thousand of tourists annually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taj Mahal, Agra, India Edit3
Taj may refer to: Buildings *Taj Mahal, a medieval mausoleum in the Indian city of Agra *Taj Palace, an Abbasid palace in medieval Baghdad * Taj-ul-Masajid, mosque in Bhopal * Taj building, Nowshera, Pakistan *Taj Hotels Resorts and Palaces, international hotel chain * The Taj Exotica Hotel & Resort, Dubai Transport *Tadji Airport, Papua New Guinea (IATA: TAJ) *Taj International Airport, proposed airport in Delhi *Taj Express, train between New Delhi and Agra Sport * Taj Ahvaz Football Club, Iranian football (soccer) club * Taj Abadan Football Club, Iranian football (soccer) club *Taj Tehran Football Club, Iranian football (soccer) club * Taj F.C. (Palau), Palauan football team Other *Taj (name), including a list of people with the name * Taj Mahotsav, annual festival in Agra *Taj Ultimate, annual "Ultimate" tournament in Tajima, Japan *Taj Television Ltd., Mumbai *Former name pre-1979 of Esteghlal Tehran FC, football club *'' National Lampoon's Van Wilder: The Rise of Taj'', 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lion Capital Of Ashoka
The Lion Capital of Ashoka is the capital, or head, of a column erected by the Mauryan emperor Ashoka in Sarnath, India, . Its crowning features are four life-sized lions set back to back on a drum-shaped abacus. The side of the abacus is adorned with wheels in relief, and interspersing them, four animals, a lion, an elephant, a bull, and a galloping horse follow each other from right to left. A bell-shaped lotus forms the lowest member of the capital, and the whole tall, carved out of a single block of sandstone and highly polished, was secured to its monolithic column by a metal dowel. Erected after Ashoka's conversion to Buddhism, it commemorated the site of Gautama Buddha's first sermon some two centuries before. The capital eventually fell to the ground and was buried. It was excavated by the Archeological Survey of India (ASI) in the very early years of the 20th century. The excavation was undertaken by F. O. Oertel in the ASI winter season of 1904–1905. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wajid Ali Shah
Mirza Wajid Ali Shah () (30 July 1822 – 1 September 1887) was the eleventh and last King of Awadh, holding the position for 9 years, from 13 February 1847 to 11 February 1856. Wajid Ali Shah's first wife was Alam Ara who was better known as Khas Mahal () because of her exquisite beauty. She was one of two Nikahi wives. His second wife, Muhammadi Khanum, better known as the Begum Hazrat Mahal, rose against the British East India Company during the Indian Rebellion of 1857 as the regent of Awadh. His kingdom, long protected by the East India Company (EIC) under a treaty, was annexed by the EIC on 11 February 1856, two days before the ninth anniversary of his coronation. The Nawab was exiled to Garden Reach in Metiabruz, then a suburb of Kolkata, where he lived out the rest of his life on a generous pension. He was a poet, playwright, dancer and great patron of the arts. He introduced Kathak, a major form of classical Indian dance as a court dance after the decline of Mughal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar
Akbar (Jalal-ud-din Muhammad Akbar, – ), popularly known as Akbar the Great, was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. He is generally considered one of the greatest emperors in Indian history and led a successful campaign to unify the various kingdoms of '' Hindūstān'' or India proper. Quote: "Akbar, The greatest Mughal emperor of India." Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tansen
Rāmtanu ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He got his first break as musician and composer in the court of Raja Man Singh Tomar of Gwalior and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r. 1555–1592), where Tānsen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar. In 1562, at about the age of 60, Tānsen joined Akbar's court, and his performances became the subject of many court historians. Numerous legends have been written about Tānsen, mixing facts and fiction, and the historicity of these stories is doubtful. Akbar considered him one of the Navaratnas Nine Ministers (the nine jewels) and gave him the tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swami Haridas
Swami Haridas (, also spelt ''Svāmī Haridās'') was an Indian spiritual poet and Hindustani classical music, classical musician. He was a Court musician of Man Singh Tomar, Raja Man Singh Tomar of Gwalior and credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today in North India. His work influenced both the classical music and the Bhakti movements of North India, especially those devoted to Krishna's consort Radha. Biography There are rival versions of the biography of Haridās, since his following was divided in the 1600s among the hereditary householder gosvāmīs and ascetic sādhus. Modern scholars state that he lived in the 1500s. The gosvāmīs claim he was born in Haridaspur, Uttar Pradesh, Haridāspur and that his father was from Multan, Multān, but the sādhus claim he was born in Rājpur next to Vṛndāvana, Vr̥ndāvan. The gosvāmīs claim that his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harsha
Harshavardhana (Sanskrit: हर्षवर्धन; 4 June 590 – 647) was an emperor of Kannauj from April 606 until his death in 647. He was the king of Thanesar who had defeated the Alchon Huns, and the younger brother of Rajyavardhana, son of Prabhakaravardhana and last king of Thanesar. He was one of the greatest kings of the Kingdom of Kannauj, which under him expanded into a vast realm in Hindustan, northern India. At the height of Harsha's power, his realm covered much of northern and northwestern India, with the Narmada River as its southern boundary. He eventually made Kannauj, Kanyakubja (present-day Kannauj, Uttar Pradesh state) his imperial capital, and reigned till 647 CE.International Dictionary of Historic Places: Asia and Oceania by Trudy Ring, Robert M. Salkin, Sharon La Boda p.507 Harsha was defeated by the Emperor Pulakeshin II of the Chalukya dynasty in the Battle of Narmada, when he tried to expand his empire into the South India, southern penin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gupta Empire
The Gupta Empire was an Indian empire during the classical period of the Indian subcontinent which existed from the mid 3rd century to mid 6th century CE. At its zenith, the dynasty ruled over an empire that spanned much of the northern Indian subcontinent. This period has been considered as the Golden Age of India by some historians, although this characterisation has been disputed by others. The ruling dynasty of the empire was founded by Gupta (king), Gupta. The high points of this period are the great cultural developments which took place primarily during the reigns of Samudragupta, Chandragupta II and Kumaragupta I. Many Hinduism, Hindu Hindu epics, epics and Hindu literature, literary sources, such as the Mahabharata and Ramayana, were canonised during this period. The Gupta period produced scholars such as Kalidasa, Aryabhata, Varahamihira and Vatsyayana, who made significant advancements in many academic fields. History of science and technology in the Indian subcontin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak 3511900193 986f6440f6 B Retouched
''Kathak'' is one of the eight major forms of Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namrata Rai Kathak Dancer
Namrata is an Indian or Nepalese feminine given name that may refer to * Namrata Brar, Indian-American journalist, investigative reporter and news anchor * Namrata Mohanty, Indian Odia singer * Namrata Purohit (born 1993), Indian Pilates instructor *Namrata Rao (born 1981), Indian film editor * Namrata Sawhney (born 1970), Indian actress, voice actress and singer * Namrata Shrestha, Nepalese model and actress *Namrata Shirodkar (born 1972), Indian actress, producer and former model *Namrata Singh Gujral (born 1976), Indian-American director, producer and actor *Namrata Thapa Namrata Thapa is an Indian film and television actress. She appeared in '' Yahaaan Main Ghar Ghar Kheli'' as Swarnlata Raj Singhania. Personal life Thapa was born in Delhi and now resides in Mumbai. She graduated from Delhi University. Career ..., Indian film and television actress {{Given name Indian feminine given names Feminine given names Nepalese feminine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
