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Culture Of Bhutan
Cradled in the folds of the Himalayas, Bhutan has relied on its geographical isolation to protect itself from outside cultural influences. A sparsely populated country bordered by India to the south, and China to the north, Bhutan has long maintained a policy of strict isolationism, both culturally and economically, with the goal of preserving its cultural heritage and independence. Only in the last decades of the 20th century were foreigners allowed to visit the country, and only then in limited numbers. In this way, Bhutan has successfully preserved many aspects of its culture, which dates directly back to the mid-17th century. Modern Bhutanese culture derives from ancient culture. This culture affected the early growth of this country. Dzongkha and Sharchop, the principal Bhutanese languages, are closely related to Tibetan, and Bhutanese monks read and write the ancient variant of the Tibetan language, known as ''chhokey''. The Bhutanese are physically similar to the Tibet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzong
Dzong architecture is used for dzongs, a distinctive type of fortified monastery (, , ) architectural style, architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation. Characteristics Distinctive features include: * High inward sloping walls of brick and stone painted white with few or no windows in the lower sections of the wall * Use of a surrounding red ochre stripe near the top of the walls, sometimes punctuated by large gold circles * Use of unique style flared roofs atop interior temples * Massive entry doors made of wood and iron * Interior courtyards and temples brightly colored in Buddhist-themed art Motif (visual arts), motifs such as the ashtamangala or swastika Regional differences Bhutan Dzongs serve as the religious, military, administrative, and social centers of their district. They are often the site of an annual ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhungdra
Zhungdra (; Wylie: ''gzhung-sgra'') is one of two main styles of traditional Bhutanese folk music, the other being bödra. Arising in the 17th century, zhungdra (''zhung'' meaning "center, mainstream", and ''dra'' meaning "music") is an entirely endemic Bhutanese style associated with the folk music of the central valleys of Paro, Thimphu, and Punakha, the heart of the Ngalop cultural area. Bödra, in contrast, evolved out of Tibetan court music. Zhungdra is characterized by the use of extended vocal tones in complex patterns which slowly decorate a relatively simple instrumental melody. Untrained singers, even those with natural singing ability, typically find it challenging to sing zhungdra. This has reduced the popularity of zhungdra compared with Rigsar, the fast-paced pop Bhutanese music style based on electronic synthesizers. The Zhungdra style may be appreciated in songs such as ''Lhodrak Marpai Zhab'', found on Jigme Drukpa's album ''Endless Songs from Bhutan''. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punakha
Punakha () is the administrative centre of Punakha dzongkhag, one of the 20 districts of Bhutan. Punakha was the capital of Bhutan and the seat of government until 1955, when the capital was moved to Thimphu. It is about 72 km away from Thimphu, and it takes about 3 hours by car from the capital. Unlike Thimphu, it is quite warm in winter and hot in summer. It is located at an elevation of 1,200 metres above sea level, and rice is grown as the main crop along the river valleys of two main rivers of Bhutan, the Pho Chu and Mo Chu. Dzongkha is widely spoken in this district. Pungthang Dewachen Gi Phodrang Pungthang Dewachen Phodrang (Palace of Great Happiness) or Punakha Dzong was constructed by Tuebi Zaow Balip under the great command of Zhabdrung Ngawang Namgyal in 1637 and believed to have been completed in a two-year time period. It is also the country's most beautiful Dzong. It is the winter residence of Bhutan's Central Monastic Body led by the Je Khenpo. The D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thimphu
Thimphu (; ) is the capital and largest city of Bhutan. It is situated in the western central part of Bhutan, and the surrounding valley is one of Bhutan's '' dzongkhags'', the Thimphu District. The ancient capital city of Punakha was replaced by Thimphu as the capital in 1955, and in 1961 Thimphu was officially declared the capital of the Kingdom of Bhutan by the 3rd Druk Gyalpo Jigme Dorji Wangchuck. The city extends in a north–south direction on the west bank of the valley formed by the Wang Chhu, which flows out into India as the Raidāk River. Thimphu is the sixth highest capital in the world by altitude, ranging from to . Unlike many capitals, Thimphu does not have its own airport, instead relying on the Paro Airport, accessible by road away. Thimphu, as the political and economic center of Bhutan, has a dominant agriculture and livestock base, contributing to about 45% of the country's GNP. Tourism, though a contributor to the economy, is strictly regulated, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Je Khenpo
The Je Khenpo (; "The Chief Abbot of the Central Monastic Body of Bhutan"), formerly called the ''Dharma Raja'' by orientalists, is the title given to the senior religious hierarch of Bhutan. His primary duty is to lead the Dratshang Lhentshog (Commission for the Monastic Affairs) of Bhutan, which oversees the Central Monastic Body, and to arbitrate on matters of doctrine, assisted by ''Five Lopen Rinpoches '' (learned masters). The Je Khenpo is also responsible for many important liturgical and religious duties nationwide. The sitting Je Khenpo is also formally the leader of the southern branch of the Drukpa Kagyu sect, which is part of the Kagyu tradition of Tibetan Buddhism. Aside from the King of Bhutan, only the Je Khenpo may don a saffron kabney. History According to the dual system of government established by Ngawang Namgyal in the 17th century, the powers of the government of Bhutan were ideally split between the religious branch, headed by the Je Khenpo, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lama
Lama () is a title bestowed to a realized practitioner of the Dharma in Tibetan Buddhism. Not all monks are lamas, while nuns and female practitioners can be recognized and entitled as lamas. The Tibetan word ''la-ma'' means "high mother", and reflects the qualities of the person entitled as a lama."lama" from Historically and currently, the term is bestowed on venerated spiritual masters and may be part of a specific lineage title such as the Dalai Lama [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karma
Karma (, from , ; ) is an ancient Indian concept that refers to an action, work, or deed, and its effect or consequences. In Indian religions, the term more specifically refers to a principle of cause and effect, often descriptively called the principle of karma, wherein individuals' intent and actions (cause) influence their future (effect): Good intent and good deeds contribute to good karma and happier Reincarnation, rebirths, while bad intent and bad deeds contribute to bad karma and worse rebirths. In some scriptures, however, there is no link between rebirth and karma. In Hinduism, karma is traditionally classified into four types: Sanchita karma (accumulated karma from past actions across lifetimes), Prārabdha karma (a portion of Sanchita karma that is currently bearing fruit and determines the circumstances of the present life), Āgāmi karma (future karma generated by present actions), and Kriyamāṇa karma (immediate karma created by current actions, which may y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thongdrel
A thongdrel (མཐོང་གྲོལ།) or throngdrel is a large appliqué (གོས་དྲུབ།) religious image normally only unveiled during '' tsechus(ཚེ་བཅུ།)'', the main religious festivals in Bhutan. They are the largest form of '' thangka(ཐང་ཀ།)'' paintings in the tradition of Tibetan Buddhism. Thongdrels typically depict a seated Guru Rinpoche surrounded by holy beings in a composition that, unlike most smaller thangkas, is in a "landscape" format, somewhat wider than it is tall. Thongdrels are composed of several layers, mostly of silk. These begin with a backing, then the image itself, made up of appliqué pieces sewn to a background. Finally there is a yellow drape that covers and protects it when not on display. Thongdrels are stored rolled up. Thongdrels are displayed once a year as the highlight of the tsechu festival of a district or ''dzongkhag'' (although not every district has a thongdrel). Typically they are displayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shabdrung Ngawang Namgyal
Ngawang Namgyal (; alternate spellings include ''Zhabdrung Ngawang Namgyel;'' 1594–1651), known colloquially as ''The Bearded Lama'', was a Tibetan Buddhist Drukpa Kagyu school Rinpoche, and the unifier of Bhutan as a nation-state. He was later granted the honorific title Zhabdrung Rinpoche, approximately "at whose feet one submits". In addition to unifying the various warring fiefdoms for the first time in the 1630s, he also sought to create a distinct Bhutanese cultural identity separate from the Tibetan culture from which it was derived. Birth and enthronement at Ralung ''Zhabdrung'' Ngawang Namgyal was born at Ralung () Monastery, Tibet as the son of the Drukpa Kagyu lineage-holder Mipham Tenpa'i Nyima (, 1567–1619), and Sönam Pelgyi Butri (), daughter of the local king of Kyishö () in Tibet. On his father's side, Ngawang Namgyal descended from the family line of Tsangpa Gyare (1161–1211), the founder of the Drukpa Lineage. In his youth, Ngawang Namgyal was ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantric Buddhism
''Vajrayāna'' (; 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhist tradition that emphasizes esoteric practices and rituals aimed at rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna incorporates a range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalas (spiritual diagrams), and the visualization of deities and Buddhas. These practices are designed to transform ordinary experiences into paths toward enlightenment, often by engaging with aspects of desire and aversion in a ritualized context. A distinctive feature of Vajrayāna is its emphasis on esoteric transmission, where teachings are passed directly from teacher (guru or vajrācārya) to student through initiation ceremonies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
