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Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka (music), yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. ''Cajón de rumba, Cajones'' (wooden boxes) were used as dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abakuá
Abakuá, also sometimes known as Ñañiguismo, is a Cuban initiatory religious fraternity founded in 1836. The society is open only to men and those initiated take oaths to not reveal the secret teachings and practices of the order. Members are typically known as Abanékues and are divided amongst lodges or chapters called ''juegos''. Abakuá derives largely from the Ekpe, Ékpè society of West Africa, but displays adaptations like the inclusion of Catholic Church, Roman Catholic symbolism. The society teaches the existence of a supreme divinity named Abasí who supplied humanity with a form of power which holds a central place in Abakuá's origin myth. Rituals are called ''plantes'' and typically take place in a secluded room, the ''fambá''. Many of the details of these ceremonies are kept secret although they usually involve drumming. Some of the Abakuá society's ceremonies take place in public. Most notable are the public parades on the Epiphany (holiday), Day of the Three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhombus
In plane Euclidean geometry, a rhombus (: rhombi or rhombuses) is a quadrilateral whose four sides all have the same length. Another name is equilateral quadrilateral, since equilateral means that all of its sides are equal in length. The rhombus is often called a "diamond", after the Diamonds (suit), diamonds suit in playing cards which resembles the projection of an Octahedron#Orthogonal projections, octahedral diamond, or a lozenge (shape), lozenge, though the former sometimes refers specifically to a rhombus with a 60° angle (which some authors call a calisson after calisson, the French sweet—also see Polyiamond), and the latter sometimes refers specifically to a rhombus with a 45° angle. Every rhombus is simple polygon, simple (non-self-intersecting), and is a special case of a parallelogram and a Kite (geometry), kite. A rhombus with right angles is a square. Etymology The word "rhombus" comes from , meaning something that spins, which derives from the verb , roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Corominas
Joan Coromines i Vigneaux (; also frequently spelled ''Joan Corominas''; Diccionario crítico etimológico castellano e hispánico, by Joan Corominas icand José Antonio Pascual, Editorial Gredos, 1989, Madrid, . Barcelona, Catalonia, Spain 1905 – Pineda de Mar, Catalonia, Spain, 1997) was a linguist who made important contributions to the study of Catalan, Spanish, and other Romance languages. His main works are the '' Diccionario crítico etimológico de la lengua castellana'' (1954–1957), in four volumes, first version of his etymological dictionary of Spanish (with an abridged version, ''Breve diccionario etimológico de la lengua castellana'', first published in 1961); the '' Diccionari etimològic i complementari de la llengua catalana'', which investigates the origin of most words in the Catalan language (9 volumes); the ''Onomasticon Cataloniae'', documenting place and person names, old and new, in all the Catalan-speaking territories (8 volumes); and, with Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan Rumba
The Catalan rumba (, ) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba, with influences from Cuban music and rock and roll. The Catalan rumba originated in the Romani communities in the Gràcia, ''carrer (street) de la Cera del Raval'' and Hostafrancs neighborhoods. The Romani community in those neighborhoods is long-established and bilingual in Catalan and were influenced by the heavy Andalusian immigration to Barcelona during this period. The genre is based in a fusion of Catalan-Andalusian flamenco singing and the Afro-Cuban claves. It is in time, and consists of vocalists and handclaps, accompanied by guitar, bongos, and güiro; later groups also incorporate timbales, conga drums, small percussion instruments, piano, wind instruments, electric bass, and electric keyboard. Among the most important early artists in the genre were Antonio González " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Flamenca
Rumba flamenca, also known as flamenco rumba or simply rumba (), is a ''Palo (flamenco), palo'' (style) of flamenco music developed in Andalusia, Spain. It is known as one of the ''cantes de ida y vuelta'' (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country. History Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana's musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a ''Cantes de ida y vuelta, cante de ida y vuelta''. The first rumba flamenca recordings were made by La Niña de los Pein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congolese Rumba
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage. In December 2021, it was added to the UNESCO list of intangible cultural heritage. Emerging in the mid-20th century in the urban centers of Brazzaville and Léopoldville (now Kinshasa) during the colonial era, the genre's roots can be traced to the Bakongo partner dance music known as ''maringa'', which was traditionally practiced within the former Kingdom of Loango, encompassing regions of contemporary Republic of the Congo, southern Gabon, and Cabinda Province of Angola. The style gained prominence in the 1920s–1940s, introducing the advent of the " bar-dancing" culture in Brazzaville and Léopoldville, which incorporated distinctive elements suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soukous
Soukous (from French '' secousse'', "shock, jolt, jerk") is a genre of dance music originating from the Democratic Republic of the Congo (formerly Zaire) and the Republic of the Congo (formerly French Congo). It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences. Soukous fuses traditional Congolese rhythms with contemporary instruments. It customarily incorporates electric guitars, double bass, congas, clips, and brass/ woodwinds. Soukous lyrics often explore themes of love, social commentary, amorous narratives, philosophical musings, and ordinary struggles and successes. Singers occasionally sing and croon in Lingala, Kikongo, French and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga (music), conga and Cuban rumba, rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music (genre), Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor Talking Machine Company, Victor, be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Muñequitos De Matanzas
Los Muñequitos de Matanzas is a Cuban rumba ensemble from the city of Matanzas. The group was established in 1952 as Conjunto Guaguancó Matancero and released their first LP in 1956 through Puchito. Since then, Los Muñequitos have continued to perform and record, becoming one of the most successful and critically acclaimed rumba groups of all time. History On October 9, 1952 in the barrio of La Marina, city of Matanzas, Cuba, a group of young rumberos stopped off at their local tavern El Gallo after work. While unwinding over drinks, a song by Arsenio Rodríguez came on the bar’s record player. The drummers began accompanying the song by playing on the counter, on glasses and bottles, using whatever items were at hand. Their performance so impressed the other customers, as well as passers-by, that the men received applause when the song and their accompaniment concluded. It was at that moment when one of the men suggested they form a rumba group to perform at local venues. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga Drum
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
