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Covers 80's
''Covers 80s'' is the seventh album by American singer/songwriter Duncan Sheik. It was released on Sneaky Records in 2011. The album is composed of covers of songs by British artists originally released in the 1980s. Singer Holly Brook, who appeared on Sheik's album '' Whisper House'', and Rachael Yamagata, who has toured with Sheik for various concerts, contribute backing vocals throughout this album. Reception The album was released to mixed reviews. National Public Radio said, "No nostalgia here, only genuine feeling, and the challenge to reconsider what might really be worth reviving." Track listing #"Stripped" (Depeche Mode) – 3:39 #" Hold Me Now" (Thompson Twins) – 4:39 #" Love Vigilantes" ( New Order) – 4:04 #" Kyoto Song" (The Cure) – 3:53 #" What Is Love?" ( Howard Jones) – 3:58 #" So Alive" ( Love and Rockets) – 4:32 #" Shout" (Tears for Fears) – 4:44 #"Gentlemen Take Polaroids" ( Japan) – 4:53 #" Life's What You Make It" (Talk Talk) – 4:33 #" Wil ...
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Duncan Sheik
Duncan Sheik (born November 18, 1969) is an American singer-songwriter and composer. Sheik is known for his 1996 debut single " Barely Breathing", which earned him a Grammy Award nomination for Best Male Pop Vocal Performance. He has composed music for motion pictures and Broadway musicals, winning the 2006 Tony Awards for Best Original Score and Best Orchestrations for his work on the musical '' Spring Awakening''. Early life Sheik is a native of Montclair, New Jersey. Following his parents' divorce, he split time between his father's house in New Jersey and his mother's home in South Carolina. He is the half-brother of Broadway actress Kacie Sheik. Sheik's Juilliard-trained grandmother introduced him to the piano, and he later took up the electric guitar. By age 12, he was playing guitar with high school students in a cover band. After graduating from Phillips Academy, Andover in 1988, Sheik studied semiotics at Brown University; while at Brown, he played guitar in a band w ...
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The Head On The Door
''The Head on the Door'' is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single " In Between Days" which had reached No. 15 on the UK Singles Chart, ''The Head on the Door'' was described by ''Melody Maker'' as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September. The album is the first to feature drummer Boris Williams. Bassist Simon Gallup, who had previously worked on three major Cure albums of the early 1980s, was called back before the recording. In 1985, the band became a quintet with instrumentalist Porl Thompson as their fifth official member. ''The Head on the Door'' is the first Cure album where all the songs were composed solely by singer and guitarist Robert Smith. History and music This ...
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The Smiths
The Smiths were an English rock band formed in Manchester in 1982. They comprised the singer Morrissey, the guitarist Johnny Marr, the bassist Andy Rourke and the drummer Mike Joyce. They are regarded as one of the most important acts to emerge from the 1980s British independent music scene. The Smiths signed to the independent label Rough Trade Records in 1983 and released their first album, '' The Smiths'', in 1984. They based their songs on the songwriting partnership of Morrissey and Marr. Their focus on a guitar, bass, and drum sound and a fusion of 1960s rock and post-punk was a rejection of the synth-pop sound that was predominant at the time. Several Smiths singles reached the top 20 of the UK Singles Chart, and all their studio albums reached the top five of the UK Albums Chart, including the number-one album '' Meat Is Murder'' (1985). They achieved mainstream success in Europe with '' The Queen Is Dead'' (1986) and '' Strangeways, Here We Come'' (1987), both of ...
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William, It Was Really Nothing
"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides " Please, Please, Please, Let Me Get What I Want" and " How Soon Is Now?", and reached No. 17 in the UK Singles Chart. The song is featured on the compilation albums '' Hatful of Hollow'' and '' Louder Than Bombs'', as well as other best of and singles collections. In 2004, the song was ranked No. 425 on ''Rolling Stone'' magazine's list of the 500 greatest songs of all time. When the band performed the song on ''Top of the Pops'', Morrissey ripped open his shirt to reveal the words "MARRY ME" written on his chest ("Would you like to marry me?" is one line of the song). Lyrics and background Morrissey has said of the song: "It occurred to me that within popular music if ever there were any records that discussed marriage they were always from the female's standpoint, female singers singing to women. There were never any songs sayin ...
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Japan (band)
Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian (vocals, guitar, keyboards), Steve Jansen (drums) and Mick Karn (bass guitar), joined by Richard Barbieri (keyboards) and Rob Dean (lead guitar) the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences. The band achieved success in the late 1970s and early 1980s, releasing nine UK top 40 hits, including the 1982 top 5 hit single "Ghosts", and scoring a UK top 5 with the live album '' Oil on Canvas'' (1983). The band split in December 1982, just as they were beginning to experience commercial success in the UK and abroad. Its members went on to pursue other musical projects, though they reformed briefly in the early 1990s under the name Rain Tree Crow, releasing an album in 1991. History The band began as a group of friends in the early 1970s. Brothers (birth surname Batt) D ...
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Gentlemen Take Polaroids
''Gentlemen Take Polaroids'' is the fourth studio album by the English band Japan, released in November 1980 by Virgin Records. Background ''Gentlemen Take Polaroids'' was the band's first album for the Virgin Records label after leaving Hansa-Ariola, which had released their first three albums. It continued in the vein of their previous album '' Quiet Life'', drawing on its elegant Euro-disco stylings coupled with more ambitious arrangements. In a 1982 interview, David Sylvian commented that by the time of this album, he had become a "paranoid perfectionist" and that he had come to dominate the band's recording sessions, forcing the other members to comply with his vision which ultimately led to the band's break up - a situation he took some responsibility for (he considers 1979's ''Quiet Life'' to be the only album which the band worked on in a truly collaborative manner). This was the last Japan album to feature guitarist Rob Dean, who left the band in spring 1981. Dean ...
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Tears For Fears
Tears for Fears are an English pop rock band formed in Bath, England, in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the new wave synthesizer bands of the early 1980s, and attained international chart success. The band's debut album, '' The Hurting'' (1983), reached number one on the UK Albums Chart, and their first three hit singles – " Mad World", " Change", and " Pale Shelter" – all reached the top five in the UK Singles Chart. Part of the MTV-driven Second British Invasion of the US, their second album, '' Songs from the Big Chair'' (1985), reached number one on the US ''Billboard'' 200, achieving multi-platinum status in both the UK and the US. The album contained two ''Billboard'' Hot 100 number one hits: " Shout" and " Everybody Wants to Rule the World", both of which reached the top five in the UK with the latter winning the Brit Award for Best B ...
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Shout (Tears For Fears Song)
"Shout" is a song by English pop/rock band Tears for Fears, released as the second single from their second studio album, '' Songs from the Big Chair'' (1985), on 23 November 1984. Roland Orzabal is the lead singer on the track. The single became the group's sixth UK top 40 hit, peaking at No. 4 in January 1985. In the US, it reached No. 1 on the ''Billboard'' Hot 100 on 3 August 1985 and remained there for three weeks; also topping the '' Cash Box'' chart. "Shout" became one of the most successful songs of 1985, eventually reaching No. 1 in multiple countries. It is regarded as one of the most recognizable songs from the mid-eighties, and is recognized by Chris True of AllMusic as a "Tears for Fears signature moment". Background While Tears for Fears' previous single "Mothers Talk" had showcased a new, more extroverted songwriting style, "Shout" was completed with power chords, heavy percussion, a synth bass solo and a vocal-sounding synth riff. The song even has a lengthy ...
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Love And Rockets (band)
Love and Rockets were an English rock band formed in 1985 by former Bauhaus members Daniel Ash (vocals, guitar and saxophone), David J (bass guitar and vocals) and Kevin Haskins (drums and synthesisers) after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, between 1982 and 1984. Love and Rockets' fusion of underground rock music with elements of pop music provided an early catalyst for alternative rock. They released seven studio albums before breaking up in 1999 and reformed briefly in 2007 for a few live shows, before splitting again in 2009. They are perhaps best known for their 1989 single " So Alive", which reached No. 3 on the ''Billboard'' Hot 100 chart. History The band's name was taken from the comic book series ''Love and Rockets'' by the Hernandez brothers. Gilbert Hernandez later referred to the confusion caused by this in his book '' Love and Rockets X'', as there were several different bands named ...
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So Alive (Love And Rockets Song)
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the ''Billboard'' Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James. Critical reception ''Billboard'' magazine described "So Alive" as "delectable" as well as the "best T. Rex tune that Marc Bolan never wrote." Ned Raggett of AllMusic wrote that the song was the only track on the album capable of receiving airplay and also noted the T. Rex similarities. Chart performance The single was Love and Rockets' biggest hit in the United States, peaking at No. 3 on the ''Billboard'' Hot 100 and No. 1 on the ''Billboard'' Modern Rock Tracks chart, where it stayed for five we ...
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