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Concrete Jungle (Scorcher Album)
''Concrete Jungle'' is a 2009 debut album by Scorcher released independently. The album is seen as a critical success in electronic music Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music .... The albums has spawned two singles, 'I Know' and 'Lipsin' Ting', neither of which charted. The albums has been widely anticipated by many in the grime scene, but disappointed many in the scene. It features collaborations with the likes of Wiley, J2K, and Wretch 32. The album was inspired by a short freestyle by Scorcher. The 3rd single from the album is 'Dark Knight'. Track listing #"Dark Knight" #"Space Invader" (ft. Wizzy Wow) #"Good Morning" (ft. Wretch 32 and Kay Young) roduced by Vex Music/small> #"Standing On The Chairs" #"I Know" (ft. Wiley and J2K) #"London Boy" #"Trend Setters" (ft. G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scorcher (rapper)
Tayó Grant Jarrett (born 5 April 1986), better known as Scorcher, is an English grime MC, songwriter and actor from Edmonton, London. He was previously a member of the grime collective The Movement and is signed to Blue Colla Music. Career 2005–08: Early career He began his career in Cold Blooded where he became known for his "shank" bars, and would regularly attend pirate radio and work his way up through the North London grime circuit. Scorcher served a short prison sentence in 2006 for driving offences, and while in jail his mixtape ''Simply the Best'' was released and was greeted with good reviews from the grime scene. After an incident with fellow Cold Blooded member Cookie, Scorcher left Cold Blooded to concentrate on a new collective known as The Movement, which featured Scorcher alongside Wretch 32, Devlin, Mercston, and Ghetts. At this point he was involved in a momentous clash that saw him and fellow movement members go up against rival grime collective Boy Bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grime (music)
Grime is a genre of electronic dance music (EDM) that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. Grime's rise in the early 2000s benefited from a time before smartphones and social media dominated the music landscape, allowing the genre to develop at a slower, organic pace. Many of grime's foundational MCs, such as Ghetts, Kano, and Skepta, spent years refining their craft, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Debut Albums
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
