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Colour Mixing
There are three types of color mixing models, depending on the relative brightness of the resultant mixture: ''additive'', ''subtractive'', and ''average''. In these models, mixing black and white will yield white, black and gray, respectively. Physical mixing processes, e.g. mixing light beams or oil paints, will follow one or a hybrid of these 3 models. Each mixing model is associated with several color models, depending on the approximate primary colors used. The most common color models are optimized to human trichromatic color vision, therefore comprising three primary colors. Mixing models Additive model Additive mixing combines two or more colors into a mixture with brightness equal to the ''sum'' of the components' brightnesses. An ideal physical model to demonstrate the additive model comprises two superimposed colored lights aimed at the observer. The additive model is usually demonstrated by reflecting two beams of colored light off a white, matte surface (e.g. projec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. Oil paint also has practical advantages over other paints, mainly because it is waterproof. The earliest surviving examples of oil paint have been found in Asia from as early as the 7th century AD, in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, mostly on wood. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior and exterior use on wood and metal. Due to its slow-drying properties, it has recently been used in paint-on-glass animation. The thickness of the coat has considerable bearing on the time required for drying: thin coats of oil paint dry relatively quickly. The vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pigment
A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use. Dyes are often organic compounds whereas pigments are often inorganic compound, inorganic. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic chemistry, inorganic, organic chemistry, organic, and special pigments were marketed worldwide. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impossible Color
Impossible colors are colors that do not appear in ordinary visual functioning. Different color theories suggest different hypothetical colors that humans are incapable of perceiving for one reason or another, and fictional colors are routinely created in popular culture. While some such colors have no basis in reality, phenomena such as cone cell fatigue enable colors to be perceived in certain circumstances that would not be otherwise. Opponent process The color opponent process is a color theory that states that the human visual system interprets information about color by processing signals from cone and rod cells in an antagonistic manner. The three types of cone cells have some overlap in the wavelengths of light to which they respond, so it is more efficient for the visual system to record differences between the responses of cones, rather than each type of cone's individual response. The opponent color theory suggests that there are three opponent channels: * Red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Theory
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. Modern color theory is generally referred to as color science. While there is no clear distinction in scope, traditional color theory tends to be more subjective and have artistic applications, while color science tends to be more objective and have functional applications, such as in chemistry, astronomy or color reproduction. Color theory dates back at least as far as Aristotle's treatise ''On Colors'' and Bharata_(sage), Bharata's Natya_Shastra, Nāṭya Shāstra. A formalization of "color theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color (''Opticks'', 1704) and the nature of primary colors. By the end of the 19th century, a schism had formed between traditional color theory and color science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Color
Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights, i.e. the perceived color can be predicted by summing the numeric representations of the component colors. Modern formulations of Grassmann's laws describe the additivity in the color perception of light mixtures in terms of algebraic equations. Additive color predicts perception and not any sort of change in the photons of light themselves. These predictions are only applicable in the limited scope of color matching experiments where viewers match small patches of uniform color isolated against a gray or black background. Additive color models are applied in the design and testing of electronic displays that are used to render realistic images containing diverse sets of color using phosphors that emit light of a limited set of primary colors. Examination with a sufficiently powerful magnifying lens will reveal that each pixel in CRT, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halftone
Halftone is the reprographic technique that simulates continuous tone, continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect.Campbell, Alastair. ''The Designer's Lexicon''. ©2000 Chronicle, San Francisco. "Halftone" can also be used to refer specifically to the image that is produced by this process. Where continuous-tone imagery contains an infinite range of colors or greys, the halftone process reduces visual reproductions to an image that is printed with only one color of ink, in dots of differing size (pulse-width modulation) or spacing (frequency modulation) or both. This reproduction relies on a basic optical illusion: when the halftone dots are small, the human eye interprets the patterned areas as if they were smooth tones. At a microscopic level, developed black-and-white photographic film also consists of only two colors, and not an infinite range of continuous tones. For details, see film grain. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red And Yellow Paint Palette
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–750 nanometres. It is a primary color in the RGB color model and a secondary color (made from magenta and yellow) in the CMYK color model, and is the complementary color of cyan. Reds range from the brilliant yellow-tinged scarlet and vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy. Red pigment made from ochre was one of the first colors used in prehistoric art. The Ancient Egyptians and Mayans colored their faces red in ceremonies; Roman generals had their bodies colored red to celebrate victories. It was also an important color in China, where it was used to color early pottery and later the gates and walls of palaces. In the Renaissance, the brilliant red costumes for the nobility and wealthy were dyed with kermes and cochineal. The 19th century brought the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halftone
Halftone is the reprographic technique that simulates continuous tone, continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect.Campbell, Alastair. ''The Designer's Lexicon''. ©2000 Chronicle, San Francisco. "Halftone" can also be used to refer specifically to the image that is produced by this process. Where continuous-tone imagery contains an infinite range of colors or greys, the halftone process reduces visual reproductions to an image that is printed with only one color of ink, in dots of differing size (pulse-width modulation) or spacing (frequency modulation) or both. This reproduction relies on a basic optical illusion: when the halftone dots are small, the human eye interprets the patterned areas as if they were smooth tones. At a microscopic level, developed black-and-white photographic film also consists of only two colors, and not an infinite range of continuous tones. For details, see film grain. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. Pointillism is a technique with few serious practitioners today ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newton Disc
The Newton disk, also known as the disappearing color disk, is a well-known physics experiment with a rotating disk with segments in different colors (usually Newton's primary colors: red, orange, yellow, green, blue, indigo, and violet, commonly known by the abbreviation ROYGBIV) appearing as white (or off-white or gray) when it is spun rapidly on its axis. This type of mix of light stimuli is called temporal optical mixing, a version of additive-averaging mixing. The concept that human visual perception cannot distinguish details of high-speed movements is popularly known as persistence of vision. The disk is named after Isaac Newton. Although he published a circular diagram with segments for the primary colors that he had discovered (i.e., a color wheel), it is unlikely that he ever used a spinning disk to demonstrate the principles of light. He referred to the mixture of colors painted on a spinning top as "dirty" and described several experiments supporting his theory. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RYB Color Model
RYB (an abbreviation of red–yellow–blue) is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. Under traditional color theory, this set of primary colors was advocated by Moses Harris, Michel Eugène Chevreul, Johannes Itten and Josef Albers, and applied by countless artists and designers. The RYB color model underpinned the color curriculum of the Bauhaus, Ulm School of Design and numerous art and design schools that were influenced by the Bauhaus, including the IIT Institute of Design (founded as the New Bauhaus), Black Mountain College, Design Department Yale University, the Shillito Design School, Sydney, and Parsons School of Design, New York. In this context, the term ''primary color'' refers to three exemplar colors (red, yellow, and blue) as opposed to specific pigments. As illustrated, in the RYB color model, red, yellow, and blue are intermixed to create secondary color segments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CMY Color Model
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers to the four ink plates used: cyan, magenta, yellow, and key (most often black). The CMYK model works by partially or entirely masking colors on a lighter, usually white, background. The ink reduces the light that would otherwise be reflected. Such a model is called ''subtractive'', as inks ''subtract'' some colors from white light; in the CMY model, white light minus red leaves cyan, white light minus green leaves magenta, and white light minus blue leaves yellow. In additive color models, such as RGB, white is the ''additive'' combination of all primary colored lights, and black is the absence of light. In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a full c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
